Start your morning the UMBC commuter way.

Join us for breakfast with fellow commuters and connect with helpful on-campus resources. There's no better way to kick off your day!

Good Morning Commuters (GMC) takes place every Tuesday from 8:30–11:00 AM *except one a month when Good afternoon Commuters (GAC) is held* and is complimentary with your Commuter Gold Card.

Gold Cards are a one-time purchase per academic year and can be bought at any GMC event (cash only):

• $5 for Commuter Students

• $10 for Residential & Graduate Students

We can't wait to see you there!

The Albin O. Kuhn Library Gallery presents Lewis Hine in Maryland, on display from August 24 through December 18. The exhibition will be accompanied by Lisa Oppenheim/Lewis Hine: Spine/Verso.

From 1908 to 1924, documentary photographer Lewis Hine (American, 1874–1940) traveled throughout the United States, using his camera to document child labor on behalf of the National Child Labor Committee (NCLC). He photographed children working in coal mines, cotton mills, farms, tenements, and city streets. The NCLC used Hine’s photographs and eyewitness reports to support its campaigns for labor regulation and reform. His images appeared in pamphlets, posters, traveling exhibitions, and lantern-slide presentations across the country. Ultimately, these searing photographs helped shape labor legislation in the United States and established a model for documentary photography.

In July 1909, Hine visited Maryland, photographing child workers at Bottomley berry farms in Anne Arundel County and at the J. S. Farrand Packing Company in Baltimore. Drawn from UMBC’s Photography Collections, this exhibition explores the places and people behind these photographs. A selection of Hine’s most iconic and enduring images situates his Maryland work within the broader context of his documentary project. The exhibition also examines how Hine’s photographs functioned as tools of visual persuasion, working in tandem with captions, pamphlets, slogans, and posters to shape public opinion — and ultimately legislation — regarding the changing role of children in the workforce and in American society.

This exhibition commemorates MD250 and the U.S. Semiquincentennial, exploring themes foundational to the nation’s history, including immigration and migration, the power of documentary photographs, and social justice.

Public Programs

Curatorial tour and opening reception
Thursday September 17, 5 p.m.

Panel Discussion: Food and Labor in Maryland
Thursday October 22, 6 p.m., followed by a reception
This event is co-organized with Department of American Studies and the Orser Center for Public Humanities at UMBC.

Closing reception
Thursday December 3, 6 p.m.

All public program are free and open to the public.

Lisa Oppenheim/Lewis Hine: Spine/Verso

Lewis Hine in Maryland is accompanied by an installation of two works from artist Lisa Oppenheim’s Spine series, in which she appropriates images by Lewis Hine from the Library of Congress. Enlarged to life size, the photographs depict the backs of adolescent textile workers whose bodies were curved and misshapen by their labor. Oppenheim has bifurcated each image along the vertical axis of the spine, emphasizing the physical impact of repetitive work on the body. Lisa Oppenheim/Lewis Hine: Spine/Verso places Oppenheim’s works in dialogue with a selection of photographs from UMBC’s Lewis Hine Collection, displayed with their versos — or backs — visible to viewers.

In 2023, with support from a National Endowment for the Humanities Preservation Assistance Grant, Special Collections staff undertook a major initiative to rehouse the Lewis Hine photographs and digitize their versos. The backs of the photographs bear captions, annotations, and inscriptions by Hine and others employed by the NCLC, testifying to their use in the organization’s publications and promotional campaigns. Together, these materials reveal the many forms of labor documented in Hine’s work and the ways that labor is imprinted upon — and remains legible within — the bodies of his subjects.

Lisa Oppenheim was born in 1975 in New York, New York. She received a BA in art and semiotics from Brown University in 1998 and an MFA in film and video from Bard College in 2001. She attended the Whitney Museum of American Art Independent Study Program for studio art in 2003. Oppenheim’s work has been the subject of solo exhibitions at MUDAM, The Contemporary Art Museum of Luxembourg (2025); Huis Marseille, Amsterdam (2024), Museum of Contemporary Art Denver (2017), and the Museum of Contemporary Art Cleveland (2016). In 2014, Oppenheim was the recipient of the AIMIA|AGO Photography Prize from the Art Gallery of Ontario and the Shpilman International Photography Prize from the Israel Museum. Her work is held in the permanent collections of The J. Paul Getty Museum, Los Angeles, Museum of Modern Art, New York, San Francisco Museum of Modern Art, San Francisco, Solomon R. Guggenheim Museum, New York, Santa Barbara Museum of Art, Santa Barbara, Centre Georges Pompidou, Paris, Carnegie Museum of Art, Pittsburgh, among others. She lives and works in Brooklyn.

Image: Lisa Oppenheim, Correct posture for 4663. Need for advice of examining physician, 2016. Dye sublimation print on aluminum, 41 3/4 x 61 1/2 inches; 106 x 156.2 cm (overall). Courtesy the artist and Tanya Bonakdar Gallery, New York.

Visitor Information

Admission is free. For driving directions and parking information, please visit here.

Library Gallery hours:
Monday, Tuesday, Wednesday, Friday: 10 a.m. – 5 p.m.
Thursday: 10 a.m. – 7 p.m.
Saturday and Sunday: 12 p.m. – 5 p.m.

Top image: Lewis Wickes Hine, Dangerous Business. Boy working at canning machine with open gearing. Many such machines and boys too. J. S. Farrand Packing Co., Baltimore, Maryland, 1909. Gelatin silver print, 5 x 7 in. The Photography Collections, University of Maryland, Baltimore County (UMBC), P858.

Stop by the Career Center anytime between 10:00 AM and 4:00 PM in Math/Psych 201 to have your resume reviewed by a professional career coach, counselor, or a trained peer. This is a great way to prepare for the Career & Internship Fair on Wednesday, September 16.

- Please bring two printed copies of your resume.
- Also, upload your resume to Handshake, UMBC’s jobs and internships platform. Positions are posted daily.

You’ll walk away with clear, actionable next steps to strengthen your resume and get ready for:

UMBC's Fall 2026 Career & Internship Fair

Don’t forget to research the employers who will be attending so you can plan your time wisely. Preparation is the best way to boost your confidence, impress employers, and maximize your success!

To Note: The Career Center offers drop-in resume reviews every Monday-Thursday from 2-4 pm in Math/Psych 201. If you can't make this particular event, we hope to see you during drop-ins or in an appointment on another date. You can schedule appointments with Career Center career coaches and counselors in Handshake. 

Please note: UMBC is committed to creating an accessible and inclusive environment for all faculty, staff, students, and visitors. If you would like to request accommodations for this event due to a disability, please notify us at least two weeks prior to the event. Requests received after that time cannot be guaranteed, but we will do our best to make arrangements for program access. Please contact the event host (careers@umbc.edu) with your specific request and be sure to include the event title, date, and time.

Join us for a discussion about the mysteries of the rosary, and pray with us! 

Are you interested in learning to use Respondus Lockdown Browser (RLDB) in your course to ensure test security? RLDB is a tool designed to reduce students’ opportunities for academic misconduct during assessments, including high-stakes testing offered through Blackboard. The application disables a test taker's computer from performing certain actions, including taking screenshots, opening additional web pages or search engines, accessing particular network traffic, and generally restricting the opportunities for students to receive outside help. 

RLDB can also operate in conjunction with Respondus Monitor which leverages students' computer cameras for real-time proctoring. A monitor session can be viewed live by the instructor through a web conferencing platform, or the system records the student taking the test so the instructor can view later. 

Join this session for an overview of how you can use these applications to provide a recording of students' audio and video during the test or to block students from accessing other applications and websites on their screen. Additional functionality supports multi-camera usage, recording the desktop, and showing your work to support virtual assessments.

This session will focus on:

• How to use LockDown Browser to prevent digital cheating during exams  

• How to use Respondus Monitor to protect exam integrity and to confirm student identity  

• How students use LockDown Browser and Monitor 

• How session data is reviewed, including the 'Review Priority' system, timeline, and milestone features  

• Best practices and tips for success 

• Time for questions & answers 

Registration

To RSVP for the event, please register directly with Respondus. or open the registration link below in your browser:

https://attendee.gotowebinar.com/register/8549259716022994011

JOINING THE SESSION

This session is hosted by Respondus for UMBC instructors and will take place in a virtual meeting room provided to registered participants. 

The Center for Art, Design, and Visual Culture presents Somewhere Over the Rainbow of Row Homes, We Fly, an intergenerational group exhibition organized by curator Angela N. Carroll. On view from August 25 through November 24, the exhibition features artists based in or connected to Baltimore, exploring the city’s cultural landscape through experimental and interdisciplinary practices. The exhibition title is inspired by the narrative poetry of multidisciplinary artist NIA JUNE.

Somewhere Over the Rainbow of Row Homes, We Fly includes work by Kelvin Bulluck, Roy Crosse, Brianna Faulkner, Darrius Fox, Lehna Huie, Jeffrey Kent, Ada Pinkston, Kim Rice, Margaret Rorison, Ernest Shaw, Shan Wallace, and Jasmine Gabrielle Washington, and the presentation of a filmic work produced by the collective NIA JUNE + Kirby Griffin + APoetNamedNate.

Through serial compositions, photographic triptychs, floating installations, and cinema, the participating artists examine themes of home, memory, and community. The exhibition aims to offer perspective on these themes through the lens of Baltimore’s creative community.

Public Programs

Thursday, September 3, 6–8 p.m.
Opening reception and artist panel moderated by Angela N. Carroll in conversation with with Brianna Faulkner, Jeffrey Kent, Kim Rice, Margaret Rorison, and Shan Wallace.

Thursday, October 15, 6–8 p.m.
Free outdoor concert by Brandon Woody alongside public projection of The Unveiling of God / a love letter to my forefathers by NIA JUNE + Kirby Griffin + APoetNamedNate.

Thursday, November 5, 6–8 p.m.
Artist roundtable on experimental praxis, moderated by Ernest Shaw.

November 19, 6–8 p.m.
Artist talk on memory, communal and familial photographipc archives, and land sovereignty, moderated by Jasmine Gabrielle Washington.

About the Curator

In her curatorial work, Angela N. Carroll has organized exhibitions that examine and celebrate Black identity and community memory, elevating artists and historical narratives in the Upper South. Her latest effort, Jerrell Gibbs: No Solace in the Shade at the Brandywine Museum of Art is accompanied by a monograph published by Rizzoli New York. As a scholar, Carroll has contributed critical writing to exhibition catalogs published by The Baltimore Museum of Art, The Des Moines Art Center, The Banneker-Douglass-Tubman Museum, The National Museum of Women in the Arts, Nerman MOCA, and the CueArt Foundation, among many others. These writings evidence her significant contribution to contemporary art historical discourse. Carroll intermittently teaches at American University, MICA and UMBC.

Visitor Information

Admission is free.

The CADVC is open Tuesday and Wednesday from 12 to 5 p.m., and Thursday through Saturday from 10 a.m. to 5 p.m.

Please visit here for directions and parking information.

Visitors who need specific accommodations to attend the exhibition or events should contact the CADVC at cadvc@umbc.edu or 410-455-3188.

All events at CADVC are open for full participation by all individuals regardless of race, color, religion, sex, national origin, or any other protected category under applicable federal law, state law, and the University’s nondiscrimination policy.

Photo by Tedd Henn for UMBC.

We are so excited to continue Between Femmes for the fall semester! Between Femmes is a discussion group that centers around the experiences and life stories of women and feminine identifying students who identify in the LGBTQIA+ spectrum! It is also open to allies, regardless of sex, gender, sexual orientation, gender identity, or gender expression. 

This group centers the experiences of queer identifying women and femmes; we request that students do not use this space for class research or interviews.

This event is open for full participation by all individuals regardless of race, color, religion, sex, national origin, or any other protected category under applicable federal law, state law, and the University's nondiscrimination policy.

Excited to announce that Hebrew Happy Hour will be back biweekly starting September 8th!!

Hebrew Happy Hour is for everyone no matter their level of Hebrew! And there’s free Starbucks!!

Hebrew Happy Hour will be on Tuesday, September 8 from 3pm–4pm in Commons Room 318. If you would like Starbucks during HHH, please fill out the form below by Tuesday, September 8 at 1pm EST.

https://forms.gle/FeRzYCeGGDQMTuyh9

Join our faculty leader, Professor Edgar Reyes, and the Education Abroad Team for a virtual info session to learn about the Mexico City: A Photographic Exploration or Art and Resilience program. We will discuss the itinerary, cultural activities, courses (ART211 or ART495) , and the ins and outs of the application process.

Program Overview

This faculty-led study abroad program invites students to explore Mexico City through the lens of photography, examining how art can document culture, identity, and resilience within a vibrant global metropolis. Students will focus on developing visual storytelling skills through photographic practice and critical analysis. Throughout the program, students will engage with Mexico City's dynamic art scene to explore how photography can capture human relationships, community identity, and the connections between local experiences and broader global issues. Program highlights include visits to major cultural institutions as well as excursions to the ancient city of Teotihuacan and the floating gardens of Xochimilco. Students will also participate in photography walks, artist studio visits, and cultural activities designed to immerse them in the creative life of Mexico City. These experiences provide opportunities for students to strengthen their creative practice while gaining a deeper understanding of Mexican art, culture, and society.

Location Overview

Mexico City, the capital of Mexico, is one of the largest and most culturally rich cities in the world. Known for its dynamic blend of ancient civilizations, colonial history, and contemporary creativity, the city offers an extraordinary environment for artistic exploration and cultural learning. Built on the site of the ancient Aztec capital Tenochtitlán, Mexico City is home to historic landmarks, vibrant neighborhoods, world-renowned museums, and a thriving contemporary art scene. Students will explore areas such as Roma Norte, Condesa, and Coyoacán, neighborhoods known for their artistic communities, historic architecture, markets, and cultural life.

Apply here: https://goabroad.umbc.edu/_portal/tds-program-brochure?programid=50698 

Application deadline: September 21st, 2026

Sing your heart out with (seb) at this Soul Music themed Kareoke event! Come vibe out to the music and sing with your friends. Feeling dramatic? Pretend you’re in a rainy day music video, staring out the window like you just got your heart broken.

Please join the Center for Ethics and Values for the first public forum of the semester:

Diffused Eroticisms: Love, Friendship, and Bisexuality in the Writings of Iris Murdoch

Miles Leeson, Reader in English Literature, Director of the Iris Murdoch Research Centre, University of Chichester

Mark Hopwood, Assistant Professor of Philosophy, University of Maryland, Baltimore County

While she is pre-eminent as one of the twentieth century's great novelists and philosophers, Iris Murdoch's life as a poet has languished in the shadows. Yet throughout her life she wrote, revised and re-wrote a sizeable collection of poems; publishing some but keeping many private and—ultimately—shut in a chest in her attic.

Their recent discovery marks a significant literary event. Ranging over nearly six decades, these searing, confessional poems balance craft with playfulness; psychological insight with Murdoch's own personal feelings. As an autobiographical account, they are unlike anything else. They shine a new light on Iris Murdoch's turbulent relationships with men and women, her decades-long marriage and extraordinary life.

At this event, Miles Leeson—co-editor of the recently released Poems from an Attic (2026), a carefully edited collection of Murdoch's posthumously discovered poems—will discuss Murdoch's exploration of the boundaries of poetry, philosophy, relationships, and sexuality with Mark Hopwood, UMBC faculty member and author of the book Iris Murdoch's Moral Philosophy (2025). 

Following the discussion, we will invite the audience to join the conversation!

Preregistration is encouraged but not required.

Questions? Please email ethics@umbc.edu

This event is presented by the Center for Ethics and Values and co-sponsored by Department of Philosophy; Dresher Center for the Humanities; Department of English; Department of Gender, Women’s, + Sexuality Studies

This public forum is open for full participation by all individuals regardless of race, color, religion, sex, national origin, or any other protected category under applicable federal law, state law, and the University's nondiscrimination policy.

Auditions are now open for ALL singers and beatboxers!

If you sing or beatbox at any level, please sign up to audition for Cleftomaniacs! We're an all-gender a cappella group looking for all voice ranges and types <33

Auditions will be held on Tuesday, September 8th and Thursday, and September 10th--both at 7:30pm in FA 306; however, you are also welcome to audition online! Please note that callbacks will be in person.

Go to https://docs.google.com/forms/d/e/1FAIpQLSeCiHeLyY4d63lvT9-YAa78xLSt2wgC7mH1qLsof9yBU4CPlA/viewform to sign up, and feel free to message @umbc_cleftomaniacs on Instagram for any questions!
We hope to see you at auditions!

An energy-restoring course designed to increase flexibility and mind-body awareness through poses.

This training is intended for new Property Custodians or any UMBC Property Custodians and support staff that require a refresher on maintaining the departments inventory.
The training will review the following:

• Equipment
• Capital & Sensitive
• Account Codes
• Acquisitions
• Equipment Tagging
• Inventory Control Forms
• Disposal Procedures
• Physical Inventory Policy
• Physical Inventory Procedures
• Inventory Forms Navigation
• PeopleSoft Navigation

The Albin O. Kuhn Library Gallery presents Lewis Hine in Maryland, on display from August 24 through December 18. The exhibition will be accompanied by Lisa Oppenheim/Lewis Hine: Spine/Verso.

From 1908 to 1924, documentary photographer Lewis Hine (American, 1874–1940) traveled throughout the United States, using his camera to document child labor on behalf of the National Child Labor Committee (NCLC). He photographed children working in coal mines, cotton mills, farms, tenements, and city streets. The NCLC used Hine’s photographs and eyewitness reports to support its campaigns for labor regulation and reform. His images appeared in pamphlets, posters, traveling exhibitions, and lantern-slide presentations across the country. Ultimately, these searing photographs helped shape labor legislation in the United States and established a model for documentary photography.

In July 1909, Hine visited Maryland, photographing child workers at Bottomley berry farms in Anne Arundel County and at the J. S. Farrand Packing Company in Baltimore. Drawn from UMBC’s Photography Collections, this exhibition explores the places and people behind these photographs. A selection of Hine’s most iconic and enduring images situates his Maryland work within the broader context of his documentary project. The exhibition also examines how Hine’s photographs functioned as tools of visual persuasion, working in tandem with captions, pamphlets, slogans, and posters to shape public opinion — and ultimately legislation — regarding the changing role of children in the workforce and in American society.

This exhibition commemorates MD250 and the U.S. Semiquincentennial, exploring themes foundational to the nation’s history, including immigration and migration, the power of documentary photographs, and social justice.

Public Programs

Curatorial tour and opening reception
Thursday September 17, 5 p.m.

Panel Discussion: Food and Labor in Maryland
Thursday October 22, 6 p.m., followed by a reception
This event is co-organized with Department of American Studies and the Orser Center for Public Humanities at UMBC.

Closing reception
Thursday December 3, 6 p.m.

All public program are free and open to the public.

Lisa Oppenheim/Lewis Hine: Spine/Verso

Lewis Hine in Maryland is accompanied by an installation of two works from artist Lisa Oppenheim’s Spine series, in which she appropriates images by Lewis Hine from the Library of Congress. Enlarged to life size, the photographs depict the backs of adolescent textile workers whose bodies were curved and misshapen by their labor. Oppenheim has bifurcated each image along the vertical axis of the spine, emphasizing the physical impact of repetitive work on the body. Lisa Oppenheim/Lewis Hine: Spine/Verso places Oppenheim’s works in dialogue with a selection of photographs from UMBC’s Lewis Hine Collection, displayed with their versos — or backs — visible to viewers.

In 2023, with support from a National Endowment for the Humanities Preservation Assistance Grant, Special Collections staff undertook a major initiative to rehouse the Lewis Hine photographs and digitize their versos. The backs of the photographs bear captions, annotations, and inscriptions by Hine and others employed by the NCLC, testifying to their use in the organization’s publications and promotional campaigns. Together, these materials reveal the many forms of labor documented in Hine’s work and the ways that labor is imprinted upon — and remains legible within — the bodies of his subjects.

Lisa Oppenheim was born in 1975 in New York, New York. She received a BA in art and semiotics from Brown University in 1998 and an MFA in film and video from Bard College in 2001. She attended the Whitney Museum of American Art Independent Study Program for studio art in 2003. Oppenheim’s work has been the subject of solo exhibitions at MUDAM, The Contemporary Art Museum of Luxembourg (2025); Huis Marseille, Amsterdam (2024), Museum of Contemporary Art Denver (2017), and the Museum of Contemporary Art Cleveland (2016). In 2014, Oppenheim was the recipient of the AIMIA|AGO Photography Prize from the Art Gallery of Ontario and the Shpilman International Photography Prize from the Israel Museum. Her work is held in the permanent collections of The J. Paul Getty Museum, Los Angeles, Museum of Modern Art, New York, San Francisco Museum of Modern Art, San Francisco, Solomon R. Guggenheim Museum, New York, Santa Barbara Museum of Art, Santa Barbara, Centre Georges Pompidou, Paris, Carnegie Museum of Art, Pittsburgh, among others. She lives and works in Brooklyn.

Image: Lisa Oppenheim, Correct posture for 4663. Need for advice of examining physician, 2016. Dye sublimation print on aluminum, 41 3/4 x 61 1/2 inches; 106 x 156.2 cm (overall). Courtesy the artist and Tanya Bonakdar Gallery, New York.

Visitor Information

Admission is free. For driving directions and parking information, please visit here.

Library Gallery hours:
Monday, Tuesday, Wednesday, Friday: 10 a.m. – 5 p.m.
Thursday: 10 a.m. – 7 p.m.
Saturday and Sunday: 12 p.m. – 5 p.m.

Top image: Lewis Wickes Hine, Dangerous Business. Boy working at canning machine with open gearing. Many such machines and boys too. J. S. Farrand Packing Co., Baltimore, Maryland, 1909. Gelatin silver print, 5 x 7 in. The Photography Collections, University of Maryland, Baltimore County (UMBC), P858.

This in-person session, hosted by Procurement and Strategic Sourcing, will cover important information relevant for purchasing card (P-card) cardholders and P-card supervisors. 
Information covered will include limitations, fraud, split purchases, prohibited and limited purchases, documentation and reconciliation.  
The session will also provide an opportunity for questions.

Join our faculty leader, Dr. Sidas “Sy” Saulynas, and the Education Abroad Team for a hybrid drop-in session to learn about The Practice of Management: Global Perspectives in Panama program. We will discuss the itinerary, cultural activities, course options (MGMT210 or IS400), and the ins and outs of the application process.

Program Overview

Embark on an immersive academic journey in Panama! Delve into the intricacies of global management practices as you engage in structured and unstructured cultural activities, gaining firsthand insights into the impact of culture on organizational dynamics. Engage with industry professionals through meetings with organizational managers in Panama, who will elucidate the unique challenges they navigate in their managerial contexts. Elevate your academic experience by analyzing and comparing real-world practices with theoretical concepts discussed in lectures, fostering a comprehensive understanding of global management principles.

Location Overview

Nestled at the crossroads of culture and commerce, Panama City offers an unparalleled backdrop for the Program. As the vibrant capital of Panama, this bustling metropolis seamlessly blends modern skyscrapers with historic charm, providing a dynamic environment for academic exploration. You will have the unique opportunity to explore the rich cultural tapestry of Panama through both structured and unstructured activities, gaining valuable insights into the local business landscape. With its strategic location connecting North and South America, Panama City serves as an ideal hub for understanding global management practices in the context of diverse cultural dimensions.

Apply here: https://goabroad.umbc.edu/_portal/tds-program-brochure?programid=47470

Application deadline: September 21st, 2026

Join us to make and create using various writing technologies (e.g., typewriter, letterpress, rubber stamps, button maker, etc.). You can take home what you make the same day and earn a ticket to redeem for a snow cone and prizes.

Join us on Wednesday, September 9 from 11:00 a.m. to 1:30 p.m. in PAHB 428 for a makerspace event! 

Design a button, compose a typewriter poem, create a letterpress print and more! Redeem a ticket for a FREE SNOW CONE and pick up some English Dept. merch. Bring a friend! 

It’s time to get excited - The UMBC Career Center Employer Partner T. Rowe Price is coming to UMBC for a special campus visit to share more about the wonderful opportunities they offer!

About T. Rowe Price
Headquartered in Baltimore, MD, T. Rowe Price is a growing, global organization with diverse backgrounds, experiences, and talent—ranging from arts and financial economics to technology and management, history. What we all have in common is a set of values and beliefs that guide how we work and every decision we make. We’re always looking for talented people who are inspired by collaboration and providing the best solutions to help our clients succeed.

Current Opportunities at T. Rowe Price

INTERNSHIPS JUST POSTED:

• 2027 Client Services Internship Program
• 2027 Controllers & Global Tax Group Internship Program
• 2027 Digital Assets Strategy Internship Program
• 2027 Financial Planning & Analysis Internship Program
• 2027 Fund Accounting Internship Program
• 2027 Global Trading Internship Program
• 2027 Investment Operations Internship Program
• 2027 Quantitative Equity Investing Internship Program
• 2027 Sales & Client Engagement Internship Program

Tentative Agenda
Below is a snapshot of what the day may look like. Representatives know students have class schedules to plan around - drop in anytime!

11:00am -12:00pm: Open Networking with Recruiters 
Introduce yourself and get your company questions answered
Drop off/submit your resume

12:00pm - 1:00pm: Company Presentation/Panel
Learn about open opportunities and pathways
Get to know the company culture

1:00pm -2:00pm : Continued Networking with Company Representatives
Ask any remaining hiring process, resume, open opportunity questions
Drop off/submit your resume

Feel free to stop by as your schedule permits.

__________________________________________________________________________________________________

What is a Career Center Employer Partner?
This is an employer that has made a strong commitment to hiring UMBC talent and demonstrates this through specialized events and strategic hiring efforts. These employers are eager to meet with you and they purposefully seek to further their legacies of hiring UMBC talent.

What is UMBC Connects?
On Wednesdays from 11am - 2pm throughout the semester, the UMBC Connects series offers you the opportunity to meet with recruiters and representatives from organizations that have partnered with the Career Center. Come introduce yourself and learn more about the visiting companies that are committed to connecting with UMBC talent.

Please note: UMBC is committed to creating an accessible and inclusive environment for all faculty, staff, students, and visitors. If you would like to request accommodations (e.g., ASL interpreters, captioning, wheelchair access, etc.) for this event, please notify us at least two weeks prior to the event. Requests received after that time cannot be guaranteed, but we will do our best to make arrangements for program access. Please contact the event host (careers@umbc.edu) with your specific request and be sure to include the event title, date, and time.