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<NewsItem contentIssues="true" id="41714" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/41714">
<Title>Emeritus Professor Ed Orser is featured in UMBC Magazine!</Title>
<Tagline>Check out the latest issue, Winter 2014</Tagline>
<Body>
<![CDATA[
    <div class="html-content">Click on this <a href="https://www.facebook.com/UMBC.AMST/photos/a.323872291008232.80511.233357663393029/663869357008522/?type=1&amp;theater" rel="nofollow external" class="bo">link</a> to see the page.<br>
    </div>
]]>
</Body>
<Summary>Click on this link to see the page.</Summary>
<Website>https://www.facebook.com/UMBC.AMST/photos/a.323872291008232.80511.233357663393029/663869357008522/?type=1&amp;theater</Website>
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<Sponsor>American Studies Department</Sponsor>
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<PostedAt>Mon, 24 Feb 2014 11:51:40 -0500</PostedAt>
<EditAt>Mon, 24 Feb 2014 11:51:48 -0500</EditAt>
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<NewsItem contentIssues="true" id="41480" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/41480">
<Title>Professor King's blog post</Title>
<Tagline>"How to be an AMST Public History Private Investigator"</Tagline>
<Body>
<![CDATA[
    <div class="html-content">Andrew Ross has famously framed the work of American studies (or at least his work) as “scholarly reportage,” by which he means the “blending of ethnography and investigative journalism.” In a sense we are asking the critical questions of our times and using whatever methods and tools we can get our hands on the answers to them. <br><br>[Click on the website link to read more.]<br>
    </div>
]]>
</Body>
<Summary>Andrew Ross has famously framed the work of American studies (or at least his work) as “scholarly reportage,” by which he means the “blending of ethnography and investigative journalism.” In a...</Summary>
<Website>http://preservingplaces.wordpress.com/2014/02/17/how-to-be-an-american-studies-public-history-private-investigator-pi/</Website>
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<Sponsor>Preseving Places Project</Sponsor>
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<PostedAt>Tue, 18 Feb 2014 07:31:12 -0500</PostedAt>
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<NewsItem contentIssues="true" id="41316" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/41316">
<Title>Internship: MD State Archives Summer Program</Title>
<Tagline>Deadline: Monday, March 31</Tagline>
<Body>
<![CDATA[
    <div class="html-content">There are position openings in history, information technology/computer science, women's studies, and records management. <br><br>[Click on the link for more information.]<br>
    </div>
]]>
</Body>
<Summary>There are position openings in history, information technology/computer science, women's studies, and records management.   [Click on the link for more information.]</Summary>
<Website>http://msa.maryland.gov/msa/intromsa/employ/html/employ.html</Website>
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<Sponsor>Maryland State Archives</Sponsor>
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<PostedAt>Thu, 13 Feb 2014 00:16:56 -0500</PostedAt>
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<NewsItem contentIssues="true" id="40763" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/40763">
<Title>AMST Profs. King and Stefano in the City Paper</Title>
<Tagline>Robert Williams brings African culture to Hollins Market</Tagline>
<Body>
<![CDATA[
    <div class="html-content">Robert Williams is standing on the corner of Hollins Street and South Arlington Avenue, outside Umiri Siki, or “New Day” Gallery, which he runs. African masks and sculptures and African-American collectables crowd the cramped store, where there is no room for customers to actually enter. Williams acts as a guide, bringing items out to the sidewalk to connect his customers with the pieces they desire.<br><br>[To read more, click on the website link.]<br><br><br>
    </div>
]]>
</Body>
<Summary>Robert Williams is standing on the corner of Hollins Street and South Arlington Avenue, outside Umiri Siki, or “New Day” Gallery, which he runs. African masks and sculptures and African-American...</Summary>
<Website>http://citypaper.com/news/different-presence-1.1624156</Website>
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<Sponsor>American Studies Department</Sponsor>
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<PostedAt>Wed, 29 Jan 2014 16:14:51 -0500</PostedAt>
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<NewsItem contentIssues="true" id="40605" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/40605">
<Title>CFP: Collaboration and Innovation Across the Food System</Title>
<Tagline>U of Vermont, Jun 18-22, 2014. Deadline: Feb 1</Tagline>
<Body>
<![CDATA[
    <div class="html-content">This year’s <a href="http://www.food-culture.org/" rel="nofollow external" class="bo">ASFS/AFHVS</a> Annual meeting and Conference invites dialogue about the importance of collaboration and innovation across the food system. Such dialogue can occur at many levels: across disciplines, between locations, amongst community members.<br><br>[Click on the link for more information.]<br><br><br>
    </div>
]]>
</Body>
<Summary>This year’s ASFS/AFHVS Annual meeting and Conference invites dialogue about the importance of collaboration and innovation across the food system. Such dialogue can occur at many levels: across...</Summary>
<Website>http://www.uvm.edu/conferences/foodsystems/?Page=abstracts.html</Website>
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<Sponsor>Association for the Study of Food and Society</Sponsor>
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<NewsItem contentIssues="true" id="40594" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/40594">
<Title>CFP: Southern Association for Women Historians Conference</Title>
<Tagline>Southern Women, Historical Tourism &amp; Public History, Jun '15</Tagline>
<Body>
<![CDATA[
    <div class="html-content">The Southern Association for Women Historians (SAWH) invites proposals for its tenth triennial conference, to be held June 11-14, 2015 at the College of Charleston in Charleston, South Carolina. Co-sponsored by the College of Charleston, The Citadel, and Clemson University, the conference provides a stimulating and congenial forum for discussing all aspects of women’s history. Its program seeks to reflect the best in recent scholarship and the diversity of our profession, including university professors, graduate students, museum curators, public historians, and independent scholars. We invite sessions on any dimension of southern women’s and gender history and particularly welcome presentations that explore the conference themes: public history, tourism, memory, historic commemoration, and marketing southern history.<br><br>[Click on the link for more information.]<br>
    </div>
]]>
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<Summary>The Southern Association for Women Historians (SAWH) invites proposals for its tenth triennial conference, to be held June 11-14, 2015 at the College of Charleston in Charleston, South Carolina....</Summary>
<Website>https://networks.h-net.org/node/2602/discussions/8599/cfp-southern-association-women-historians-conference</Website>
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<Sponsor>Southern Association for Women Historians</Sponsor>
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<PostedAt>Sat, 25 Jan 2014 16:26:15 -0500</PostedAt>
<EditAt>Sat, 25 Jan 2014 16:27:51 -0500</EditAt>
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<NewsItem contentIssues="true" id="40445" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/40445">
<Title>AFST Students: Earn a FREE ticket to see the Alvin Ailey Co!</Title>
<Tagline>Contact Dr. King-Meadows by January 31, 2014</Tagline>
<Body>
<![CDATA[
    <div class="html-content">AFST will give one FREE orchestra ticket to an AFST major or minor who is interested in attending the Saturday, February 8, 2014, performance of the Alvin Ailey American Dance Theater to be held at the John F. Kennedy Center for the Performing Arts. The ticket includes a pre-show reception at 6 pm sponsored by the Chapter of Black and Latino Alumni of UMBC. Show at 7:30 pm.<br><br>The captivating performances include Jirí Kylián's sensual and surprising Petite Mort; in-demand choreographer Aszure Barton's exhilarating D.C. premiere of LIFT; and Alvin Ailey's enduring classic, Revelations. <br><br>Students interested in the free ticket must contact Dr. King-Meadows (<a href="mailto:tkingmea@umbc.edu" rel="nofollow external" class="bo">tkingmea@umbc.edu</a>) by January 31st. Graduating seniors are especially encouraged to inquire about the free ticket. The ticket does not include transportation to or from the Kennedy Center. The free ticket represents an $85 value and is not transferable. <br><br>Award recipient must sit within the orchestra block assigned to the Chapter of Black and Latino Alumni. Award recipient must also submit to AFST a 500-word essay about their experiences at the dance performance no later than one week following the event.<br>
    </div>
]]>
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<Summary>AFST will give one FREE orchestra ticket to an AFST major or minor who is interested in attending the Saturday, February 8, 2014, performance of the Alvin Ailey American Dance Theater to be held...</Summary>
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<Sponsor>Africana Studies</Sponsor>
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<PostedAt>Tue, 21 Jan 2014 13:33:05 -0500</PostedAt>
<EditAt>Tue, 21 Jan 2014 13:45:53 -0500</EditAt>
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<NewsItem contentIssues="true" id="40442" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/40442">
<Title>Apply for Research Fellowships at the University of Alabama</Title>
<Tagline>8 fellowships in the amount of $500 each</Tagline>
<Body>
<![CDATA[
    <div class="html-content">To support the study of southern history and promote the use of the collections housed at the University of Alabama, the Frances S. Summersell Center for the Study of the South and the University of Alabama Libraries will offer a total of eight fellowships in the amount of $500 each for researchers whose projects entail work to be conducted in southern history or southern studies at the W.S. Hoole Special Collections Library (<a href="http://www.lib.ua.edu/libraries/hoole/">http://www.lib.ua.edu/libraries/hoole/</a>), the A.S. Williams III Americana Collection (<a href="http://www.lib.ua.edu/williamscollection">http://www.lib.ua.edu/williamscollection</a>), or in other University of Alabama collections.<br><br>[Read more on the link for more information.]<br>
    </div>
]]>
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<Summary>To support the study of southern history and promote the use of the collections housed at the University of Alabama, the Frances S. Summersell Center for the Study of the South and the University...</Summary>
<Website>https://networks.h-net.org/node/2602/discussions/7988/fund-research-fellowships-frances-s-summersell-center-study-south</Website>
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<Sponsor>Summersell Center for the Study of the South</Sponsor>
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<PostedAt>Tue, 21 Jan 2014 12:48:53 -0500</PostedAt>
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<NewsItem contentIssues="true" id="40358" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/40358">
<Title>Internships at the NMAAHC!</Title>
<Tagline>The National Museum of African American History &amp; Culture</Tagline>
<Body>
<![CDATA[
    <div class="html-content">Internships with the National Museum of African American History and Culture (NMAAHC) are a unique opportunity to participate in the making of a new museum. Interns complete projects using the resources of NMAAHC and other Smithsonian Institution museums and offices. Internships are an opportunity for students to assist in the building of the museum's collections, exhibitions, and programs and to meet professionals in the museum field. Projects vary by department. Most projects provide interns with museum practice and program development experience; some projects are research oriented. Internships are offered based upon the availability of professional staff. This is determined on a case-by-case basis.<br><br>[Follow the link for more information.]<br><br><br><br>
    </div>
]]>
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<Summary>Internships with the National Museum of African American History and Culture (NMAAHC) are a unique opportunity to participate in the making of a new museum. Interns complete projects using the...</Summary>
<Website>http://www.nmaahc.si.edu/GetInvolved/intern-projects</Website>
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<Sponsor>American Studies Department</Sponsor>
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<PostedAt>Fri, 17 Jan 2014 09:59:41 -0500</PostedAt>
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<NewsItem contentIssues="true" id="39940" important="false" status="posted" url="https://my3.my.umbc.edu/groups/amst/posts/39940">
<Title>Call for Proposals: American Society for Theatre Research</Title>
<Tagline>November 20-23, 2014, Baltimore</Tagline>
<Body>
<![CDATA[
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    <strong>What performs?</strong><br><br>What might our discipline gain from decentering the human as theatre’s actor, author, and agent? What else performs? How does placing non-humans center stage expand our historiographic imagination, putting new pressure on familiar methods, and breathing new life into objects/subjects long dismissed as the inert material from which performance, and performance history, is fashioned? What new understandings of performance emerge from this effort? And how might they enrich discourse in other disciplines where "performance” is an oft-cited but little understood concept? <br><br><br>
    </div>
]]>
</Body>
<Summary>What performs?  What might our discipline gain from decentering the human as theatre’s actor, author, and agent? What else performs? How does placing non-humans center stage expand our...</Summary>
<Website>http://www.astr.org/?page=14_Call</Website>
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<PostedAt>Sun, 05 Jan 2014 17:17:44 -0500</PostedAt>
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