CFP - Happiness

Thu, 16 Mar 2017 19:41:15 -0400
cfp

Emergent research into happiness is still largely situated in fields such as sociology, psychology, and neuroscience. Traditionally the uncontested domain of the Humanities, the question of “How should we live?” is too rarely approached in contemporary literary and cultural studies. Indeed, even in a thriving field such as affect studies, research still largely focuses on negative emotions, ugly feelings (Ngai), shame (Probyn), paranoia (Sedgwick), failure (Halberstam), and the cruelty of optimism (Berlant). But perhaps the critical tide is turning. Scholars are beginning to theorise the end of our well-rehearsed “hermeneutics of suspicion,” and conjecturing what comes after (Felski). They are mapping the potential path for a “eudaimonic criticism” (Pawelski & Moore) and an “ethics of hope” (Braidotti), looking towards a more positive future (Muñoz). Critical and historical studies on empathy (Meghan; Keen), joy (Potkay) and happiness itself (Ahmed) are also emerging.

Inspired by the growing body of scholarship on optimistic representations of gender, sexuality, and queerness, Writing from Below enters the fray with this invitation to explore and interrogate positive, successful, fulfilling, life-affirming expressions of gender and sexuality in contemporary or historical literature, culture, and society.

Papers could engage with (but are not limited to):

Pleasure, joy, jouissance, delight, splendour, enchantment, empathy, and kindness

Love, passion, and amour fou

Middlebrow pleasure

Living the queer life, and queer(ing) happiness

Eudaimonia, mindfulness, and wellbeing

Eudaimonic reading, and the eudaimonic turn in cultural and literary studies

The hermeneutics of suspicion, paranoid and reparative reading, and their aftermath

Ethical criticism, the ethics of hope, and hopelessness

The body as site of happiness, joy, pleasure, etc.

Affect, the theories and/or histories of positive emotions

Celebration, and celebration as protest

Burlesque, clowning, circus, carnivals, and the carnivalesque

Kitsch, camp, and drag

Sex and play, sex lives, fun

Vitality, verve, vigour, and liveliness

Biological life, bios, zoe, survival, sur-vivre [living-on], affirmation

The utopian tendencies of gender studies and queer theory

The (queer) future, queer futurity, and happy endings

Gender studies and queer theory are located across and between disciplines, and so we welcome submissions from across (and outside of, against and up against) the full cross-/inter/-trans-disciplinary spectrum, and from inside and outside of conventional academia.

Do not be limited. Be brave. Play with form, style, and genre. Invent, demolish, reimagine.

The deadline for submissions is 29 May 2017.

Written submissions, whether critical or creative, should be between 3,000 and 6,000 words in length, and should adhere strictly to the 16th edition of the Chicago Manual of Style.

All submissions—critical, creative, and those falling in between; no matter the format or medium—will be subject to a process of double-blind peer review.

For more information, please contact our guest editor, Dr Juliane Roemhild: J.Roemhild@latrobe.edu.au