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<NewsItem contentIssues="false" id="90166" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/90166">
<Title>Inscription: The Journal of Material Text</Title>
<Tagline>Open Call for contributions for first edition of new journal</Tagline>
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<![CDATA[
    <div class="html-content"><div><em><strong>Inscription </strong></em>is an innovative new peer-reviewed journal which addresses the theme of the material text from a range of perspectives, bringing together the critical, historical, theoretical and creative.</div><div><br></div><div>The theme for the inaugural edition is "beginnings," planned for September 2020. Submitted articles should be between 6 to 8,000 words that approach this theme from imaginative angles. <br></div><div><br></div><div>Please see the attached flyer for details.</div><div><br></div><div>Submissions should be sent electronically by June 1, 2020. <br></div><div><br></div><div><br></div><em></em></div>
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<Summary>Inscription is an innovative new peer-reviewed journal which addresses the theme of the material text from a range of perspectives, bringing together the critical, historical, theoretical and...</Summary>
<Website>http://www.informationasmaterial.org/?LMCL=PcM2SU</Website>
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<Sponsor>information as material</Sponsor>
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<PostedAt>Wed, 05 Feb 2020 15:20:16 -0500</PostedAt>
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<NewsItem contentIssues="false" id="71293" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/71293">
<Title>CFP: ELO 2018</Title>
<Body>
<![CDATA[
    <div class="html-content"><h5>CALL FOR PAPERS - ELO 2018</h5><h5>Mind the Gap!</h5><h5>Thinking Electronic Literature in a Digital Culture:</h5><h5>Explorations and Interventions</h5><a href="http://elo2018.org/">http://elo2018.org/</a><br> <br><br>The Electronic Literature Organization (ELO) is pleased to announce its 2018 Conference and Festival, hosted by the Université du Québec à Montréal. The Conference, the Festival and Exhibits will be held August 13th to 17th in downtown Montréal, Québec, Canada. Mind the Gap! will be bilingual, with both English and French tracks, showcasing Montreal’s important and dynamic local Québécois e-lit/digital arts community and extending a special welcome to e-lit’s global francophonie.  <br><br>The aim of this conference is to think about e-lit in a digital culture. What is its relationship to current cultural practices and trends? Two directions are proposed: explorations and interventions. The first direction features e-lit’s exploratory nature, its formal aspects, its use of technology, its renewal of narrative conventions, and at the same time its impact on literary theories and methodologies to renew themselves. The second direction considers e-lit’s  place in the public sphere, its relationship to digital and urban culture, to forms of conservation and presentation, and also to performance.<br><br><strong>TOPICS</strong><br><br>Possible topics for presentations, performances and exhibits are:<br><br><ul><li>Gaps in the field</li><li>Translation gaps: code, natural language, media</li><li>Narrative theory, temporal gaps and the imaginative space of the in-between</li><li>Understanding e-lit: towards digital methodologies and/or pedagogies</li><li>Mobile technologies’ effect on writing and reading habits</li><li>Perceptual gaps: AR, VR, and Linking Structures</li><li>Politics of e-lit: gaps between reception communities</li><li>Gaps and Bridges between e-lit and digital humanities</li><li>Gender gaps in e-lit</li><li>Spoken screens: the gap between performance and presence</li><li>Linguistic and cultural specificities to E-lit</li><li>Electronic literature and urban culture</li><li>Mind the gap! E-lit and humour</li><li>Gaps between datasets and interfaces</li><li>Archiving differences between libraries and museums</li><li>Exhibition differences: ephemeral and permanent installations</li><li>What is different about e-lit for children?</li></ul><strong>SUBMISSION GUIDELINES</strong><br><br>For the Conference (peer-reviewed):<br><br><ul><li>Paper (15 min - a presentation of a single paper by one or more authors - 500 word abstract).</li><li>Lightning talk (5 min - a short paper for a focused presentation - 250 word abstract).</li><li>Poster (1 page poster). n.b. A poster can be combined with a lightning talk.</li><li>Panel (90 min - a proposal for a complete panel including 3 or 4 separate papers on the same general topic - 250 word overview plus 500 word individual abstracts).</li><li>Pre-conference Workshop (Action sessions, focused on hands-on group work on a given project or topic - 500 word abstract).</li></ul>For the Festival (peer-reviewed):<br><br><ul><li>Performance and screening (10 min - readings, actions, interventions - 250 word abstract; provide links to images, videos, etc.)</li><li>Gallery exhibit (provide description of installation, as well as technical needs)</li></ul><br><strong>Submissions open: October 16th, 2017 to December 15th, 2017.</strong><br><br>Acceptances sent out: January 30th, 2018.<br><br>You must attend the conference to appear on the program. You may submit as many proposals as you want, but participants may present a maximum of two pieces/papers.<br><br>Registration: Early registration will close April 30st, 2018. There will be a registration fee for the Conference (to be determined), which will include ELO Membership, invitations to all sessions of the Conference, the Festival, and the Exhibits. Lunch and coffee-breaks will be served. Conference banquet requires an additional fee.<br><br>The conference will be hosted by the University du Québec à Montréal, at the Berri-UQAM subway station. The campus is fully wheelchair accessible. ELO 2018 is committed to making its conference accessible and will provide a simple accessibility guide to all venues.<br><br>Some of the sessions will be streamed via the Conference website.<br><br>For more information, contact Bertrand Gervais, ELO 2018 Chair, <a href="mailto:elo2018mtl@gmail.com">elo2018mtl@gmail.com</a></div>
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<Summary>CALL FOR PAPERS - ELO 2018  Mind the Gap!  Thinking Electronic Literature in a Digital Culture:  Explorations and Interventions http://elo2018.org/    The Electronic Literature Organization (ELO)...</Summary>
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<Sponsor>The Electronic Literature Organization (ELO)</Sponsor>
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<PostedAt>Thu, 19 Oct 2017 20:15:16 -0400</PostedAt>
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<NewsItem contentIssues="false" id="71263" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/71263">
<Title>CFP: Showing	Up, Making Space, and the Political Imagination</Title>
<Tagline>TU Communication Studies Symposium</Tagline>
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<![CDATA[
    <div class="html-content"><h5>Call for Papers:</h5><h5>Towson University Communication Studies Symposium: Showing Up, Making Space, and the Political Imagination of Diversity - April 27, 2018</h5><p><br></p><p>Sara Ahmed’s 2012 <em>On Being Included: Racism and Diversity in Institutional Life</em> offers a reflexive look at the slow calcification of diversity within higher education where diversity becomes a non-performative: as long as you say you are working towards diversity you don’t have to really do anything else. Since publication, her framing of diversity and the rhetoric of tolerance is more salient than ever. At Towson University in 2015, #OccupyTowson students pushed diversity to praxis and staged a sit-in to demand action on key issues for marginalized students. Towson, along with universities across the country, are seeing students move diversity from a contained professional “institutional commitment” to a demand for real change in the lived experiences of students. Statements without action are not enough.</p><p>On the occasion of these vital conversations and movements, the 2018 Communication Studies Symposium convenes Towson University, and the surrounding Towson and Baltimore community to engage in a day-long event which confronts themes of diversity, inclusion, and social justice. The symposium aims to engage and mobilize these themes within the context of action and praxis. What does it mean to embody social justice praxis? Are some embodiments burdens? What challenges does “diversity work” face? Does diversity lose its activist roots when institutionalized? How do our bodies respond to institutional exclusions? What does the labor of inclusion look like? Who ought to show up? Shut up? Where do praxis and identity intersect? What are the contours of intersectional social justice?</p><p>The Communication Studies major at Towson University invites faculty, students, activists, and community members to join us for a day of productive difficult dialogues at the intersection of identity- formation, embodiment, and social justice. Through foregrounding the activist work of scholar Dr. Amber Johnson (the symposium’s keynote address), the symposium aims to ignite discussions about our socially unjust world in which “we experience moments that require small and large acts of repair.” Part of that repair process is showing up, making space, and engaging in wound and wonder alike.</p><p>We invite you to show up and make space with paper presentations, performances, and creative work during morning and afternoon break-out sessions. The symposium seeks active dialogue from participants within the context of (but not limited to) the following points of departure:</p><ul><li>Postracial rhetoric and racism</li><li>(Trans)gender/Racial/Sexual Justice</li><li>Rhetorics of toleranceMicro/Macro aggressions and institutional life</li><li>Political coalition-building and collaboration</li><li>The problem(s) of diversity</li><li>Invisible power of whiteness</li><li>Art activism and identity</li><li>Embodiment, affect, and agency<br></li></ul><p>Please submit an abstract of no more than 500 words to <a href="mailto:CommStudiesSymposium@towson.edu">CommStudiesSymposium@towson.edu</a> . Be sure to include your name, title, and affiliation. Feel free to email with questions. <strong>Deadline: Jan 1, 2018</strong>.<br> <br></p></div>
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<Summary>Call for Papers:  Towson University Communication Studies Symposium: Showing Up, Making Space, and the Political Imagination of Diversity - April 27, 2018     Sara Ahmed’s 2012 On Being Included:...</Summary>
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<Sponsor>TU Communication Studies</Sponsor>
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<PostedAt>Thu, 19 Oct 2017 12:30:48 -0400</PostedAt>
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<NewsItem contentIssues="false" id="70885" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/70885">
<Title>CFP: Our (Digital) Humanity</Title>
<Tagline>Storytelling, Media Organizing and Social Justice</Tagline>
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<![CDATA[
    <div class="html-content">As a conclusion to the Mellon Digital Humanities Initiative at Lehigh University, we will be hosting a remarkable conference April 20-22, 2018.<br><br><a href="http://wordpress.lehigh.edu/odh2018/" rel="nofollow external" class="bo">Our (Digital) Humanity: Storytelling, Media Organizing and Social Justice</a> is an innovative community conference that will locate the budding field of digital humanities at the intersection of public humanities, digital scholarship, oral history, “media organizing” &amp; social justice.  Keynote Speakers include <a href="http://wordpress.lehigh.edu/odh2018/keynote-speakers-for-the-our-digital-humanities-storytelling-media-organizing-and-social-justice-conference/" rel="nofollow external" class="bo">Malkia Cyril, Juan González and Suzanne Snider</a>.<br><br>The conference will create an inter-generational convergence space for members of social movements, community based public historians, students, and activist-scholars to network, share their digital projects, offer digital capacity building trainings and strengthen collaboration. <br><br> ODH2018 is the culmination of a three year grant provided by the <a href="http://digital_humanities.cas2.lehigh.edu" rel="nofollow external" class="bo">Andrew Mellon Foundation</a>, and it will highlight some of what Lehigh faculty, staff and students have accomplished with local community partners-through the Mellon Digital Humanities Initiative as well as related scholarship and activism taking place regionally, nationally and internationally.<br><br>This is not your average academic conference.  ODH2018 will emphasize local knowledge, work to create accessible spaces for people inside and outside of the academy, and create a memorable, kid-friendly experience that will include cultural programming and social events in addition to conference sessions and keynotes.<br><br>The <a href="http://wordpress.lehigh.edu/odh2018/cfp/" rel="nofollow external" class="bo">Call for Participation </a>deadline is November 15, 2017.</div>
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<Summary>As a conclusion to the Mellon Digital Humanities Initiative at Lehigh University, we will be hosting a remarkable conference April 20-22, 2018.  Our (Digital) Humanity: Storytelling, Media...</Summary>
<Website>http://wordpress.lehigh.edu/odh2018/cfp/</Website>
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<NewsItem contentIssues="false" id="70823" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/70823">
<Title>CFP: Interventions - Cultural Studies Association (CSA)</Title>
<Tagline>Sixteenth Annual Meeting of the Cultural Studies Association</Tagline>
<Body>
<![CDATA[
    <div class="html-content"><h5><strong>Annual Conference<br></strong><strong>2018 Cultural Studies Association (CSA) Conference<br></strong><strong>Sixteenth Annual Meeting of the Cultural Studies Association (USA)<br></strong><strong>Carnegie Mellon University, Pittsburgh, PA<br></strong><strong>May 31-June 2, 2018<br></strong><strong>This Year's Theme: Interventions</strong></h5><div> </div><div>The Cultural Studies Association (CSA) invites proposals from its members for participation in its sixteenth annual meeting. You must be a member to submit, but we always welcome new members and encourage past members to renew their membership. Proposals on all topics of relevance to cultural studies with be considered, with priority given to proposals that critically and creatively engage this year's highlighted theme.</div><div><br></div><div>For our 2018 conference, “Interventions,” we solicit proposals that intervene in the theory, practice, teaching, or conception of cultural studies. We are also interested in how cultural studies itself intervenes in existing social, cultural, and political formations. Cultural studies is poised to play a key role in how we understand our fraught politics, fragile environment, and fragmented economy.</div><div>We wonder, as we look back at the legacy of what Stuart Hall called the First New Left, if it is time for something like a new socialist project? Greece’s Syriza, Spain’s Podemos, and the Democratic Socialists of America all signal potential energy for new economic models. But Brexit, Trump, and the resurgence of reactionary ethnonationalism alert us to the fact that empty calls for intervention are often answered by the basest forms of cultural repression. Additionally, a vast array of social struggles do not find any place within the current economic frame. These emancipatory movements--anti-racism, anti-imperialism, anti-war, the New Left, second-wave feminism, LGBT liberation, multiculturalism, and so on--emerged at roughly the same time as the field of cultural studies, and it is through cultural studies that we might intervene to claim space for them. As highlighted by tensions within the 2016 Democratic primaries and general election in the U.S. over the intersection of class- and identity-based politics, the intervention of emancipation is as unfinished as the welfare state is diminished by the “neoliberal revolution” (Hall). Today’s counter-hegemonic movements face some of the same impasses, but with a new urgency; now more than ever, we need an intellectual intervention to help craft new tactics and strategies, to generate new syntheses of economic protection and political and cultural emancipation, and to draw on the lessons of the past and build solidarity for the future.</div><div><br></div><div>This year’s Cultural Studies Association conference will follow a one-day symposium on Wednesday, May 30th, hosted by the Humanities Center at Carnegie Mellon entitled “Karl Marx at 200: The Future of Capitalism and Cultural Studies.” We invite CSA members to attend the symposium, which features a lineup of established Marxism/Cultural Studies scholars who have been invited to circulate pre-written papers for the event. We hope this will provide an opportunity to use the bicentennial of Karl Marx’s birth to think about the role of culture in capitalism and how culture resists and reshapes the economy, as well as the contemporary relevance of Marx’s intervention and the role of Marxism in what Hall called “Cultural Studies and its theoretical legacies.” The CSA conference extends these themes beyond Marxism specifically to consider the intervention of cultural studies in general and the intellectual and creative labor of cultural studies in particular. How does culture construct, contest, and constitute new capital formations? How does it intervene in economic conditions in multiple and heterogeneous ways? Conversely, what is the role of the economy in shaping culture? What is the role of cultural studies as critical praxis in the present economic time?</div><div><br></div><div>Topics that might be addressed include but are not limited to:</div><div><br></div><div><ul><li>The privilege of interventions; what it means to intervene</li><li>The materiality and spatiality of intervening</li><li>Work and labor--public intellectual work, physical labor, post-industrial labor, the work of culture</li><li>The culture industry and creative labor</li><li>Social media campaigns and their relationship to so-called real world interventions</li><li>Media interventions, fake news, and resistance to/ reinforcement of current hegemonic forces</li><li>Intersections of intellectuals and activists</li><li>Revolution or reform? Socialism or barbarism?</li><li>Art and social action</li><li>Literary, cinematic, and other textual interventions</li><li>Capitalism, culture, and technology</li><li>Strike! Riot! Strike!</li><li>The politics of anti-fascism</li><li>Historically specific interventions for equality and justice</li><li>Pedagogies of cultural studies</li><li>Interventions in sustainability, climate change, and the environment</li><li>Market-led globalization and cultural resistance</li><li>Securitization and militarization; the threat of the nuclear option</li><li>Nation-making, nationalism, and rethinking the national form</li><li>Immigration and the movement of people across national borders within the U.S. and globally</li><li>The movement for Black Lives and its intervention in media, culture, and the academy</li></ul></div><div><br></div><div>We welcome proposals from scholars from any discipline, inter-discipline, or scholarly field. The CSA aims to provide multiple and diverse spaces for the cross-pollination of art, activism, pedagogy, design, and research by bringing together participants from a variety of positions inside and outside the university. Therefore, while we welcome traditional academic papers and panels, we also encourage contributions that experiment with alternative formats and intervene in the traditional disciplinary formations and exclusionary conceptions and practices of the academic (see session format options listed below). We are particularly interested in proposals for sessions designed to document and advance existing forms of collective action or catalyze new collaborations. We encourage submissions from individuals working beyond the boundaries of the university: artists, activists, independent scholars, professionals, community organizers, and community college educators.</div><div><br></div><div>Important Dates:</div><div><br></div><div><ul><li>Friday, October 13, 2017: Submission System Opens (Membership and Registration also open. You must be a member to submit!)</li><li>Friday, February 16, 2018: Last Date for Submissions</li><li>Friday, March 2, 2018: Notifications Sent Out</li><li>Friday, April 20, 2018: Early Registration Ends and Late Registration Begins (Registration fees increase by $50 for all categories.)</li><li>Friday, May 11, 2018: Last day to register to participate in the conference--your name will be dropped from the program if you do not register by this date.</li></ul></div><div><br></div><div>LOCATION</div><div><br></div><div>The 2018 conference will be held at Carnegie Mellon University, Pittsburgh, PA. The closest airport is Pittsburgh International Airport (23 miles). Lodging options, which will include campus housing and a CSA hotel block in the Pittsburgh/Carnegie Mellon area, will be shared at a later date.</div><div><br></div><div>For more information about the submissions process and timelines, please visit: <strong><a href="http://www.culturalstudiesassociation.org/conference">http://www.culturalstudiesassociation.org/conference</a></strong></div><div><br></div></div>
]]>
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<Summary>Annual Conference 2018 Cultural Studies Association (CSA) Conference Sixteenth Annual Meeting of the Cultural Studies Association (USA) Carnegie Mellon University, Pittsburgh, PA May 31-June 2,...</Summary>
<Website>http://www.culturalstudiesassociation.org/conference</Website>
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<NewsItem contentIssues="false" id="67062" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/67062">
<Title>CFP: HASTAC  2017 Conference</Title>
<Tagline>Deadline extended</Tagline>
<Body>
<![CDATA[
    <div class="html-content"><div><strong>Extended Submission Deadline:  April 17, 2017</strong></div><div><br></div><div>Join us! HASTAC 2017 is still accepting proposals.</div><div>For the full call for proposals, submission instructions, and additional conference information, please visit <a href="http://hastac2017.org/" rel="nofollow external" class="bo">hastac2017.org</a>.</div><div><br></div><div>On November 2-4, 2017, we invite you to join us at the University of Central Florida to explore <em>“<a href="http://hastac2017.org/" rel="nofollow external" class="bo">The Possible Worlds of Digital Humanities.</a></em>” This year, we hope to address the unsolved hard problems and explore the new opportunities of the digital humanities, including</div><div><br></div><div><ul><li>challenges of monolingualism within the digital humanities;</li><li>indigenous culture, decolonial and post-colonial theory and technology;</li><li>technology and education–open learning, peer learning, and issues of access,</li><li>equity for primary and/or higher education;</li><li>communication of knowledge, publishing, and intellectual property;</li><li>digital cultural heritage and hegemony;</li><li>interdisciplinary goals and conversations in digital humanities;</li><li>digital humanities and gender, race, and other identities;</li><li>simulation, modeling, and visualization;</li><li>games and gaming, including for learning; and</li><li>community development, including the importance of art and culture districts.</li><li>PLUS project demos, digital and/or poster sessions, and a curated media arts show exhibition.</li></ul></div><div><br></div><div>We welcome applications from scholars at all stages of their careers from all disciplines and fields, from private sector companies and public sector organizations, from artists and public intellectuals.</div></div>
]]>
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<Summary>Extended Submission Deadline:  April 17, 2017     Join us! HASTAC 2017 is still accepting proposals.  For the full call for proposals, submission instructions, and additional conference...</Summary>
<Website>http://hastac2017.org/</Website>
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<NewsItem contentIssues="false" id="66854" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/66854">
<Title>CFP: Interactive Digital Storytelling (ICIDS)</Title>
<Tagline>10th International Conference</Tagline>
<Body>
<![CDATA[
    <div class="html-content">This year, the International Conference on Interactive Digital 
    Storytelling (ICIDS​ ​2017) will take place in Funchal, Madeira Islands,
     Portugal and be hosted by the​ ​Madeira Interactive Technologies 
    Institute &lt;<a href="http://www.m-iti.org/" rel="nofollow external" class="bo">http://www.m-iti.org/</a>&gt;.<br>
    <br>
    ICIDS &lt;<a href="http://www.icids.org/" rel="nofollow external" class="bo">http://www.icids.org/</a>&gt;
     has its origin in a series of related international conferences that 
    ran between 2001 and 2007. Since 2008, ICIDS became the premier annual 
    venue that gathers researchers, developers, practitioners and theorists 
    to present and share the latest innovations, insights and techniques in 
    the expanding field of interactive storytelling and the technologies 
    that support it. ICIDS welcomes contributions from a large range of 
    fields and disciplines related to interactive storytelling.<br>
    <br>
    We encourage original contributions in the forms of research papers, 
    position papers, posters and demonstrations, presenting new scientific 
    results, innovative theories, novel technological implementations, case 
    studies and creative artistic projects in the field of Interactive 
    Digital Storytelling and its possible applications in different domains.
     We particularly welcome research on topics in five areas, such as 
    storytelling technologies and analyses and evaluation of systems. (More 
    information here) &lt;<a href="http://icids2017.m-iti.org/?page_id=232#papers" rel="nofollow external" class="bo">http://icids2017.m-iti.org/?page_id=232#papers</a>&gt;.<br>
    <br>
    IMPORTANT DATES<br>
    <br>
    Call for Papers &lt;<a href="http://icids2017.m-iti.org/?page_id=232#papers" rel="nofollow external" class="bo">http://icids2017.m-iti.org/?page_id=232#papers</a>&gt;:<br>
    <br>• <span><span>June 23rd, 2017</span></span> – Submission deadline – Authors are strongly advised to upload their submissions well in advance of this deadline. (<span><span>11:59 pm</span></span>. HST)<br>
    • <span><span>July 31st, 2017</span></span> – Papers accept/reject notifications sent.<br>
    • <span><span>August 25th, 2017</span></span> – Paper camera-ready due.<br>
    <br>
    Call for Workshops: &lt;<a href="http://icids2017.m-iti.org/?page_id=232#workshops" rel="nofollow external" class="bo">http://icids2017.m-iti.org/?page_id=232#workshops</a>&gt;<br>
    <br>
    • <span><span>July 7th, 2017</span></span> – Workshop proposal submission deadline<br>
    • <span><span>August 4th, 2017</span></span> – Workshop accept/reject notifications sent.<br>
    <br>
    Call for Demos, Posters and Doctoral Consortium (DC) &lt;<a href="http://icids2017.m-iti.org/?page_id=232#consortium" rel="nofollow external" class="bo">http://icids2017.m-iti.org/?page_id=232#consortium</a>&gt;:<br>
    <br>• <span><span>August 4th, 2017</span></span> – Demo, Poster and DC submission deadline.<br>
    • <span><span>August 25th, 2017</span></span> – Demo, Poster and DC accept/reject notifications.<br>
    • <span><span>September 1st, 2017</span></span> – Demo, Poster and DC camera-ready due.<br>
    <br>
    Call for Art Exhibitions:<br>
    <br>• <span><span>August 4th, 2017</span></span> – Art Exhibition submission deadline.<br>
    • <span><span>September 4th, 2017</span></span> – Art Exhibition accept/reject notifications sent.<br>
    <br>
    Call for Student Volunteers &lt;<a href="http://icids2017.m-iti.org/?page_id=232#volunteers" rel="nofollow external" class="bo">http://icids2017.m-iti.org/?page_id=232#volunteers</a>&gt;<br>
    <br>• <span><span>August 14th</span></span> – Application deadline<br>
    • <span><span>August 25st</span></span> – Notification of acceptance<br>
    <br>
    <span><span>November 14-17, 2017</span></span> – ICIDS Conference.<br>
    <br>
    SUBMISSION GUIDELINES<br>
    <br>The peer review process for ICIDS’17 is double blind – neither authors 
    nor reviewers are informed of the identity of the other party.  All 
    submissions must follow the Lecture Notes in Computer Science &lt;<a href="http://www.springer.com/computer/lncs?SGWID=0-164-6-793341-0" rel="nofollow external" class="bo">http://www.springer.com/computer/lncs?SGWID=0-164-6-793341-0</a>&gt;
     (LNCS) format. Papers must be written in English, and only electronic 
    submissions in PDF format will be considered for review. Submissions 
    that receive high ratings in the peer review process will be selected 
    for publication by the program committee.<br>
    (More information &lt;<a href="http://icids2017.m-iti.org/?page_id=232#guidelines" rel="nofollow external" class="bo">http://icids2017.m-iti.org/?page_id=232#guidelines</a>&gt;).<br>
    <br>
    <br>
    The submission categories are:<br>
    • Full papers (10-12 pages in the main proceedings) describing 
    interesting, novel results or completed work in all areas of interactive
     digital storytelling and its applications.<br>
    <br>
    • Short papers (6-8 pages in the main proceedings) presenting exciting 
    preliminary work or novel, thought-provoking ideas in their early 
    stages.<br>
    <br>
    • Demos and Posters (2-4 pages in the backmatter of the proceedings) 
    describing working, presentable systems or brief explanations of a 
    research project.<br>
    <br>
    • Doctoral Consortium (2-4 pages in the backmatter of the proceedings) 
    describing core topics, issues, problem statements, outcomes and/or 
    progress of a student’s PhD studies.<br>
    <br>
    • Workshops (2-4 pages, not in proceedings) organizers must submit their
     calls for participation to icids2017workshops [at] m-iti [dot] org<br>
    <br></div>
]]>
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<Summary>This year, the International Conference on Interactive Digital  Storytelling (ICIDS​ ​2017) will take place in Funchal, Madeira Islands,  Portugal and be hosted by the​ ​Madeira Interactive...</Summary>
<Website>http://icids2017.m-iti.org/?page_id=232</Website>
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<Sponsor>International Conference on Interactive Digital Storytelling</Sponsor>
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<NewsItem contentIssues="false" id="66563" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/66563">
<Title>CFP - Looking Back To Move Forward</Title>
<Tagline>Towson University 21st Multicultural Conference</Tagline>
<Body>
<![CDATA[
    <div class="html-content"><h5>"Looking Back To Move Forward"</h5><h5>Towson University 21st Multicultural Conference</h5><br>Friday, April 14, 2017<br>9:00 am - 5:00 pm<br>University Union<br><br>The Council of Diverse Student Organizations, in conjunction with the Center for Student Diversity, is proud to announce Towson University’s 21th Multicultural Conference: Looking Back to Move Forward.<br>Looking Back to Move Forward explores both the progress and obstacles that different identities experience in their journeys. By sharing these lived experiences, we are opened to acknowledge the inequities such as misrepresentation, under representation, social, political injustices, as well as institutional systems of discrimination that are oppressive in nature. In learning about not only our individual history but also our collective history we can envision a better tomorrow. We encourage ALL participants to learn and take action towards moving forward. <br><br>Undergraduate students, graduate students, faculty, staff, and community members are encouraged to submit presentation proposals. Presentations may be individual or in collaboration with others.  In addition to raising questions and contextualizing issues, presentations should offer practical solutions. These proposal submissions should not only address the topic’s current and historical perspectives, but should also strive to celebrate its respective culture in a positive nature. <br><br>The Proposal Topics are as follows: <br><br><ul><li>Colorism: Prejudice Within Communities of Color</li><li>Cultural artwork, short films, and performances </li><li>Representation in Media</li><li>Moving Beyond Tolerance </li><li>Womanism Across Borders </li><li>Policing Our Communities/ Respecting Our Communities </li><li>Know Your Rights</li><li>Islamophobia</li><li>Immigration Reform</li><li>Health and Wellness in Diverse Communities </li><li>Gender Equity </li></ul><p>Proposals can be submitted here: <a href="https://goo.gl/forms/QAF9bv5PdJkOCIum2">https://goo.gl/forms/QAF9bv5PdJkOCIum2</a><br><br>Proposals are due by Monday, March 30, 2016. Presentations should be approximately 1 hour in length, including 15 minutes for discussion/questions. You will be notified regarding your proposal in Mid-March.  If you have any questions, please contact Co-Chairs Joshua White and Aaliyah Perez at <a href="mailto:towsoncdso@gmail.com">towsoncdso@gmail.com</a><br></p></div>
]]>
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<Summary>"Looking Back To Move Forward"  Towson University 21st Multicultural Conference  Friday, April 14, 2017 9:00 am - 5:00 pm University Union  The Council of Diverse Student Organizations, in...</Summary>
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<Sponsor>Towson University</Sponsor>
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<PostedAt>Thu, 16 Mar 2017 20:02:44 -0400</PostedAt>
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<NewsItem contentIssues="false" id="66561" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/66561">
<Title>CFP - Happiness</Title>
<Tagline>Gender studies and queer theory</Tagline>
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    <div class="html-content">Emergent research into happiness is still largely situated in fields such as sociology, psychology, and neuroscience. Traditionally the uncontested domain of the Humanities, the question of “How should we live?” is too rarely approached in contemporary literary and cultural studies. Indeed, even in a thriving field such as affect studies, research still largely focuses on negative emotions, ugly feelings (Ngai), shame (Probyn), paranoia (Sedgwick), failure (Halberstam), and the cruelty of optimism (Berlant). But perhaps the critical tide is turning. Scholars are beginning to theorise the end of our well-rehearsed “hermeneutics of suspicion,” and conjecturing what comes after (Felski). They are mapping the potential path for a “eudaimonic criticism” (Pawelski &amp; Moore) and an “ethics of hope” (Braidotti), looking towards a more positive future (Muñoz). Critical and historical studies on empathy (Meghan; Keen), joy (Potkay) and happiness itself (Ahmed) are also emerging.<br><br>Inspired by the growing body of scholarship on optimistic representations of gender, sexuality, and queerness, <em>Writing from Below</em> enters the fray with this invitation to explore and interrogate positive, successful, fulfilling, life-affirming expressions of gender and sexuality in contemporary or historical literature, culture, and society.<br><br>Papers could engage with (but are not limited to):<br><br><ul><li>Pleasure, joy, jouissance, delight, splendour, enchantment, empathy, and kindness</li><li>Love, passion, and amour fou</li><li>Middlebrow pleasure</li><li>Living the queer life, and queer(ing) happiness</li><li>Eudaimonia, mindfulness, and wellbeing</li><li>Eudaimonic reading, and the eudaimonic turn in cultural and literary studies</li><li>The hermeneutics of suspicion, paranoid and reparative reading, and their aftermath</li><li>Ethical criticism, the ethics of hope, and hopelessness</li><li>The body as site of happiness, joy, pleasure, etc.</li><li>Affect, the theories and/or histories of positive emotions</li><li>Celebration, and celebration as protest</li><li>Burlesque, clowning, circus, carnivals, and the carnivalesque</li><li>Kitsch, camp, and drag</li><li>Sex and play, sex lives, fun</li><li>Vitality, verve, vigour, and liveliness</li><li>Biological life, bios, zoe, survival, sur-vivre [living-on], affirmation</li><li>The utopian tendencies of gender studies and queer theory</li><li>The (queer) future, queer futurity, and happy endings</li></ul><p>Gender studies and queer theory are located across and between disciplines, and so we welcome submissions from across (and outside of, against and up against) the full cross-/inter/-trans-disciplinary spectrum, and from inside and outside of conventional academia.<br><br>Do not be limited. Be brave. Play with form, style, and genre. Invent, demolish, reimagine.<br><br>The deadline for submissions is 29 May 2017. <br><br>Written submissions, whether critical or creative, should be between 3,000 and 6,000 words in length, and should adhere strictly to the 16th edition of the Chicago Manual of Style.<br><br>All submissions—critical, creative, and those falling in between; no matter the format or medium—will be subject to a process of double-blind peer review.<br><br>For more information, please contact our guest editor, Dr Juliane Roemhild: <a href="mailto:J.Roemhild@latrobe.edu.au">J.Roemhild@latrobe.edu.au</a><br></p><br><br></div>
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<Summary>Emergent research into happiness is still largely situated in fields such as sociology, psychology, and neuroscience. Traditionally the uncontested domain of the Humanities, the question of “How...</Summary>
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<Sponsor>Writing from Below</Sponsor>
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<PostedAt>Thu, 16 Mar 2017 19:41:15 -0400</PostedAt>
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<NewsItem contentIssues="false" id="66559" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/66559">
<Title>2017 MASC-SLL Call for Papers</Title>
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<![CDATA[
    <div class="html-content"><h6>2017 MASC-SLL Call for Papers</h6><h6>Mid-Atlantic Student Colloquium on Speech, Language and Learning</h6>May 6th, 2017  George Washington University, Washington, DC<br><a href="http://www.mascsll.org/2017">http://www.mascsll.org/2017</a><br><br>The sixth annual Mid-Atlantic Student Colloquium on Speech, Language and Learning will be hosted at the George Washington University (Washington, DC) on May 6th, 2017. The Student Colloquium is intended to bring together students studying computational approaches to speech, language, and learning, so that they can introduce their research to the local student community, give and receive feedback, and engage each other in collaborative discussions.<br><br>Students are encouraged to submit 1-page abstracts describing ongoing, planned, or completed research projects, including previously published results as well as negative results. Student research in any field applying computational methods to any aspect of human language (speech, text, other modalities, linguistics, neuroscience, information science, and related fields) is welcome. Submissions and presentations must be made by students or postdocs. Accepted submissions will be presented as either posters or oral talks. See <a href="http://www.mascsll.org/2017/call-for-papers">http://www.mascsll.org/2017/call-for-papers</a> for abstract submission details. The submission deadline is March 31.<br><br>There will be no registration fee for the colloquium. Students and postdocs are encouraged to consult with their supervisors about potential reimbursement of travel expenses.<br><br><strong>Topics</strong><br>Relevant topics include, but are not limited to:<br><br><ul><li>Computational models of human language processing</li><li>Computational phonology and morphology</li><li>Discourse and pragmatics</li><li>Evaluation</li><li>Information retrieval and question answering</li><li>Knowledge base population and machine reading</li><li>Language acquisition</li><li>Language disorders</li><li>Language generation and summarization</li><li>Language resources and annotation</li><li>Lexical semantics and ontologies</li><li>Machine learning</li><li>Machine translation and multilingual processing</li><li>NLP for the Web and social media</li><li>Semantics</li><li>Sentiment analysis and opinion mining</li><li>Speaker variability</li><li>Speech recognition and synthesis</li><li>Syntax and parsing</li><li>Text and document classification</li><li>Text mining and information extraction</li></ul><p><strong>Important Dates</strong><br></p><ul><li>Submission deadline (abstracts): March 31</li><li>Decisions announced: April 10</li><li>Registration opens: April 10</li><li>Program schedule released: April 15</li><li>Registration closes: May 1</li><li>Colloquium: May 6</li></ul><p>For more information<br>If you have questions or need more information, you can send email to the 2017 MASC-SLL organizers at <a href="mailto:organizers@mascsll.org">organizers@mascsll.org</a>.<br></p></div>
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<Summary>2017 MASC-SLL Call for Papers  Mid-Atlantic Student Colloquium on Speech, Language and Learning May 6th, 2017  George Washington University, Washington, DC http://www.mascsll.org/2017  The sixth...</Summary>
<Website>http://www.mascsll.org/2017/call-for-papers</Website>
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<Tag>cfp</Tag>
<Group token="llc">Language, Literacy and Culture Doctoral Program</Group>
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<Sponsor>MASC-SLL</Sponsor>
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<PostedAt>Thu, 16 Mar 2017 19:20:19 -0400</PostedAt>
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