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<NewsItem contentIssues="true" id="145258" important="true" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/145258">
<Title>Seeking your input about CADVC</Title>
<Tagline>Please Tell us What You Think</Tagline>
<Body>
<![CDATA[
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    <h3>
    <span> </span><img src="https://cadvc.umbc.edu/wp-content/uploads/sites/247/2024/11/unnamed-1.jpg" style="max-width: 100%; height: auto;">
    </h3>
    <h3><span>The Center for Art, Design, and Visual Culture at UMBC (CADVC) seeks community feedback to help us understand our service to community. This survey should take no more than a few minutes of your time. </span></h3>
    <h3><span><br></span></h3>
    <h3>
    <span>Please link here for our </span><span><a href="https://forms.gle/KaytsZt5Nb1ZVu9U6" rel="nofollow external" class="bo">survey on the CADVC mission</a></span><span>, open until November 27. </span>
    </h3>
    <h3><span><br></span></h3>
    <h3><span>We appreciate the feedback and input from our community!</span></h3>
    <div><span><br></span></div>
    <h6>
    <span>H</span><span>eader: Levester Williams, "dreaming of a beyond: Baltimore" (2021-2024) 4K color video/video installation still (Coming from behind, a hand with dark brown skin tone reaches around to the front of a marble column in a park-like setting. In the background a bland white marble border runs between a parallel strip of grass and a reflecting pool.) Photo courtesy of the artist. Body: </span><span>Photo by Tedd Henn (Levester Williams addresses a group gathered for an artist talk at the CADVC art gallery.) </span><span>Please note: images may not appear on all feeds or emails.</span>
    </h6>
    </div>
]]>
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<Summary>   The Center for Art, Design, and Visual Culture at UMBC (CADVC) seeks community feedback to help us understand our service to community. This survey should take no more than a few minutes of...</Summary>
<Website>https://forms.gle/KaytsZt5Nb1ZVu9U6</Website>
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<Tag>art</Tag>
<Tag>cadvc</Tag>
<Tag>campus</Tag>
<Tag>culture</Tag>
<Tag>design</Tag>
<Tag>event</Tag>
<Tag>exhibition</Tag>
<Tag>gallery</Tag>
<Tag>mission</Tag>
<Tag>museum</Tag>
<Tag>space</Tag>
<Tag>statement</Tag>
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<PostedAt>Fri, 01 Nov 2024 12:25:13 -0400</PostedAt>
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<NewsItem contentIssues="true" id="86176" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/86176">
<Title>Kristen Hileman, Curator</Title>
<Tagline>&#8220;The Shimmering Museum&#8221;</Tagline>
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    <p><span><strong>Monday, September 9th, Noon – 1:00 PM<br></strong></span><strong><span>Location: PAHB 216, Dresher Center Conference
    Room</span><span><br></span></strong><strong>Free: catered event</strong></p>
    
    </div>
    <span><div><span><br></span></div>Reflecting
    on two decades of curatorial experience presenting exhibitions and permanent
    collections in museums, Hileman will discuss the current state of the museum
    field, considering the influence of commercial interests and power structures
    on programming decisions alongside challenges in securing next generations of
    patrons. Her talk will also address ways forward for increasing the social,
    political, and affective resonance of museums, as well as non-museum paths for
    artists whose aim is to develop a dialogue between their work and the public.</span><div><span><br></span></div>
    <div>
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    <p>Kristen Hileman is an Independent Curator based in
    Baltimore. She served as Head of The Baltimore Museum of Art’s Department of
    Contemporary Art from 2009 through 2019, where she oversaw the reinstallation
    of the museum’s renovated contemporary wing in 2012, initiated numerous
    acquisitions to diversify the collection, and presented exhibitions featuring
    an array of artists, among them the Guerrilla Girls, Njideka Akunyili Crosby,
    Mary Reid Kelley and Patrick Kelley, Sarah Oppenheimer, Dario Robleto, Anri
    Sala, and Tomas Saraceno. Her most recent BMA projects included <em>Meleko Mokgosi: Acts of Resistance, Lizzie
    Fitch / Ryan Trecartin, DIS: A Good Crisis </em>and<em> John Waters: Indecent Exposur</em>e, a large-scale retrospective of
    that influential cultural figure’s visual arts career. Throughout her time at
    the BMA, Hileman foreground artists with ties to Baltimore including Seth
    Adelsberger, Maren Hassinger, Sharon Hayes, Jimmy Joe Roche, Sterling Ruby, and
    Sara VanDerBeek. <em>Jo Smail: Flying with
    Remnant Wing</em>, her survey of the career of the distinguished painter and
    Maryland Institute College of Art professor, will open at the BMA in spring
    2020.</p>
    
    <span><br>From 2001 through 2009, Hileman worked at the
    Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden, Washington,
    D.C., where she organized the first full career retrospective of Anne Truitt,
    bringing new attention to the important DC-based abstractionist. </span><span>At the Hirshhorn, Hileman also co-curated the international film and video
    exhibition <em>The Cinema Effect: Realisms </em>and led projects featuring John
    Baldessari, Cai Guo-Qiang, Cyprien Gaillard, Mario Garcia Torres, Oliver
    Herring, Jim Hodges, and Wolfgang Tillmans. She has taught at Johns Hopkins
    University, George Washington University, and the Corcoran College of Art and
    Design and is a frequent visiting critic and lecturer at colleges and
    universities.</span>
    
    
    
    </div>
    </div>
]]>
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<Summary>Monday, September 9th, Noon – 1:00 PM Location: PAHB 216, Dresher Center Conference Room Free: catered event       Reflecting on two decades of curatorial experience presenting exhibitions and...</Summary>
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<PostedAt>Wed, 28 Aug 2019 15:46:31 -0400</PostedAt>
<EditAt>Wed, 28 Aug 2019 16:29:30 -0400</EditAt>
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<NewsItem contentIssues="true" id="55693" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/55693">
<Title>Visual Arts Professor James Smalls on Race and Art</Title>
<Tagline>Seeing Color: conversations with arts leaders at the BMA</Tagline>
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    <p></p>
    <p> </p>
    <span>The Baltimore Museum of Art presents <em><strong>Seeing Color: A Conversation About Race &amp; Art</strong></em> on </span><span><span>Saturday, November 14, 2 PM.</span></span><span> The free panel discussion will bring insights to the national conversation on race, identity, and social justice addressed by artists and shed new light on challenging artworks in the BMA’s historic and contemporary collection. </span><div><span><br></span></div>
    <div>
    <span>Works such as Charles Calvert and His Slave (1761) by John Hesselius; Uncle Tom and Eva Spill Vase (1852-1853); and Strange Fruit (1995) and Cotton Eater II (2014) by Allison Saar will be discussed.</span><div>
    <div><span><br></span></div>
    <p>The panel moderator is Rodney Foxworth, founder of Invested Impact, a non-profit working to support economic change and leadership development in underserved communities. He has advised, developed, and managed numerous social impact ventures. </p>
    <p><br></p>
    <p>Panelists:</p>
    <ul>
    <li> <span>Dr. Sheri Parks, Associate Dean for Arts and Humanities at University of Maryland</span>
    </li>
    <li><span><strong>Dr. James Smalls</strong>, art historian and professor at University of Maryland Baltimore County</span></li>
    <li><span>Ailish Hopper, poet and professor at Goucher College</span></li>
    <li><span>Susan Harbage Page, artist and professor at University of North Carolina at Chapel Hill   </span></li>
    </ul>
    <p></p>
    <p></p>
    <p></p>
    </div>
    </div>
    </div>
]]>
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<Summary>  The Baltimore Museum of Art presents Seeing Color: A Conversation About Race &amp; Art on Saturday, November 14, 2 PM. The free panel discussion will bring insights to the national conversation...</Summary>
<Website>https://artbma.org/documents/press/seeingcolor.pdf</Website>
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<NewsItem contentIssues="true" id="54025" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/54025">
<Title>Visual Arts Eric Dyer &amp; IMDA alumna Dominique Zeltzman BMA</Title>
<Tagline>Two of UMBC's own honored at Baltimore Museum of Art</Tagline>
<Body>
<![CDATA[
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    <p><span>Baker Artist Awards 2015 at
    the Baltimore Museum of Art</span></p>
    <p><span>September 16 — November 15,
    2015</span></p>
    
    <p><span>Associate professor Eric Dyer
    was named a 2015 winner of the prestigious $25,000 Mary Sawyers Baker Prize,
    and he will present his art works at the Baltimore Museum of Art from September
    16, 2015 - November 15, 2015.</span></p>
    
    <p><span>IMDA MFA program alumna
    Dominique Zeltzman will join Dyer in the exhibition, as one of the recipients
    of a $5,000 b-grant .</span></p>
    
    <p><span>The Baker Artist Awards were
    created to support artists and promote Baltimore as a strong creative
    community. Through a sophisticated online portfolio of artists’ work and
    significant monetary prizes to award the winners, the Baker Artist Awards
    serves artists of all disciplines who live and work in Baltimore City and its
    five surrounding counties. The website and awards were established by the
    William G. Baker, Jr. Memorial Fund in 2008, and are a program of the Greater
    Baltimore Cultural Alliance. The exhibition is generously funded by The William
    G. Baker, Jr. Memorial Fund.</span></p>
    <p><a href="http://www.bakerartistawards.org">http://www.bakerartistawards.org</a></p>
    
    </div>
]]>
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<Summary>Baker Artist Awards 2015 at the Baltimore Museum of Art  September 16 — November 15, 2015    Associate professor Eric Dyer was named a 2015 winner of the prestigious $25,000 Mary Sawyers Baker...</Summary>
<Website>http://www.bakerartistawards.org</Website>
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<NewsItem contentIssues="true" id="51843" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/51843">
<Title>IMDA MFA Program alumna Marian Glebes teams up with BMA</Title>
<Tagline>Year long project to build a habitat with The Loading Dock</Tagline>
<Body>
<![CDATA[
    <div class="html-content">
    <span>IMDA MFA Program alumna Marian Glebes, in partnership with the non-profit The Loading Dock, has been selected for a year-long project to be produced for the BMA’s new center for learning and creativity, opening October 25, 2015. </span><br><br><span>The new center will offer a variety of imaginative art experiences, including a community commons, where Glebes and The Loading Dock will produce artworks on</span><span>the theme of ‘home.’<br><br>Seeing the BMA as a metaphoric house to Baltimore’s greatest cultural assets, Glebes anticipates creating an interactive environment in which audiences can consider their personal relationships to the materials of home and to the objects of the museum. The project will explore how audiences’ relationships with those materials, and their individual habitats, connect them to the larger notion of place and environment.</span>
    </div>
]]>
</Body>
<Summary>IMDA MFA Program alumna Marian Glebes, in partnership with the non-profit The Loading Dock, has been selected for a year-long project to be produced for the BMA’s new center for learning and...</Summary>
<Website>http://www.thingsonshelves.net</Website>
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<Tag>baltimore</Tag>
<Tag>glebes</Tag>
<Tag>imda</Tag>
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<PostedAt>Fri, 08 May 2015 13:48:32 -0400</PostedAt>
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<NewsItem contentIssues="true" id="51840" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/51840">
<Title>Revolution of the Eye makes its debut in New York</Title>
<Tagline>Maurice Berger's exhibition opens to accolades</Tagline>
<Body>
<![CDATA[
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    <div>
    <em>Revolution of the Eye</em>, the first exhibition to explore the relationship between modern art and early American television has made a big splash with its recent opening at The Jewish Museum, NYC. The exhibition is curated by Dr. Maurice Berger, Research Professor and Chief Curator, Center for Art, Design and Visual Culture, UMBC, and curator, National Jewish Archive of Broadcasting, the Jewish Museum, New York. </div>
    <div><br></div>
    <div>The exhibit has been cited in <strong>ARTFORUM</strong>, <strong>Art in America</strong>, and <strong>Art News</strong>. <em>Revolution of the Eye </em>was named  critic's pick in the <strong>Village Voice</strong>, <strong>Time Out New York</strong>, and <strong>AM NY</strong>, adding to great press coverage in the <strong>New York Times</strong>, <strong>Wired Magazine</strong>, <strong>The Huffington Post</strong>, and <strong>US News</strong>. <br><br>This stunning Abbott Miller designed exhibition will be on view at the <a href="http://thejewishmuseum.org/exhibitions/revolution-of-the-eye" rel="nofollow external" class="bo">Jewish Museum</a> through September 27, 2015, and then will embark upon a national tour (through 2017): Nova Southeastern University Museum of Art Fort Lauderdale; The Addison Gallery of American Art, Andover, MA; Center for Art, Design, and Visual Culture, University of Maryland, Baltimore County; Smart Museum of Art, The University of Chicago.</div>
    <div><br></div>
    <div>
    <strong>Kudos to Maurice Berger!</strong><br>
    </div>
    </div>
]]>
</Body>
<Summary>Revolution of the Eye, the first exhibition to explore the relationship between modern art and early American television has made a big splash with its recent opening at The Jewish Museum,...</Summary>
<Website>http://thejewishmuseum.org/exhibitions/revolution-of-the-eye</Website>
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<PostedAt>Fri, 08 May 2015 13:10:57 -0400</PostedAt>
<EditAt>Fri, 08 May 2015 13:11:31 -0400</EditAt>
</NewsItem>

<NewsItem contentIssues="true" id="48227" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/48227">
<Title>Documentary videos by Vin Grabill at the Gugenheim Museum</Title>
<Tagline>"Group Zero" seen through the lens of UMBC Art Professor</Tagline>
<Body>
<![CDATA[
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    <span>Three documentary videos produced by Visual Arts Department Chair Vin Grabill will be screened at the Guggenheim Museum in New York as part of the "Zero: Countdown to Tomorrow, 1950s-60s Film Program".  </span><div><span><br></span></div>
    <div>
    <span>Grabill's videos "Otto Piene's Sky Art", "Otto Piene's Sky Art Neon Rainbow", and "Sky Kiss at Desert Sun/Desert Moon" will be presented by the museum. </span><span>These artist documentaries provide an expanded look at the ZERO network and the processes that the artists employed.</span><br><br><br><div><div>Otto Piene was one of the founding members of Group Zero, "an international network of artists that shared the group's aspiration to redefine and transform art in the aftermath of World War II."  Otto became the director of the Center For Advanced Visual Studies (CAVS) at MIT and served in that capacity till 1994, and UMBC bestowed an honorary degree on Otto Piene in 1995.</div></div>
    </div>
    </div>
]]>
</Body>
<Summary>Three documentary videos produced by Visual Arts Department Chair Vin Grabill will be screened at the Guggenheim Museum in New York as part of the "Zero: Countdown to Tomorrow, 1950s-60s Film...</Summary>
<Website>http://www.guggenheim.org/new-york/calendar-and-events/series/friday-film-screenings</Website>
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<Tag>guggenheim</Tag>
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<PostedAt>Fri, 21 Nov 2014 09:56:14 -0500</PostedAt>
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<NewsItem contentIssues="false" id="43288" important="false" status="posted" url="https://my3.my.umbc.edu/groups/cahss/posts/43288">
<Title>Project Mah Jongg featured on CBS Sunday Morning and Sun</Title>
<Tagline>Touring exhibit on Mah Jongg continues to draw attention</Tagline>
<Body>
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    <p><span><a href="http://www.cbsnews.com/videos/mah-jongg-madness/" rel="nofollow external" class="bo">CBS Sunday Morning</a>, <a href="http://articles.baltimoresun.com/2014-04-04/entertainment/bs-ae-mah-jongg-20140404_1_jewish-museum-mah-jongg-exhibit" rel="nofollow external" class="bo">The Baltimore Sun</a>, and the <a href="http://jewishtimes.com/21343/americas-other-pastime/#.U0K0p9xqtFw" rel="nofollow external" class="bo">Baltimore Jewish Times</a> have run</span><span> <a href="http://jewishtimes.com/21343/americas-other-pastime/#.U0K0p9xqtFw" rel="nofollow external" class="bo">features</a></span><span> on </span><a href="http://www.projectmahjongg.com/" rel="nofollow external" class="bo">Project Mah Jongg</a><span>, now appearing at the Jewish Museum of Maryland </span><span>and is on view in Baltimore through June 29, 2014.</span><span>. </span></p>
    <p><span><a href="http://www.projectmahjongg.com/about.html" rel="nofollow external" class="bo">The show</a>, which originated at the Museum of Jewish Heritage, NYC has also garnered notice in the New Yorker, The Wall Street Journal, The New York Times and The LA Times. The show has travelled to Portland, Cleveland, LA, Miami Beach, Atlanta, and will continue on to </span><a href="http://www.thecjm.org/on-view/upcoming/project-mah-jongg/about" rel="nofollow external" class="bo">San Francisco</a><span> this summer.</span></p>
    <p><span>CIRCA Director Timothy Nohe produced sound designs for three "Muji" players, documenting games in Chinatown and the Upper East Side. The sound work was invited by curator Melissa Martens Yaverbaum. Abbot Miller, a partner at Pentagram Design, designed the exhibit to highlight the intriguing objects and imagery surrounding the game. Original works by fashion icon Isaac Mizrahi, and renowned illustrators Maira Kalman, Christoph Niemann, and Bruce McCall pay homage to the influence mah jongg has had on design and contemporary artists. The exhibition's sumptuous companion publication "</span><a href="http://www.newyorker.com/online/blogs/books/2010/05/crak-bam-dot.html" rel="nofollow external" class="bo">Mah Jongg: Crak, Bam, Dot,</a><span>" was edited by Abbott Miller and Patsy Tarr, and published by twice books.</span></p>
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]]>
</Body>
<Summary>CBS Sunday Morning, The Baltimore Sun, and the Baltimore Jewish Times have run features on Project Mah Jongg, now appearing at the Jewish Museum of Maryland and is on view in Baltimore through...</Summary>
<Website>http://www.projectmahjongg.com</Website>
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<PostedAt>Mon, 07 Apr 2014 10:30:16 -0400</PostedAt>
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