Anupam Joshi, vice provost and chief AI officer for UMBC, has been named a 2025 Fellow for the American Association for the Advancement of Science (AAAS). AAAS is one of the world’s largest general scientific societies and the publisher of the Science family of journals. 

Joshi is among nearly 500 scientists, engineers, and innovators who have been elected 2025 fellows for their scientifically and socially distinguished achievements throughout their careers. 

Joshi is a pioneer in data management and security for mobile and ad-hoc networks using AI approaches. His research interests are at the intersection of AI and systems. Over the last decade, Joshi has explored this intersection to improve cybersecurity—using distributed AI approaches for attack detection and resilience in CPS/IoT systems that undergird critical infrastructure and policy-driven approaches to security and privacy.

In addition to serving as vice provost and chief AI officer, Joshi is the Oros Family Professor and director of the UMBC Cybersecurity Institute. A prolific scholar, Joshi obtained a B.Tech degree from Indian Institute of Technology (IIT) Delhi in 1989, and a master’s and Ph.D. from Purdue University in 1991 and 1993. 

A tradition dating back to 1874, election as a AAAS Fellow is a lifetime honor, and all fellows are expected to maintain the highest standards of professional ethics and scientific integrity. Joshi is the ninth fellow to be elected from UMBC throughout its history. Phyllis Robinson was the most recent UMBC fellow elected in 2024. 

“This year’s AAAS Fellows have demonstrated research excellence, made notable contributions to advance science, and delivered important services to their communities,” said Sudip S. Parikh, AAAS chief executive officer and executive publisher of the Science family of journals. “These fellows and their accomplishments validate the importance of investing in science and technology for the benefit of all.”

Want to cheer on UMBC’s men’s basketball team as they travel to the NCAA tournament? Find a watch party here!

• Learn more about the team’s journey
• Follow umbcretrievers.com

UMBC v. Howard University

University of Dayton Arena, Dayton, OH
March 17, 2026
6:40 p.m.
You can watch the game live on truTV at 6:40 p.m.

Dayton, Ohio Pre-Game Reception

Hosted by the Retriever Club
Hotel Ardent, Bistecca – Italian Steakhouse
137 North Main Street, Downtown, Dayton, Ohio 45402
4 – 6 p.m.
Planning to attend? Email eventsrsvp@umbc.edu to let us know!

Baltimore-Area Watch Parties 

Sorrento of Arbutus
5401 East Dr, Halethorpe, MD 21227

State Fare
748 Frederick Rd, Catonsville, MD 21228

Jimmy’s Famous Seafood
6526 Holabird Ave, Baltimore, MD 21224

Claddagh Pub
2918 O’Donnell St, Baltimore, MD 21224

Cinderella better find her slippers because UMBC is going dancing again! With a 74-59 win over no. 2 University of Vermont on Saturday, UMBC men’s basketball will return to NCAA Tournament play for the first time since 2018. They also clinched another America East title before a packed home court at Chesapeake Employers Insurance Arena. Selection Sunday results are in and our Retrievers will be taking on Howard University for a play-in game on Tuesday in Dayton. This will be the third NCAA tournament appearance for UMBC. 

Cheer on the team at a watch party

A showdown between the Retrievers and the Catamounts is one supporters have come to eagerly anticipate each season. Vermont won nine of the last 12 overall matchups prior to Saturday’s win and this was the teams’ fifth battle for the America East Championship. And despite Vermont’s no. 1 ranking and UMBC’s no. 7 in the America East preseason poll, the Retrievers proved once again never to count out an underdog. 

Even before Saturday’s victory, UMBC already inked its place in athletics history by producing  the men’s basketball’s best conference regular season in program history. The win against UVM marks the 12th straight win for the Retrievers and sets a new all-time program record. 

“This achievement is a credit to these guys, who are a selfless group who just really cares about playing basketball,” said head men’s basketball coach Jim Ferry. “To be rewarded with that and leave a mark at UMBC is special, and I think they are all very proud of that.” 

Shooting their shot

Fans (and strangers) may recall UMBC’s historic upset in 2018 when they became the first men’s no. 16 seed to overthrow a no. 1 seed in NCAA history. Besting UVM in the America East final this year was especially reminiscent of that legendary season when UMBC also prevailed against Vermont. Since getting their first taste of March Madness success, the Retrievers have been fighting doggedly to return to the national stage. This season, the hard work paid off. 

Three Retrievers made the America East All-Conference Team. Junior guard Jah’Likai King was named First Team, while graduate student guard DJ Armstrong Jr., and junior guard Ace Valentine earned Second Team honors. This marks the first time since 2021 – 22 that the Retrievers have had three players recognized on one of the three All-Conference teams.

Leading his players by example, Ferry was also named America East’s Coach of the Year. He racked up his 400th career win at Maine earlier in the season and is the first coach in UMBC’s program history to do so. 

In good company

Far from the only team to impress the crowds, women’s basketball stunned with buzzer beaters and dramatic come-from-behind victories this season. Setting the stage in the quarterfinals against NJIT, junior Jade Tillman dropped a bucket with one second left on the clock to advance the Retrievers to the semifinals with a score of 66-65. The Retrievers have been selected to play in the 2026 Women’s National Invitational Tournament.

In the America East Semifinals, UMBC women’s basketball took on top-seeded Vermont on the road on Monday, March 9. Despite an exhausting double overtime thriller, UMBC ultimately conceded to the Catamounts with a score of 68-65 to close out the season. 

In February, the Retrievers cracked open the record books to add two more milestones to the history of UMBC Athletics. For the first time, the women’s track and field team captured the America East Indoor Championship title. In addition, the men’s swimming and diving team reclaimed their America East title for the first time since 2023. This marks their 15th win in 20 seasons. Junior Ashley Gutshall, history, competed in the NCAA swimming and diving championships, the first Retriever to qualify for NCAA’s since 2017.

Check umbcretrievers.com for all updates and be ready to cheer on #RetrieverNation! 

Mechanical engineering senior Caly Ferguson will be honored with a “25 Under 25” award at the upcoming meeting of the National Society of Black Engineers (NSBE), held March 18 – 22 in Baltimore. The award recognizes exceptional students and young professionals under the age of 25 who are making a measurable impact in science and technology fields through leadership, innovation, entrepreneurship, and community advancement. 

Ferguson is a Meyerhoff Scholar and current president of the UMBC chapter of NSBE. Last year he was one of three UMBC students recognized with the prestigious Goldwater Scholarship, established to promote a strong STEM workforce in the U.S.

Since his first year at UMBC, Ferguson has worked in the lab of Ramana Vinjamuri, an associate professor of computer science and electrical engineering, on a project to develop a prosthetic forearm and hand. The device employs machine learning to interpret electrical signals from the nerves in the arm and translate them into desired movements of the prosthetic hand. Ferguson is interested in a career developing biomedical devices—in particular making them more affordable so that more people can benefit from them. 

“I am truly blessed to be considered as one of the awardees for this esteemed honor,” Ferguson says. “I feel as though God, my family, my friends, and all of my mentors and colleagues have played such integral roles in my successes over the past years.”

Ferguson says being a part of the NSBE community has positively shaped his career trajectory and he plans to stay involved with the society after graduation. He is running for a regional executive board position with the organization at this year’s annual meeting.

“One of the things I am most proud of is seeing the consistent growth of the organization on campus throughout my undergraduate career,” he says. “I know that this student org will continue to rise and achieve amazing feats after I graduate from UMBC.”

UMBC researchers have secured a $1,031,000 congressional earmark to launch a vital new initiative tackling the escalating threat of flooding in Maryland’s most vulnerable communities.

Led by Alan Yeakley, professor, and Dillon Mahmoudi, associate professor, both in geography and environmental systems, the project establishes the UMBC Laboratory for Flood Risk Impact Assessment and Adaptation in Impoverished Maryland Communities. This lab will serve as a hub for analyzing and tracking the impacts of rising flood risks on low-income populations in both urban and rural areas across the state. Yeakley and Mahmoudi will bring on two postdoctoral researchers and graduate and undergraduate research assistants, who will gain critical skills in community-engaged research and data analytics while supporting the work.

The project focuses on communities along the Chesapeake Bay and its major tributaries, including historically underserved neighborhoods in Baltimore such as Turner Station. Researchers will investigate how the legacies of blockbusting and redlining have heightened flood vulnerability in low-income areas and assess whether flood mitigation resources have been distributed equitably. The team will also evaluate the current state of adaptation strategies at every level—from individual households to the city, county, state, and federal governments.

Through hands-on workshops, interviews with residents, and discussions with government agency personnel, the lab will document communities’ existing adaptation methods and raise awareness of growing hazards. Advanced computer modeling completed in UMBC’s state-of-the-art geographic information systems (GIS) laboratory will help quantify predicted risks, which researchers will share with affected communities along with practical, low-cost strategies to enhance resilience. This approach will foster opportunities to co-create solutions, in alignment with UMBC’s commitment to bidirectional partnerships with our neighbors as we all seek to address environmental challenges.

“We’re thrilled to be able to help local communities experiencing flooding along the Chesapeake Bay,” Yeakley says. “We hope to learn what they are already doing to mitigate these hazards, and to suggest strategies that might improve their resilience to ongoing and future threats to their properties and their lives. We also hope that, eventually, communities will share successful strategies with each other directly, creating a grassroots network of neighborhood and environmental stewardship.”

Kristina Gaddy came to UMBC as a Sondheim Public Affairs Scholar. Her passion for history and languages—Swedish, German, and Spanish—led her to graduate with a dual degree in history and modern languages and linguistics. Looking back on her time at UMBC, Gaddy is grateful for the opportunities the program provided, especially the chance to study abroad in Germany. There, she combined her proficiency in German with her historical training to research the foundations of her first book.

“The Sondheim Public Affairs Scholars Program was wonderful because of the funding I received to support my research and the cohort of students,” says Gaddy. “We were all really interested and excited about social issues, public policy, and how these ideas could be used to improve the world.”

These interests inspired a career in historical nonfiction writing and led to her to write meticulously researched books: Flowers in the Gutter: True Story of the Edelweiss Pirates, Teenagers Who Resisted the Nazis (Dutton Books, 2020), Well of Souls: Uncovering the Banjo’s Hidden History (W. W. Norton & Company, 2022), and A Most Perilous World: The True Story of the Young Abolitionists and their Crusade Against Slavery (Dutton Books, 2025).

Digitizing public history

Her collaboration with Giddens isn’t the first time Gaddy has written a book about banjos. “My start in music research and writing started 15 years ago when I was an AmeriCorps working with multi-instrumentalist Gerry Milnes at Augusta [Heritage Center in Elkins, West Virginia], and the friends I made while living in Elkins helped put me on the path to writing Well of Souls and Go Back and Fetch It.” 

It’s not just documents that Gaddy used in her first banjo book—which are accessible on her blog—but also sound clips, performances, and interviews. While many historical records can be found online, many more have yet to be digitized. Gaddy, who also digitized and archived the West Virginia Upshur County Historical Society‘s local history collection, has made digitization an integral part of her process. 

“Having come from the public history side of UMBC’s history department, I strongly believe in people having access to information as it pertains to their own history. It was one of the reasons I wanted to write Well of Souls,” says Gaddy, about her second book. “I had gathered all this information, and I could have shared it with just a few people, but I wanted anybody who wants access to banjo history not to have to go to some expensive conference to hear about it.”  

A revolutionary collaboration

Giddens, a MacArthur recipient and Pulitzer Prize winner, is grateful for Gaddy’s dedication to digitizing and broadening access to historical material culture. While working on pieces of music highlighting 18th-century North American, Scottish, and Irish traditions for Ken Burns’s 2025 PBS documentary The American Revolution, Giddens was looking for samples of Black music from the Revolutionary War. She wasn’t having much luck until she explored Gaddy’s website, where she not only found what she was looking for but also the inspiration for their co-authored book, Go Back and Fetch It.

“I just kept going back to Kristina’s website, where she had put up these JPEGs. I would download them, lose the JPEG, and I’d go back and, like, download it again. And then I was just like, ‘Kristina, why don’t we put all of these in a book?’ explained Giddens at the 2025 Michigan University Arts Initiative interview on Go Back and Fetch It with Gaddy.

The book is their third collaboration. In 2018, Giddens invited Gaddy and her husband, Pete Ross—banjo maker, researcher, and musician—to present at a banjo symposium during the inaugural North Carolina Folk Festival, which Giddens curated. Gaddy presented her research on the African American roots of the banjo, an experience she credits as the inspiration for Wells of Souls, for which Giddens wrote the foreword. They also collaborated in 2022 on one episode of the 10-part series The Banjo: Music, History, and Heritage for The Great Courses project. 

“The idea behind the book was that there were all these little pieces of music in archives, in published books, in manuscripts that were sprinkled throughout the historic record of Black music in the Americas,” explains Gaddy in the same interview. “They weren’t compiled in one place. Rhiannon, as an artist, was frustrated that she couldn’t access them.”

For their book collaboration, they selected 19 pieces of music from 1687 through the 1860s. Gaddy wrote a historical research essay for each song explaining the types of banjos used, how and when they were played, and their socio-cultural significance across communities in the Americas and the Caribbean. Giddens transcribed the songs into modern treble clef and banjo tablature, which shows finger placement, rather than the Western classical notation tradition, making early Black Atlantic banjo music accessible to banjo players today, in the future, globally, and across all genres. 

Following the banjo around the world

Gaddy’s last five years have been busy. But once you dig a little deeper, ask more questions, and do a lot of listening—just as she does for all of her interviews—you learn that Gaddy really started her musical performance research in high school while playing traditional Swedish music with her mom and traditional American music with her uncle and aunt. After college, she fell in love with the banjo while living with other artists in West Virginia, developing a connection with a vast, diverse community passionate about banjo culture and history—including in Baltimore City, where Gaddy and her husband performed some of the songs from Go Back and Fetch It at the Enoch Pratt Free Library in September, right before she moved to Nottingham, England.

Gaddy has also expanded her digital research presence to Substack, where she posted the news of her fully funded doctoral program at the University of Nottingham, where she will research Black fiddling in the 19th-century British Caribbean.

And even though she is a whole ocean away, Gaddy still feels the support of her UMBC history department.

“One of the most exciting things for me is to see other students and scholars diving deeper into these subjects. My former history professor, Dr. Michelle Scott, recently put me in touch with Amina Thiam, a UMBC graduate student who is writing her thesis on Black banjoists and string instrumentalists in Maryland during the colonial period. I can’t wait to see what she uncovers.”

Learn more about Kristina Gaddy’s work and UMBC’s History department.

Kristina Gaddy ’09, saves and gathers manuscripts, sheet music, pictures, maps, drawings, and anecdotes, sharing them on her blog to make public what she finds hidden in archives, private collections, and museums. For her fourth book, Go Back and Fetch It: Recovering Early Black Music in the Americas for Fiddle and Banjo (University of North Carolina Press, 2025), Gaddy teamed up with Rhiannon Giddens, a Grammy Award-winning musician who is equally passionate about digitizing and broadening access to the historical material culture of the banjo. 

Gaddy came to UMBC as a Sondheim Public Affairs Scholar. Her passion for history and languages—Swedish, German, and Spanish—led her to graduate with a dual degree in history and modern languages and linguistics. Looking back on her time at UMBC, Gaddy is grateful for the opportunities the program provided, especially the chance to study abroad in Germany. There, she combined her proficiency in German with her historical training to research the foundations of her first book.

“The Sondheim Public Affairs Scholars Program was wonderful because of the funding I received to support my research and the cohort of students,” says Gaddy. “We were all really interested and excited about social issues, public policy, and how these ideas could be used to improve the world.”

These interests inspired a career in historical nonfiction writing and led to her to write meticulously researched books: Flowers in the Gutter: True Story of the Edelweiss Pirates, Teenagers Who Resisted the Nazis (Dutton Books, 2020), Well of Souls: Uncovering the Banjo’s Hidden History (W. W. Norton & Company, 2022), and A Most Perilous World: The True Story of the Young Abolitionists and their Crusade Against Slavery (Dutton Books, 2025).

Digitizing public history

Her collaboration with Giddens isn’t the first time Gaddy has written a book about banjos. “My start in music research and writing started 15 years ago when I was an AmeriCorps working with multi-instrumentalist Gerry Milnes at Augusta [Heritage Center in Elkins, West Virginia], and the friends I made while living in Elkins helped put me on the path to writing Well of Souls and Go Back and Fetch It.” 

It’s not just documents that Gaddy used in her first banjo book—which are accessible on her blog—but also sound clips, performances, and interviews. While many historical records can be found online, many more have yet to be digitized. Gaddy, who also digitized and archived the West Virginia Upshur County Historical Society‘s local history collection, has made digitization an integral part of her process. 

“Having come from the public history side of UMBC’s history department, I strongly believe in people having access to information as it pertains to their own history. It was one of the reasons I wanted to write Well of Souls,” says Gaddy, about her second book. “I had gathered all this information, and I could have shared it with just a few people, but I wanted anybody who wants access to banjo history not to have to go to some expensive conference to hear about it.”  

A revolutionary collaboration

Giddens, a MacArthur recipient and Pulitzer Prize winner, is grateful for Gaddy’s dedication to digitizing and broadening access to historical material culture. While working on pieces of music highlighting 18th-century North American, Scottish, and Irish traditions for Ken Burns’s 2025 PBS documentary The American Revolution, Giddens was looking for samples of Black music from the Revolutionary War. She wasn’t having much luck until she explored Gaddy’s website, where she not only found what she was looking for but also the inspiration for their co-authored book, Go Back and Fetch It.

“I just kept going back to Kristina’s website, where she had put up these JPEGs. I would download them, lose the JPEG, and I’d go back and, like, download it again. And then I was just like, ‘Kristina, why don’t we put all of these in a book?’” explained Giddens at the 2025 Michigan University Arts Initiative interview on Go Back and Fetch It with Gaddy.

The book is their third collaboration. In 2018, Giddens invited Gaddy and her husband, Pete Ross—banjo maker, researcher, and musician—to present at a banjo symposium during the inaugural North Carolina Folk Festival, which Giddens curated. Gaddy presented her research on the African American roots of the banjo, an experience she credits as the inspiration for Wells of Souls, for which Giddens wrote the foreword. They also collaborated in 2022 on one episode of the 10-part series The Banjo: Music, History, and Heritage for The Great Courses. 

“The idea behind the book was that there were all these little pieces of music in archives, in published books, in manuscripts that were sprinkled throughout the historic record of Black music in the Americas,” explains Gaddy in the same interview. “They weren’t compiled in one place. Rhiannon, as an artist, was frustrated that she couldn’t access them.”

For their book collaboration, they selected 19 pieces of music from 1687 through the 1860s. Gaddy wrote a historical research essay for each song explaining the types of banjos used, how and when they were played, and their socio-cultural significance across communities in the Americas and the Caribbean. Giddens transcribed the songs into modern treble clef and banjo tablature, which shows finger placement, rather than the Western classical notation tradition, making early Black Atlantic banjo music accessible to banjo players today, in the future, globally, and across all genres. 

Following the banjo around the world

Gaddy’s last five years have been busy. But dig a little deeper, ask more questions, and do a lot of listening—just as she does for all of her interviews—it turns out that Gaddy really started her musical performance research in high school while playing traditional Swedish music with her mom and traditional American music with her uncle and aunt. After college, she fell in love with the banjo while living with other artists in West Virginia, developing a connection with a vast, diverse community passionate about banjo culture and history—including in Baltimore City, where Gaddy and her husband performed some of the songs from Go Back and Fetch It at the Enoch Pratt Free Library in September, right before she moved to Nottingham, England.

Gaddy has also expanded her digital research presence to Substack, where she posted the news of her fully funded doctoral program at the University of Nottingham, where she will research Black fiddling in the 19th-century British Caribbean.

And even though she is a whole ocean away, Gaddy still feels the support of her UMBC history department.

“One of the most exciting things for me is to see other students and scholars diving deeper into these subjects,” says Gaddy. “My former history professor, Dr. Michelle Scott, recently put me in touch with Amina Thiam, a UMBC graduate student who is writing her thesis on Black banjoists and string instrumentalists in Maryland during the colonial period. I can’t wait to see what she uncovers.”

Learn more about Kristina Gaddy’s work and UMBC’s History department.