We are nearing the end of the semester, and closing out the fall means celebrating with the season of giving and gratitude. UMBC feels the love of its community all year round, and that support is what inspires our Retrievers to give back. 

UMBC Retrievers are acting on their gratitude for community members in various ways. ‘Tis the season, so let’s take a look at how our Retrievers are giving back.

Save-a-Swipe Program

Thanks to generous UMBC community donations, the Save-a-Swipe program reached a record 1,050 meal swipes this fall. This partnership between Retriever Essentials, Retriever Card Center, and Dining Services enables members to donate meal swipes to students facing food insecurity. 

Assistant director of Retriever Essentials, Michael Berardi ’19, media and communication studies, shares insight on just how important the donations received are and what it means to the community, saying, “Donations are what help nourish our community. Now more than ever, Retriever Essentials is a critical resource for thousands of Retrievers facing food insecurity. Nearly everything we distribute is either directly donated or purchased with donated funds and grants. We’ve seen incredible generosity from folks all around campus, and are so grateful for the consistent support for our students, staff, and faculty in need.”

Food for Fines

Food for Fines is a clever way to turn parking citation fines into charity donations to those in need. Partnering with Retriever Essentials, UMBC Parking Services reduces one citation to a warning in return for five toiletry or non-perishable food items. Food for Fines previously collected 388 pounds of donations, and they set a goal for 500 pounds this semester to help those in need. Thanks to the outpouring of generosity from UMBC students, they collected 879 pounds of food, making this likely the single largest physical donation in program history. 

Athletics fundraiser

The highly anticipated women’s basketball beltway battle is not only an exciting game between UMBC and Towson, but it also served up a canned food drive! For every can donated, each person received $1 off concessions for the game.

10 for 10

For the past 10 years, Retriever Essentials has been dedicated to nourishing our ever-growing UMBC community by fighting food insecurity and providing essential resources to students, staff, and faculty. To celebrate a decade of service, Retriever Essentials is holding a 10 for 10 campaign, which encourages individuals to donate a recurring $10 per month (or as much as you are able) in honor of 10 years.

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Learn more about how you can support Retriever Essentials and give back to our UMBC community.

On November 15, more than 120 engineering and computer science professionals and students convened on the UMBC campus for the 2025 IEEE Baltimore Technical Colloquium, co-sponsored this year by the Department of Information Systems. It was the second IEEE Baltimore Technical Colloquium, and saw approximately 20 percent growth in attendance compared to the inaugural event.

The colloquium focused on innovation and leadership in cutting edge areas such as artificial intelligence, data analytics, quantum computing, computational medicine, trustworthy computing, and more. The event, held in the Interdisciplinary Life Sciences Building, was a chance for academic experts, industry leaders, and students from around Baltimore to share their research, network, and find new inspiration.

Chinonso Ezeobi, M.S. ’22, electrical engineering, and a current Ph.D. student, served as conference vice chair. “Curating programs for our IEEE professional community has been incredibly rewarding,” he said. “Serving as chair has provided invaluable opportunities to expand my network and develop my leadership capabilities.”

The event attracted major area universities, companies, and organizations including the Army Research Lab, Northrop Grumman, JP Morgan Chase, and the National Institute of Standards and Technology. Ezeobi delivered opening remarks and, along with several other UMBC students and faculty, presented research. Student and alumni volunteers helped keep the program running smoothly. 

Jeanne van Briesen, dean of the College of Engineering and Information Technology, delivered keynote remarks on how engineers and scientists can tackle complex, modern problems, such as reverse engineering the human brain and preventing nuclear terror. In these so-called “wicked problems,” engineered, natural, and data systems interact with human and social systems, creating situations where there is no clear, single solution and oftentimes attempts to fix the original issue create new problems. 

Van Briesen described how “convergence research,” which integrates knowledge, methods, and expertise from different disciplines to form novel frameworks that catalyze new discoveries and innovations, can help humanity tackle its most intractable problems. She gave examples of convergence research at UMBC addressing challenges such as improving mental health, increasing the safety of first responders and soldiers, and making medicine cheaply and on-demand. 

“A wicked problem is sometimes described as a problem that cannot be fixed—but never tell an engineer something can’t be done,” she said.

Tyler Josephson, an assistant professor in the Department of Chemical, Biochemical, and Environmental Engineering, was selected as a 2025 Pivot Fellow by the Simons Foundation. The fellowships support top researchers as they pivot to making contributions to a new discipline.

At UMBC, Josephson leads the AI & Theory-Oriented Molecular Science Lab, which develops computational methods to simulate the behavior of molecules and, potentially, to automate the discovery of new scientific theories. His current research includes National Science Foundation-funded projects to digitize chemical theories using a programming language developed by researchers at Microsoft called the Lean theorem prover and a DARPA-funded project to develop AI tools that can check the feasibility of scientific claims.

During his Pivot fellowship, Josephson will join the research group of Jeremy Avigad, a professor of philosophy, computer science, and mathematics at Carnegie Mellon University in Pittsburgh, where he’ll study advanced topics at the intersection of formal mathematics and computer science. He plans to formalize statistical thermodynamics derivations in Lean, develop computational workflows for auto-formalizing science using AI, and build molecular simulation software integrated with formal proofs of mathematical correctness.

The skills, knowledge, and connections Josephson develops will strengthen his ongoing work with his UMBC students and colleagues.

“As an engineer, I didn’t formally study these topics in school. I’m really excited by the opportunity to dive deeper and learn new things,” he says.

As International Education Week 2025 comes to a close, we’ve rounded up a few of the many ways Retrievers engage globally through their work and studies. Even though it has been a particularly trying time for international students, “…more UMBC students studied abroad in Academic Year 2024 – 25 than ever before. Our students are discovering new perspectives, building global connections, and transforming their futures through these life-changing experiences,” says Katie Heird, director of education abroad and global learning at UMBC. Here are a few ways international students and Retrievers who have gone abroad play a role in the lifeblood of UMBC.

1. Who is Fulbright material?

UMBC’s six 2025 – 2026 Fulbright U.S. Student Program recipients share their not-so-secret recipe for success. Deciding to apply for a Fulbright is just the first step, and with the support of UMBC’s Center for Global Engagement, which hosts Fulbright information sessions in the spring for undergraduate, graduate, and recent alumni. Retrievers can apply to earn a master’s, conduct research, or be an English Teaching Assistant in more than 160 countries. With the UMBC 2025 – 2026 Fulbrights already settled in Taiwan, Norway, and Indonesia, Belgium, Israel, and Germany, these alumni are eager to share tips to inspire and prepare the next generations of Fulbright Retrievers.

Additionally, this year, four UMBC faculty and staff members received highly competitive Fulbright U.S. Scholar awards to teach, conduct research, and foster cross-cultural connections globally. The recipients span all three UMBC colleges and comprise three faculty members and one staff member. The UMBC awardees are connecting with international partners in areas of shared interest. Augusto Casas, an associate teaching professor of information systems, is working in Colombia; Cynthia Wagner, a teaching professor of biological sciences, went to Kyrgyzstan; Irene Chan, a professor of visual arts, is in Romania; and Tom Penniston, M.A. ’09, TESOL, Ph.D. ’14, language, literacy, and culture, the coordinator of learning analytics in the Division of Information Technology, is working in Croatia.

2. Building intentional international connections

A six-person UMBC team built international connections at the “PIWOT – World of Technology” conference, held in early 2025 in Mumbai, India. The science and technology conference is organized by the alumni association for graduates of the prestigious Indian Institutes of Technology (IITs), and attracts many of the leaders in science and technology in India and around the world. The CEO of Alphabet, Inc. (Google’s parent company), the co-founder of Sun Microsystems, and the CEO of IBM are all graduates of IITs. 

This year’s PIWOT conference focused on the impact of technology across multiple dimensions of life, from the professional to the personal. UMBC’s Anupam Joshi, acting dean of the College of Engineering and Information Technology, took part as a speaker on a panel about the impact of technology on education, and the UMBC booth also displayed the low-cost infant incubator developed by Professor Govind Rao.

3. International research collaboration challenges assumptions

Thanks to funding from the German Academic Exchange Service, Lorenz Kopp and Björn Michelmann, mechanical engineering students from Germany’s Regensburg University of Applied Sciences, came to UMBC to conduct research with UMBC’s mechanical engineering professor, Paris von Lockette. The project was part of a bigger assumption-questioning enterprise—in particular, probing the behavior of materials called soft magnets. Kopp’s and Michelmann’s advisor at Regensburg University of Applied Sciences knew von Lockette through the American Society of Mechanical Engineers, and together they arranged the details of the two-month visit with the help of the Office of International Students and Scholars at UMBC. 

While Kopp and Michelmann spent plenty of time in the lab during their visit, they also had chances to explore the areas surrounding UMBC on weekends. They visited the National Aquarium in Baltimore, took in a Baltimore Ravens football game, and drove to Shenandoah National Park in Virginia. They also enjoyed campus life, attending Homecoming weekend, and regularly visiting the Retriever Activity Center to work out.

4. Exploring politics in a global context, virtually

Professor Filomeno’s 2024 Collaborative Online International Learning (COIL) Brazil project on climate change equips students with the technical and interpersonal skills to thrive in professional online international and intercultural environments. COIL makes international scholarship and intercultural learning accessible by removing barriers of cost and travel while preparing students with essential skills for future in-person exchanges. COIL Brazil was part of Filomeno’s Global Citizenship class in collaboration with former colleague Clarissa Dri, a professor of international relations at his alma mater, the Federal University of Santa Catarina, in southern Brazil.

The ongoing Virtual Tandem Conversation project was created by Susanne Sutton, a teaching professor of German, and Talke Macfarland, a visiting lecturer of German in UMBC’s Department of Modern Languages, Linguistics, and Intercultural Communication. They established the program during COVID-19 to help UMBC students learning German and German students learning English socialize while continuing to improve their language skills.

The actual tandem meetings are entirely student-driven and take place outside of the classroom—each tandem pair arranges virtual meetings according to their schedule. Tandem participants have gone beyond the virtual classroom, such as UMBC Golden ID Program student Rebecca Smith, who, while on a recent trip to France, hopped over to Germany to visit Gertrud Krause-Traudes, her partner in UMBC’s Virtual Tandem Conversation project. After three semesters of virtual conversations in German and English, Smith was happy to meet Krause-Traudes in person.

5. Science that bridges two worlds

In 2020, as the COVID-19 pandemic disrupted lives worldwide, Greema Regmi began her Ph.D. in UMBC’s atmospheric physics program. Studying remotely from her home in Nepal, she navigated a grueling schedule due to the time difference. Now in her fifth year, Regmi’s perseverance has earned her NASA’s prestigious Future Investigators in NASA Earth and Space Science and Technology (FINESST) fellowship, which will provide up to $50,000 annually for up to three years to fuel her research on atmospheric dust.

Regmi has been able to accomplish so much in part because of the supportive community she found at UMBC, after finally arriving on campus in fall 2021. Regmi’s journey bridges her unique perspectives as a student in Nepal and the U.S. At UMBC, she’s embraced broader opportunities. “I think here you can push the limit. I don’t even know what the limit is in the U.S. Here you can dream more and be more experimental,” she observes.

Grounded in the UMBC physics department’s community of support, Regmi’s confidence has only grown since her arrival in Maryland. “There’s always a place for my opinion, which is very nice. Because of that, and all of the experiences I’ve had, now I have the confidence to start my own project,” she explains. “And that’s why I think now I’m confident to go back home, lead something there, and be helpful in some small way.”

Learn more about UMBC’s international opportunities.

They’re baaaack! For the fifth time in the last six seasons, UMBC volleyball has captured the America East Championship. After a comeback in five sets against Binghamton during Friday’s semifinals, the Retrievers were primed and poised to take on UAlbany in the final at Chesapeake Employers Insurance Arena on Saturday afternoon. UMBC came out on top after four sets, ultimately defeating UAlbany 3-1. This was familiar territory for the Dawgs, marking their third victory over UAlbany in the America East Championships since 2020. 

Digging in their heels

Head coach Kasey Crider acknowledged this season wasn’t without difficulty and highlighted the perseverance of his team. 

“Championships are always hard. They take a sustained effort over months and years, and are chock-full of doubt the entire way. This one was no different,” he shared. “We started the season poorly and needed some things to break our way over the course of the season, but at the end—when it was ‘win-or-go-home’—we put together our two best performances of the year.” 

Crider’s leadership paid off, and, in addition to capturing the title, he and his staff were named America East’s Coaching Staff of the Year. This is the second win for Crider and his staff in the four years he’s been at the helm for UMBC. 

Aces across the board

Crider wasn’t the only Retriever to take home additional accolades. Junior libero Hannah Howard, information systems, was named the America East Defensive Player of the Year for the second time and America East Championship’s Most Outstanding Player after her incredible performance in the championships. Her career-high 32 digs put her in a tie for sixth for the most digs in UMBC single-game history. 

Four Retrievers earned All-Conference honors for the team, including junior outside hitter Jalynn Brown, biological sciences,who joined Howard as an All-Conference First Team selection.

“Winning a championship is our way of showing the world how hard we have worked, all the time and effort spent in the gym, recovering, scouting, and all the extra things,” said Brown. “I love being able to inspire so many people in the community and show what it looks like to achieve your dreams.” 

Attacking the next

For the spectators who felt the electricity in the Arena over the weekend, Crider has a simple explanation: “Sports aren’t magic, but that’s about as close as it gets.” 

The Retrievers will return to NCAA tournament play and will learn their draw during ESPNU’s selection show on Sunday, November 30 at 6 p.m. Follow UMBCAthletics and UMBCvolleyball on social media for updates.

Members of UMBC’s chapter of the National Society of Black Engineers (NSBE) traveled to Raleigh, North Carolina, for their annual regional conference this November, where multiple members presented their work in the Technical Research Exhibition. Sophomore computer engineering student Amir Walton-Irvin, a Meyerhoff Program Scholar and Howard Hughes Medical Institute (HHMI) Scholar, earned first place for his research presentation.

Walton-Irvin investigates brain connectivity and health disparities in the Machine Learning for Signal Processing Lab of computer science and electrical engineering professor Tülay Adali. He uses statistical signal processing techniques to identify subclinical biomarkers that may predict neurological diseases such as stroke and dementia. 

At the conference, Walton-Irvin gave a 5-minute technical talk about his research, followed by questions from the competition judges and audience.

“Presenting research is a huge part of engineering and science that makes it accessible,” says senior mechanical engineering student Kayla Magruder, vice president of the UMBC NSBE chapter, who also gave a talk at the conference.

“I’m extremely grateful for every opportunity to share my work, and being recognized for it is an incredible feeling,” shares Walton-Irvin. “Moments like this motivate me to keep pushing research that can improve people’s lives, and I’m excited for what the future holds.”

Other UMBC students who attended the conference include mechanical engineering senior Caly Ferguson, mechanical engineering sophomore Nathan Bolima, computer science and financial economics junior Glen Larbie-Mansah, and computer engineering junior Jessica Slaughter.

UMBC’s NSBE chapter supports members with conference preparations and also offers activities such as mentoring, networking, leadership development, and community outreach.

Sarah Darby regularly gets in thousands of steps walking backwards around campus. “I have never felt more burn in my legs. It’s like you’re using muscle groups that you don’t use when you walk forward. I was sore,” says the sophomore political science and psychology major after she got her dream job as a Grit Guide last spring. Generally tours last a little under 90 minutes, and Darby said that her legs adjusted pretty quickly. 

Surely in the 1960s, when UMBC only had four academic buildings and no residential life yet, the tours were quicker, or at least shorter, right? Frances Allen Nickolas ’70, American studies, says: “Not really.” According to Nickolas, one of the early tour guides on campus, the tours would usually take over an hour as the interested visitors wanted to see the new school that had sprouted up in Catonsville over the last few years.

“We would talk about the majors UMBC offered and share perspectives from our own majors,” says Nickolas. “We would tell them about our experiences with the courses of study and the professors. I truly loved it because I got to meet different people all the time, and I just really enjoyed it. Because UMBC was much smaller in those days, later I’d run into some of those visitors again, but as students this time.”

This is something the modern tours have in common, says Darby, a Sondheim Scholar who enjoys giving her tours an in-depth view of her majors and favorite areas on campus (The Commons and the Library). But the thing she values most is getting to know these potential Retrievers. “I have made so many genuine connections with people when I’m out on tour—I enjoy making jokes and making them laugh,” says Darby. “Some people might think it’s ‘just a campus job,’ but I love seeing the high schoolers’ reactions to campus. It’s rewarding in a way that none of my other jobs have been. I really love it.”

Brick making is an inherently pay-it-forward process, says Marian April Glebes, M.F.A. ’09, a conceptual and mixed-media artist. In the past 10 years of her Mobile Community Brick Factory & Monument project, Glebes has made thousands of bricks and then invited community members to imprint their stories into the clay. Later, the bricks are used in mobile monuments around Baltimore City and beyond. Glebes, who won the 2025 Rubys Alumni Award through the Robert W. Deutsch Foundation for this work, asks: How can we support social and spatial change in order to build a new kind of community-driven monumental public space?

I come to historic preservation by way of my M.F.A. in imaging media and digital arts (IMDA) from UMBC—with an additional masters degree in city and regional planning and historic preservation from the University of Pennsylvania—my home in Baltimore City, and by making bricks as public art. As an artist, a preservation planner, a homeowner, an educator, a gardener, and a community and economic development practitioner, all of my research and methods investigate how we make a place and how a place makes us.

In 2015, I was the inaugural artist-in-residence at the Baltimore Museum of Art’s Patricia and Mark Joseph Education Center. The Robert E. Lee and Stonewall Jackson Confederate monument still stood across from the BMA’s Spring House in Wyman Park Dell in the Charles Village neighborhood of Baltimore. Aligning with and inspired by protest in support of social and civic justice movements, The Mobile Community Brick Factory & Monument operated within these complex intersections.

Almost a decade later, my camera was the only familiar thing at Baltimore City’s Department of Transportation facility on a frigid dawn in November 2023. I held it tightly as if it would prove to signify my role in providing archival documentation of a monumental move. The temperature had dropped to a mere 22 degrees, but the top-secret site was teeming with activity while the project was just beginning. 

“I like to do an easy one first,” the director of field operations says. But with the removal of any Confederate monuments, these or other “monuments to hate,” there is no easy one.

In the back corner of a DOT storage yard, I watched as the historical record was made and unmade, as preservation theory and practice was suspended and turned on their side, as conservation techniques and concepts were followed to the letter and simultaneously reinvented, starting with the Roger B. Taney statue. 

Baltimore’s contentious monuments shipped out to a storage facility near St. Louis on their way to Los Angeles for an exhibition at The Brick (formerly LAXart). In Baltimore, I stayed with the problem through a project I started a decade ago—creating a countermonument out of personalized, handmade bricks. 

Memory is mutable. Social contexts shift. This is the wicked problem in living heritage and what to do when it dies. I’ve had a unique position with singular access to process and understand this ongoing debate in Baltimore City while unofficial researcher-in-residence at the Commission for Historic and Architectural Preservation (CHAP). Each community is unique in its response on what to do with their Confederate monuments, and Baltimore’s perspective is vital to the discourse. Eric Holcomb, the former director of CHAP, invited me to the conversation, positing that perhaps it could or should be for the arts and artists to influence this unfolding preservation conundrum.

At UMBC, as M.F.A. candidates, our artwork was considered research—and therefore had to be contextualized and placed within the canon. To work responsibly, we were encouraged to know our audiences and our references and understand our place in time. Inspired by the people and places of Baltimore and by conceptual art’s blurring-of-art-andlife thinking of the 1960s, The Mobile Community Brick Factory & Monument maintains the ethos of rigorous research, material gravitas, and community connection engendered by my IMDA studies. Existing in the contexts of the Baltimore Uprising, the 2017 monument removals, social practice art, and civic engagement, I interrogate our circumscribed understandings of monumentality.

Monuments exist in social contexts that have often changed dramatically since the time they were created. Because of this, their meaning does not come only from the objects themselves—or only from how people view them—but from the shifting relationship between the two. The counter-monument was birthed by artists in Germany after the fall of the Berlin Wall and has not been widely accepted or brought into practice. In 2017, as monuments were being removed from our public spaces, artists again began erecting counter-monuments in protest of white supremacy.

The Mobile Community Brick Factory & Monument is centered in process, people, and making. To date, we have engaged over 15,000 people in Baltimore, made over 2,500 unique bricks, and collected over 1,000 personal stories from Baltimore residents. The Mobile Community Brick Factory & Monument is a new kind of monument, a monument not to the past, but a monument as an act of collective power that anticipates what will come to be.

The Mobile Community Brick Factory produces handmade bricks using local hand-processed clay and historic water-struck methods. This means of brickmaking is an inherently pay-it-forward endeavor—the bricks made one day are destined for someone else’s future hands. Participants personalize and inscribe their stories onto these bricks—words and messages about place, power, home, and experience. These story bricks are woodfired and become The Mobile Community Brick Monument, an ongoing series of exhibitions that create shared spaces.

While the bricks become pathways, garden beds, benches—some are embedded in sidewalks in Baltimore—I collect oral histories from brick constituents through ethnographic methods. In Baltimore, over 150,000 people have visited The Mobile Community Brick Monuments, finding connections to stories that are like their own.

At The Mobile Community Brick Factory & Monument, we believe ordinary voices matter, especially those that aren’t usually heard, that public space should be built by the people who use it, that heritage is alive, memory is mutable, and history is ongoing—made by daily lives. Our bricks represent pasts, presents, and futures that would otherwise remain untold and unwitnessed, built, shared, and spoken by urban residents. All are welcome and included in the process—a different kind of monument—a living space that honors the past and is built collectively by the people who live in and use our cities.

—Marian April Glebes, M.F.A ’09

When we think of toys, we imagine a finished product, a remote-controlled car, a mini piano, or a glitter-filled beach ball. The internal pieces that make up the toy are only seen if the toy breaks. However, for some children with disabilities, the feel, sound, and shape of a toy’s exterior can be as important as the internal components. Features such as a multi-button remote, pressing piano keys, or grasping a ball can reduce accessibility to developmentally essential play.

Molly Y. Mollica, assistant professor of mechanical engineering (ENME), challenges sophomores in her ENME 204 class, Engineering Design with Computer Aided Design (CAD), to create an accessible toy for an individual with a specific disability or a toy for collaborative play between children with and without disabilities. CAD helps students create, modify, and analyze technical drawings and 2D or 3D models.

Team Goat Cheese, a five-student collaboration that included Adam Harper, a mechanical engineering and theatre design sophomore, was voted the ENME 204’s Most Creative Design and the Most Viable Product by UMBC faculty, ENME 204 teaching staff, and needs experts. Their competitors also voted them the Most Creative Design for designing two accessible toys for children on the autism spectrum: a soft, stuffed sea turtle and a bald eagle with weighted body parts, textured fabrics, and interchangeable parts. 

Integral to their success was the involvement of community members on the autism spectrum. “Many of us have someone close to us on the autism spectrum,” said Harper. “We asked them what kind of toy they would have wanted when they were seven or eight.” Harper’s close friend shared that they never had a stuffed animal because the stuffed animals on the market never met their sensory needs. 

“Students have the opportunity to design in collaboration with needs experts—including physical therapists, special education teachers, and potential product users,” said Mollica. “In some cases, the resulting designs are developed enough to be shared with these experts to help address real challenges in accessible play.” 

Designing with needs experts

The team’s online market research found that stuffed animals with sensory designs, such as weighted bodies, textured fabric, and scents, can help reduce anxiety, increase focus, and ease transitions for children on the autism spectrum, fostering greater engagement with peers and family. Another key takeaway of their research was that many sensory toys included only one sensory feature, limiting their effectiveness for children who benefit from multiple tactile inputs. 

Team Goat Cheese used this as their inspiration. “We felt we could do better,” said Harper. “We decided to create two cartoon-like stuffed animals with multiple sensory inputs.” First, they used CAD to design interchangeable body parts. After several trial-and-error sessions, they created a lock-and-release mechanism for interchangeable parts. The eagle’s head, wings, and legs all come off the body. The sea turtle’s front and back flippers and head are also interchangeable. If a child doesn’t like the texture of the bald eagle’s head, they can swap it for the turtle’s head, creating a completely different sensory experience.

Sewing tactile play 

Choosing the materials was also a process. The team chose soft brown corduroy for the eagle’s wings due to its unique texture and geometry, and extra soft sweatshirt fleece for the eagle’s head and tail feathers. The beak and talons are a yellow iridescent mesh fabric with metallic gold squares fused onto it, noted Harper.

(l-r): The eagle’s right wing insert, stuffed eagle without weighted wing pockets, and the fabric for the beak and talons. (Images courtesy of Harper)

The turtle’s body was made of minky fabric—a soft, velvety green plush, polyester fabric—with raised almond-shaped dots that felt like soft scales. The shell was made from a soft brown fleece. 

Harper—the team’s secret weapon as the only member who knew how to sew—owned a sewing machine and had years of experience sewing, welding, sawing, and constructing theatre sets, so he was in charge of sewing the final product.

“For the weighted components, I double-stitched corduroy pockets and filled them with glass microbeads, then placed them inside the wings, head, and body. I filled the rest of the body with polyester fiberfill—a synthetic fiber used for stuffed animals,” said Harper. “It was many hours and days of sewing and making pouches and remaking pouches and seam ripping and fixing.” 

“Our goal is to prepare the next generation of engineers who understand the engineering design process,” said Mollica, “are proficient in engineering design tools, value input from needs experts, and are equipped to create high-quality products that are accessible to as many people as possible.” 

While photos of the eagle and turtle stuffed animals still exist, the physical toy is no longer in the team’s possession—it has been passed on, and they hope it’s now in the hands of a child who is happily creating turtle-eagles with their friends. 

Learn more about UMBC’s Department of Mechanical Engineering.

Abbie Fakoya is at the front of the room, smiling and encouraging over 40 UMBC faculty, staff, and students to follow her dance steps. Many of the attentive dancers were either new to the intricate K-pop choreography, learning this sequence, or, like millions of fans around the world, ready to show off their synchronized dance moves to “Golden,” the 2026 Grammy-nominated Song of the Year, from Netflix’s KPop Demon Hunters film. 

The global success of the film drew fans to the KPop Demon Hunters: A Conversation on Media, Culture, & Globalization event organized by the Asian Studies Program in collaboration with several CAHSS departments at the Skylight Lounge this fall. Fakoya, a biochemistry senior and the event coordinator for UMBC’s K-pop Dance Club, was not surprised to see the long line of people waiting to participate in an evening of Korean culture, dance, and food that celebrated Korea’s vast snack culture thanks to the D.C. Korean Foundation and a delicious Korean-fusion catered dinner by Baltimore’s own Dooby’s restaurant 

“Seeing the movie accurately portray the food and cultural practices I grew up with in a positive way—like the noodles, the Korean spa the characters enjoyed, and Korean shamanistic practices—reminds me of my own childhood experiences, and doing those same things now when visiting family in Korea. It is really inspiring,” said Angelina Jenkins, assistant director of UMBC’s Mosaic Center for Cultural Diversity, a member of the expert panel.

Growing up with K-pop

Fakoya became interested in K-pop in elementary school, at a time when she felt that liking K-pop—especially if you weren’t Korean—was not as well received. Friend and club historian Esha Shah, an information systems junior, agrees. “This year has been very exciting. We’ve had a lot of interest in the club because of the movie,” said Sha. “I remember when I was in elementary and middle school, kids would give me side-eyes for liking K-pop and singing in Korean and ask me why I wanted to be Korean.”

The two met in 2022 at the RAC for a packed K-pop dance workshop, featuring the then-top K-pop song “Dope,” by BTS. It was the first in-person dance workshop after COVID-19 restrictions were lifted. “UMBC’s K-pop dance club moved its dance workshops online during the COVID-19 lockdown because K-pop artists were still posting songs and dance videos,” said Sha. “When students came back in person, there were so many people who wanted to participate that the club had to keep rotating participants in and out of the workshop.”

For Jenkins, a life-long K-pop fan, being among Retrievers who champion, appreciate, and embrace Korean culture was also a welcome change from her experience growing up in Pennsylvania, where she was one of the very few students of color in her high school. “I’m super excited to be here as I am what I consider to be a one-and-a-half first-generation American, Korean American, who not only does their work through the Mosaic Center,” said Jenkins.

“I am also a third-year Ph.D. student at the University of Maryland, College Park, looking at culture studies, Asian American identity development, and how films like KPop Demon Hunters allow young Asian American students to really understand what this means to bridge the gap between American culture, Korean culture, and this idea of globalization.” 

Alongside Angelina Jenkins, Mea Lee, a doctoral student in the Language, Literacy, and Culture Program at UMBC and a librarian at Anne Arundel Community College, highlighted the film’s cultural integrity. Lee emphasized how breaking Asian stereotypes and incorporating authentic cultural references can empower not only Korean communities but all minority groups in America.

She explained how Korean folk narratives and art were skillfully woven into the storyline, enriching the film’s depth and relevance. One example is the blue-striped mystical tiger, Derpy, and the magpie, Sussy, with three eyes on each side of its head, who are paired together to act as messengers and protectors. These elements not only honored tradition but also created a bridge between folklore and modern fantasy, allowing the narrative to resonate with diverse audiences. 

K-pop’s influence beyond the screen

The panel, moderated by Fan Yang, professor of media and communication studies, director of the Asian Studies Program, and the faculty leader of UMBC’s Global Asias Initiative, discussed the spiritual, gender, linguistic, and artistic Korean cultural references throughout the movie, along with the Westernization of K-pop.

“The experience of being a human and a demon—struggling with duality— is very relatable. I’m an American,” said Lee, “but I also want to live within my Korean culture. It’s a balance between how much I really want to be an outcast in either culture, versus how much I’m going to accept. It’s a constant struggle.” Lee continues, “It’s a similar duality that Rumi, the main character, faces as a half-demon and half-human. Life isn’t always so clear. We spend most of our lives in the grey area. It’s a balance. At least I don’t have to fight four dancing demons.” 

Fakoya and Sha have also witnessed the Westernization of K-pop, with a shift from Korean lyrics to mostly English lyrics—like in KPop Demon Hunters. First, they didn’t expect to like the movie because it was marketed for children, and most of it was in English. “I don’t speak Korean, but I like to memorize the Korean lyrics and the dances,” said Sha.

They were won over by the movie’s attention to detail of the K-pop culture they’ve been a part of since childhood. Now, they’ve found themselves as ambassadors encouraging students who “don’t want to like it because everyone likes it now,” to explore the genre beyond what’s popular. “There are different sounds and niche groups just like in any type of music,” said Sha.

In preparation to lead the “Golden” dance workshop, Fakoya memorized the Korean and English lyrics and choreography. “K-pop is so cool. It’s just a habit. I love it,” she said, after masterfully and patiently showing everyone how to be a K-pop demon superstar.

Learn more about UMBC’s K-Pop Dance Club’s next showcase.