Manil Suri moved to the United States after spending the first 20 years of his life living in a 400-square-foot room in Bombay, India, with his father, Ram, and mother, Prem, to whom he dedicated his latest book, A Room in Bombay. The rest of the apartment was shared between three other families. “In the apartment lived my family, which was Hindu, and three Muslim families. We had a lot of fights, but those fights were really not about religion. They were about the shared bathroom, or the shared kitchen, or resources, or money, or space,” explains Suri, a professor of mathematics at UMBC.

Suri is also an award-winning author of three novels named after Hindu gods: The Death of Vishnu, The Age of Shiva, and The City of Devi. His fourth book, The Big Bang of Numbers: How to Build the Universe Using Only Math, is a humanities-based approach to mathematical concepts. They all paved the way for Suri’s most personal and most recent book. In three parts, Suri shares his life growing up in this room in Bombay and his life in the United States, drawing on more than 2,700 letters he wrote to his mother, which she saved in bundles organized by year, beginning with his time as a graduate student at Carnegie Mellon University. The letters chronicle his life in the U.S., including his relationship with his partner Larry, whom he took twice to meet his parents in the room in Bombay.

Q: Who is your book for?

A: I think it’s a book that, first of all, I want to work as a story. People who like a good narrative will enjoy it. It also ties into a different idea of immigration. You hear drastic tales of how immigrants are being shunned and put into prisons. But there’s another side of immigration, too, a little more subtle, perhaps. People immigrate for all sorts of reasons—including “finding themselves,” as I did. 

Also, I’ve already received a few pieces of feedback from people who are taking care of their aging parents. There are a huge number of people in various generations who are doing that. So I think it’ll appeal to them and help them negotiate the very difficult road ahead that many will face.

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Q: How did the timing for publishing this memoir come about?

A: I have published three novels and a book on math. I felt I had to write the math book as a public service, since I had one foot in the humanities and one in the sciences—and needed to make something out of it. Once this math book was done, there was this other lingering project [the memoir] that I actually started around 2010.

My mother passed away in 2013, and there was a big gap before I really got into writing the memoir. I needed that distance, since it would have been too much to have written it too close to her passing.

Q: Your mom had this intense love for you, which you wrote was sometimes overwhelming. How did that carry on through the room and through the rest of your life?

A:  I think what happened with my mother was that my identity almost melded with hers when I was growing up. It’s only once I came to the U.S. that I was able to separate the two a little and move on. She would always say, “The U.S. has made you unemotional.” It was something I learned after coming here, to keep some distance, and move away from that merging of personalities.

Keeping boundaries is always hard, but it also tunes you to being more conscious of them. I don’t have any kids, so I don’t have to worry about that boundary. 

Q: How did you feel coming to the United States?

A: When I first came to the U.S., I spent one week with a typical American family, and suddenly I had my own bedroom. That was exhilarating, but also a little weird. After that, I was in a dorm room with a roommate, so that was again a shared room for one year.

But after that year, I moved into an apartment where I had my own room. Since then, I’ve always had my own bedroom. Even though I’m married now, I need my own bedroom.

Q: A Room in Bombay centers around four families with very different backgrounds that often argue and have major disagreements. How does that tie into today’s world?

A: I think the book actually offers a lesson pertinent to our times. Although it was my Hindu family and three Muslim families sharing this apartment, the fights we had—and there were a lot of them—were really not about religion. They were about the shared bathroom, or the shared kitchen, or resources, or money, or space.

The same applies to most of the clashes going on in the world. Even though people try to put a religious spin on them, there are so many other reasons underlying all this strife. It’s property and boundaries, space, and resources.

Very rarely is it really religion. It’s not the cultural differences that are the cause of friction, it’s other things. Look deeper, and you’ll probably find an economic reason.

Q: Why did you choose to write the book as a memoir as opposed to an epistolary novel?

A: First of all, in terms of the letters, what I wrote are not letters to be treasured like Letters Between a Father and Son, a collection of intimate letters between Nobel laureate V.S. Naipaul and his son. Most of my letters are very ordinary and come with no claim of literary value. I was desperately trying to find things to say, and wrote three or four times a week just to keep my parents happy and engaged. 

There’s also so much more that happened that is not covered by the letters. I did keep some journals, especially once my mother came to the U.S. In fact, I had too much material. The first draft of this novel was about 50 percent longer, excess that I had to edit out.

Q: How do you choose what parts of the book to keep and what to cut?

A: That can be a painful decision, but fortunately, my editor helped by telling me what could be trimmed or shortened. Eventually, I had to get ruthless enough and ask myself: Is the story coming across? How much do I really need to put in for that? What examples have already been included to illustrate something—if there are two of them, let’s get rid of one.

A lot of nice, entertaining experiences had to be jettisoned in the interest of a story that keeps moving. You know, that’s what they say to writers: Kill your darlings. It’s a hard, murderous task to be a writer.

Q: There is a lot of stigma still in South Asian cultures around coming out. Did you intentionally want to address that?

A: Yes, the South Asian LGBTQ+ community is definitely one of the audiences I aimed for in this book, and in particular, their parents. Because even with my mother, who was so enlightened in many ways, there was this up and down that she went through after I came out to her. I think it really eats away at you if you cannot come out to your parents. 

At the end of part two in the book, I talk about coming out to my dad. It happened after he took me to his friend’s house to introduce me to his 19-year-old daughter. Afterwards, my father said, “Well, what did you think of the daughter?” And I said, “You can’t be serious. First of all, she’s like half my age.” I ended up telling him about my relationship with my partner, to which he said, “I didn’t know, I didn’t know.” But then I noticed he was still looking expectantly at me. I realized then that he was still waiting for an answer to his question about whether I wanted to marry his friend’s daughter! 

I always wanted to have a long conversation with him, which I thought I would have the next time I went back. But he passed away two months later, so that opportunity never came. I found out from my uncle that he had told all his brothers I was gay, even in that short period. So even though my mother always said, “He won’t be able to handle it. Don’t tell him,” as it turned out, he was fine with it.

As far as creating a supportive atmosphere for coming out in the South Asian LGBTQ+ community goes, I’d love to help in any way I could. It would be a good thing for members to give the book to their parents, “Here is someone else’s experience. It may help you.”

Q: Out of the twelve letters that you kept from the hundreds your mom wrote to you, is there one that really stands out to you?

A: The one that’s at the end of the book. It’s a full letter that really crystallizes a lot of things about how she viewed my coming out and how she was aware of losing some of her faculties in terms of memory and concentration. All those things are in that letter, which is why it’s probably the most poignant.

Read more about books from the humanities at UMBC.

After Shanika Freeman ’24 walked across the stage, she had something on her mind—basic human rights. For the past four years, Freeman’s research has focused on the reentry experiences of formerly incarcerated women in the United States and Maryland. Basic human rights—including access to healthy food, education, housing, healthcare, clothing, and job skills development—are difficult to access for people in the reentry process due to limited to no financial resources, support networks, services, and stigma. 

“In Maryland, over 15,000 women are released from prison every year. Just imagine, you’ve been released, and unfortunately, you couldn’t get a transitional program or reentry program, so you are basically by yourself,” said Freeman during her individualized study major’s capstone presentation. “You go out, you kiss the ground because you know you are free, but you are only given about $50 to $100 of gate money to find transportation and all your basic needs.”

Reentry programs are not the root of these obstacles. During her research, Freeman learned that the U.S.incarceration system’s emphasis on punishments rather than rehabilitation means many women are released without workforce skills needed to meet the demands of a changing job, let alone recreate a new life. All of these factors increase recidivism rates.

“I wasn’t born to be caged up and chained up,” is a quote by Susan Burton that inspired Freeman to continue her research on successful reentry pathways. Burton is the founder of A New Way of Life Reentry Project, a non-profit organization in California that provides safe housing, pro bono legal services, advocacy, and family reunification for formerly incarcerated women. Leading with compassion inspired Freeman to seek similar approaches in her own work. 

She didn’t know at the time that her search would lead her to Norway, whose incarceration system is widely recognized as one of the most humane rehabilitative institutions in the world. Their rehabilitation process emphasizes mentorship, skill-building, communal living, mirroring regular life based on the Norwegians’ belief that the only right a person loses through incarceration is liberty. As a result, Norway has one of the lowest rates of recidivism in the world. Thanks to a 2025 – 2026 Fulbright U.S. Student Program award, Freeman crossed the Atlantic to Bergen, Norway, to conduct research on the reentry experiences of Norwegian women into the community after incarceration. 

Janteloven, a culture of humility 

For the first time, Freeman boarded a plane, leaving the United States and Baltimore for Bergen, a city on Norway’s southwestern coast known as the city between the seven mountains. Freeman quickly found that life in Bergen is about enjoying nature. She remembers walking from her small studio apartment to the University of Bergen and seeing hikers everywhere. While cross-country skiing is the official national sport, hiking is an integral part of Bergen culture. Freeman joined the locals on both activities, and suited up with hiking boots and cross-country skis—also a first. 

“I love this city. It’s not crowded. You can take a hike up a mountain any day of the week. Mount Fløyen is the closest and most popular mountain in Bergen,” said Freeman. “So many beautiful views and at the top, you can also get hot chocolate, coffee, and Norwegian waffles. It’s all really nice.” While she enjoyed the outdoors, Freeman did have some first-day jitters when it came time to join the research team.

“I was a bit hesitant when I arrived because I had just graduated with my bachelor’s, and most of my colleagues had a Ph.D. or were earning one. I was a bit worried about fitting in. But they welcomed me with open arms,” says Freeman. “Bergensere really value you and your voice, no matter what. It doesn’t matter if you have a degree or not, they really value you and make sure your voice is heard.”

This practice of equality and community above all is called Janteloven, a Scandinavian cultural, social, and literary concept that emphasizes equality, humility, and collective conformity over individual achievement. Freeman’s welcome was an example of Janteloven. This extends to architecture, clothing, and even standing in line. 

“From my perspective, a lot of Norwegians are sort of hard to crack because they don’t usually do small talk. Back in Baltimore, if you’re standing in line at the grocery store, you can strike up a conversation with anyone. Not here so much,” explains Freeman. “They’re not being rude. They value your time, and they value their time as well, and don’t want to inconvenience anybody. It’s a cultural norm.”

Janteloven in the prison system

Possibly because of this norm, it took time for Freeman to find participants who wanted to focus on their own story. “It’s such a sensitive subject that I researched. One of the challenges I faced was helping participants feel comfortable speaking,” said Freeman. “I talked about their feelings during incarceration and reentry. It’s a very vulnerable state to be in.” Her Fulbright research advisors stepped in and connected Freeman with a few participants and guided her to pivot from solely focusing on reentry to include the system side of the process by speaking with experts in the field of criminology and penology—the philosophy, management, and effectiveness of prison systems and rehabilitation methods.

“One of my main findings was that Norway’s successful reentry is shaped primarily by its welfare system. It is set up to help with social support, housing, education, and job support. They have something called the import model,” said Freeman, “which means that they rely on external public services like healthcare, education, and libraries that are delivered by community providers rather than the prison staff themselves.” Freeman notes that this is in stark contrast to what she found in her research on the U.S. reentry process, where these services are usually contracted out. In Norway, staff are almost always civilians from the same communities into which the residents—Norway doesn’t use the term inmate or prisoner—will be released.

Freeman found a successful example to observe at WayBack, a Norwegian nonprofit foundation that supports formerly incarcerated individuals’ return to society by coordinating services and building networks for successful reintegration. However, the process doesn’t end there. WayBack’s approach to intervention is also based on peer-to-peer mentorship, a form of rehabilitation support Freeman has rarely seen in Baltimore.

“Norway’s welfare state and broader cultural belief systems, Janteloven included, reinforce the idea that the conviction and sentence to prison itself is the punishment,” Freeman explained. “So while you are inside, rehabilitation should be the main priority.”

But nothing is perfect. Another of Freeman’s findings includes the shortcomings of the Norwegian incarceration system. Freeman explained that there are prisons where women have limited gender-specific support and lack the services needed to overcome major barriers, including trauma, addiction, and mental health. “There was a recent report criticizing Trondheim Prison, a few hours from Bergen, due to human rights violations,” said Freeman, after submitting her research. “This was extremely surprising to me. They were in violation of mishandling medication, isolation, and unsanitary conditions, to name a few. So, despite all of the progress, there are still things that aren’t being addressed as quickly as others might want, but at least they are working to address it.”

Human rights in Bergen and Baltimore

After four seasons in Norway, Freeman is packing up and preparing to return home to Baltimore, leaving with a greater appreciation for Janteloven. She is hopeful that one day she will return to the city between the seven mountains either for travel or to pursue a master’s program to continue her research. In the meantime, Freeman is already working on adding a visual element to her research, as she plans to spend the summer filming a documentary on the impact of incarceration on Baltimore communities and families. 

“Having both the reentering system and the criminal system perspectives made my research stronger. My main goal is to work with reentry programs or even programs inside the prison system,” says Freeman. “I want people to think about the human rights of people in the prison system. No matter what they did, just because they were inside, it doesn’t mean they don’t deserve basic human rights.”

Read more Fulbright stories and learn about UMBC’s Fulbright preparation.

Marc Seigar, Ph.D., has been appointed the next dean of the College of Natural and Mathematical Sciences (CNMS) at the University of Maryland, Baltimore County (UMBC), effective August 3, 2026. Seigar joins UMBC from the University of Toledo where he serves as the dean of the College of Natural Sciences and Mathematics.

Seigar brings a strong background in academic leadership to his new role at UMBC. Prior to his leadership at the University of Toledo, he served as a rotating program director in the Division of Astronomical Sciences at the National Science Foundation and as an associate dean in the Swenson College of Science and Engineering and head of the Department of Physics and Astronomy at the University of Minnesota Duluth. His administrative work has focused on developing programs that attract new students, grow research, and promote engagement and academic success through student-centered systems. 

Seigar earned his Ph.D. in astrophysics from the Liverpool Astrophysics Research Institute and his bachelor of science in physics from Imperial College London. He began his career as an assistant professor at the University of Arkansas at Little Rock.

An accomplished scholar, Seigar has published more than 100 articles on galaxy structure and dynamics, supermassive black holes, and dark matter distribution in galaxies. His articles are widely cited. Seigar is the author of two books. His work has been supported by federal funding agencies including NASA and NSF, as well as private foundations.

Seigar is a Fellow of the Royal Astronomical Society and an associate of the Royal College of Science. He is also a member of the American Astronomical Society and the Sigma Xi honors society. He has served in editorial roles for journals in his field and currently serves on the editorial board of the Effective Practices for Physics Programs project, a project that is led by the American Physical Society and the American Association of Physics Teachers.

Seigar succeeds William LaCourse, Ph.D., as dean of CNMS. LaCourse, who will return to the faculty following a research leave, served as CNMS dean for 15 years.

UMBC’s new Make Your Research Come Alive (MyRCA) program is helping faculty translate their scholarship into compelling stories that resonate across disciplines, sectors, and audiences. Launched in November 2025, the program wrapped up its inaugural cohort with a May showcase.

“We created the MyRCA program to help faculty strengthen their research communication skills and effectively convey the significance and real-world impact of their work beyond traditional academic audiences and funding pathways,” says Christine Mallinson, assistant vice president for research and scholarly impact. “It also encourages faculty to think strategically and creatively about visibility, partnerships, collaboration, and long-term impact,” she adds.

Led by the Division of Research and Creative Achievement in partnership with the Office of Institutional Advancement, MyRCA brought together 14 faculty members for twice-monthly workshops and working group sessions, a January mini-retreat, and the culminating showcase. The program focused on identifying and articulating research impact, translating specialized scholarship for broad audiences, developing compelling narratives and pitches, understanding funding landscapes, exploring pathways for engagement with corporate, community, and philanthropic partners, and strengthening interdisciplinary collaboration.

“The value of this program is in connecting with each other,” cohort member Foad Hamidi, associate professor of information systems, shared at the showcase. “Strong research communication and collaboration can help our research come alive,” adds Dong Li, another cohort member and assistant professor of computer science and electrical engineering. Li added, “We are not just researchers, we are telling our story to our audience.”

The value of connection

The program intentionally grouped faculty into smaller interdisciplinary teams organized around broad themes such as health, youth, and the environment. These connections quickly sparked new ideas and collaborations.

For instance, Lauren Clay, professor and chair of emergency and disaster health systems, connected with Li, after learning about his work on wearable health-monitoring devices. Clay wondered how Li’s technology could support a colleague’s research on paramedic response during extreme heat events, including monitoring heat stroke risks for marathon runners.

A group including Gabriella Weiss, postdoctoral researcher with the Center for Spaces Sciences and Technology; Marie-Christine Daniel, associate professor of chemistry and biochemistry; and Sophie Comer-Warner, assistant professor of geography and environmental systems, examined remediation strategies for microplastics, heavy metals, and volatile organic compounds with a focus on wetlands. Their collaboration pointed to promising local funding opportunities with Maryland Sea Grant and Chesapeake Bay organizations.

Ellen Kohl, assistant professor of geography and environmental systems, strengthened a new science communication course with the skills she gained, and Shuling Yang, assistant professor of education, advanced her research using generative AI and Chinese pop music for biliteracy development. Brian Kaufman, professor of music, built on the UMBC Create Music Festival, which brings collaborative problem-solving into a typically performance-based discipline. 

By the showcase, participants had developed polished pitches, public-facing materials, and broader impact narratives ready for funding proposals, donor outreach, and the media. Each received $500 in research support, along with new cross-campus and external connections.

MyRCA stretches faculty beyond their comfort zones

Mallinson has been excited to see the 14 faculty “stretch beyond their usual disciplinary comfort zones and immediately begin putting the skills and approaches they were learning into practice—developing cross-disciplinary proposals, crafting pitches, appearing in videos and podcasts, participating in panels, and bringing what they learned in the program back to their graduate students and colleagues.” 

Linda Kidder Yarlott, associate director for corporate research partnerships, highlighted the value of the partnership between the Division of Research and Creative Achievement and the Office of Institutional Advancement. “While federal funding agencies are looking for highly technical, methodology-driven proposals, it’s visionary, outcome-oriented narratives that clearly articulate the human impact and real-world return on investment that entice corporate and philanthropic partners,” Yarlott says.

Yarlott and Jocelyn Kehl, major gift officer for the College of Natural and Mathematical Sciences, worked with the cohort on practical skills—from strategic networking and optimizing LinkedIn profiles to crafting stories that resonate with donors and foundations. “Mentoring this cohort has been an incredibly rewarding experience, culminating in a spectacular program showcase where faculty teams powerfully demonstrated new communication skills that will help unlock new philanthropic pathways,” Yarlott shares. 

For more information and to learn about the full 2025 – 2026 cohort, visit research.umbc.edu/myrca.

It was around five o’clock on a Wednesday in May, and Michelle Jabès Corpora ’03, English and theatre, was on her sofa watching her favorite British murder mystery on TV. It had been a long shot to think her newest book, His Face Is the Sun, would hit the New York Times (NYT) bestsellers list, and since she hadn’t heard anything and it was getting late, she figured it wasn’t meant to be. 

Buzz! Buzz! Buzz! Suddenly, she looked down at her phone to see a FaceTime call from five different numbers—most of which she didn’t recognize. She quickly answered and saw her agent, editor, assistant editor, and publicists in the group of smiling faces before hearing the four words every author dreams of hearing: “You’re on the list!”

“I just started crying,” recalls Corpora. “I couldn’t believe it.” 

His Face Is the Sun stayed on the NYT Bestsellers Young Adult Hardcover list for five weeks, which the author says was “absolutely unbelievable.”

Where it all began

Corpora’s journey to becoming a NYTbestselling author was not a straight line—far from it. Corpora initially came to UMBC as a Linehan Artist Scholar to study theatre. Because she’d always been passionate about writing and literature, however, she added English as a second major to supplement her studies.

“Learning about drama helped significantly with my approach to character, plot, and pacing,” says Corpora. After UMBC, Corpora earned a master’s degree in Children’s Literature from Hollins University. Then, a few more twists and turns. Among other jobs, Corpora worked as a wedding singer, as a technician in a veterinarian’s office, and volunteered at a wildlife rehabilitation center before taking a big career leap and moving to New York City to try and get a job in children’s publishing.

Pictured left: Corpora as ‘Cleo’ AKA Fraulein Kost in a 2001 UMBC Theatre production of Cabaret.

New York state of mind

One catch: Corpora didn’t have a full-time job lined up. All she had were two unpaid summer internships at children’s publishing houses. 

“It was a real gamble,” says Corpora, “but I feel like my entire career has been a series of gambles, and they always seem to work out well.”

Corpora landed an editorial assistant position at Greenwillow Books, an imprint of HarperCollins Children’s Books, where she had the opportunity to work on books by legendary authors like Kevin Henkes and Sid Fleischman, among many others. Then came her own children and another career pivot. With the birth of her daughter, Corpora moved into book packaging services.

“Book packaging is an interesting, mostly unknown side of the publishing industry where groups of writers work as a team to create concepts for series fiction,” says Corpora. “The transition was challenging because you really have to let go of ownership over your ideas, and you have to be creative in a collaborative way, which doesn’t come naturally to most people at first.”

Despite the learning curve, Corpora admits that her work as a concept creator really helped her grow as a writer, as she was coming up with ideas, developing them, and also editing manuscripts. “It made me into a jack of all trades,” she says.  

From ghostwriting to ghosts

In 2015, Corpora got her first publishing opportunity after winning an audition to be a ghostwriter for a long-running middle-grade mystery series, eventually writing five books in the series. It wasn’t until 2021, however, that Corpora would see her name on one of her creations. Her next four books, all bearing the name Michelle Jabes Corpora on the cover, were what are known as work-for-hire projects.

“These are usually projects that you audition for,” explains Corpora. “It’s not ghostwriting because your name goes on the books, but usually the publisher has a concept for a book or series they want on their list, and they hire a writer to develop and write that project for them.”

This was the process for her two middle-grade historical fiction novels, The Fog of Warand The Dust Bowl, as well as her young adult horror duology, Holly Horror, which was created in partnership with the owners of the classic character, Holly Hobbie.

Each step in Corpora’s journey built her foundation as a writer. But at that point, her agent knew she was ready for more.

“She’d seen me grow through all of this, was basically like, ‘It’s time for you to stop auditioning and ghostwriting and start writing your story—something that’s meaningful to you and that’s yours,’” recalls Corpora.

Finding her story 

In 2023, Corpora took her next big gamble: creating not only her own original series, but writing something she’d never tried her hand at before. Epic fantasy. 

“It felt like a big leap of faith at the time. I still had two young daughters, a part-time job, and a very busy life,” says Corpora, “and I was planning to put a lot of hours into a project that might never sell. But once the idea was born, I knew there was no going back.”

The Throne of Khetara series, born from that fateful conversation with her editor, is an Ancient Egyptian-inspired trilogy about a kingdom in turmoil, a forgotten oracle, and four unlikely heroes: a princess, a priestess, a rebel, and a thief.

“My parents and three of my grandparents were immigrants born in Egypt,” says Corpora. “So I grew up hearing stories about Egypt, and became fascinated by Ancient Egyptian history from a very young age.” 

Corpora describes the series as “Ancient Egyptian Game of Thrones for young adults,” and is told from the perspectives of the four main characters.

“That seemed to really resonate strongly with people,” says Corpora, who wanted to showcase the different perspectives in ancient Egypt, including the non-royal population who were most affected by war and conquest.

The trilogy was picked up by Sourcebooks Fire and is currently being published in nine territories so far, including the UK, Italy, France, Germany, Spain, Brazil, Hungary, and Greece. It has also won numerous distinctions, including being on the list of YALSA Top Ten Best Fiction for Young Adults in 2026. 

“It’s been a long and winding road to get here,” says Corpora. “But I’ll always remember UMBC as a place that allows people to find their way in the world, even if your journey might take you off the beaten path.”

Pictured right: Corpora, a New York Times bestseller, at a book signing event at The Strand Book Store in New York City.

Hailey Turney, M.A. ’21, first came to UMBC as a student pursuing an academic passion in the text, technologies, and literature program. She connected right away with faculty and other community members. Now, as an undergraduate academic advisor in the College of Engineering and Information Technology and an instructor teaching introductory English and university orientation classes, she helps current UMBC connect and find their own path, too. 

Hailey shares what she loves about UMBC and her advising job. Take it away, Hailey!

Q: Tell us about yourself. 

A: I am a COEIT academic advisor. I mostly work with mechanical engineering students now. I also teach a section of ENGL 100 each semester and UNIV 101 in the fall semesters. I love being able to help students and engage in my community, so advising and teaching feels like a great way to reach students on different levels. 

When I was an undergrad, I did not have the best advising experience, so being able to make a difference as an advisor now feels like an interesting, but great, twist of fate. I also like to play Volo soccer in Baltimore and do Dog’s Day Out at BARCS outside of work!

Q: Who are some of the people at UMBC who have most supported you?

A: My amazing boss Emily Abrams-Stephens is spectacular. She supports me and my fellow advisors every day. She is always advocating for us and showing us how much she cares everyday. Working with her, I never doubt that I am valued here. She always listens to our ideas and is a fantastic (and popular) morning chat partner.

I had a previous job that weighed on me every minute of the day—even outside of work. I missed the activities I loved to do because of it. At UMBC, I have a trusting team—my boss and my fellow advisors—that supports me. If I am ever away, I know my students will be taken care of by my colleagues. The trust I have in my team is something I will never be able to replace. The most remarkable thing about UMBC is the people.

Q: What’s the one thing you’d want someone who hasn’t joined the UMBC community to know about the support you find here?

A: There will always be someone in your corner. I did my master’s here and it was the first time I immediately felt seen in my academic career. When I came to work here, I immediately felt wanted and supported. There are so many resources available to the UMBC community and there is always someone there to help you find them. As an advisor, it is now my job and honor to help students find those resources and their own supporting community.

Q: What part of your job do you enjoy the most and why?

A: I love interacting with students and helping them find their way. Being that person that they can turn to when they don’t know where to go is the most important part of our job. We want students to succeed and feel secure in their place here at UMBC.

Q: What brought you to UMBC in the first place? 

A: I came to UMBC because I wanted to expand my knowledge on a topic I was passionate about. The faculty in the English department had so many interesting areas of study that I knew I would be well-supported in finding my own. After meeting with some faculty members for a graduate assistantship, I felt hopeful that this would be an interactive community. The faculty responded to my emails right away, were interested in what I had to say, and were encouraging from the beginning. I came for the academics and stayed for the community. This continued as I found a job here at UMBC as well—I was hesitant to leave. 

Q: What would you tell someone who is considering a career at UMBC?

A: You will find a great community here. You will also find ways to continue to improve and learn no matter where you end up.

* * * * *

UMBC’s greatest strength is its people. When people meet Retrievers and hear about the passion they bring, the relationships they create, the ways they support each other, and the commitment they have to inclusive excellence, they truly get a sense of our community. That’s what “Meet a Retriever” is all about.

Learn more about how UMBC can help you achieve your goals.

With full hearts and eyes fixed on the future, the UMBC Class of 2026 stepped across the stage last week, crossing the threshold into life’s next chapter. Surrounded by family, friends, and mentors, UMBC’s newest alumni embody the university’s spirit of curiosity, resilience, and community.

Baltimore Symphony Orchestra Music Director Jonathon Heyward, who addressed graduates from the College of Arts, Humanities, and Social Sciences, captured the moment: “You are standing in a very unusual place today,” he told the graduates. “You are simultaneously at the end of one journey, and at the very beginning of another.”

Heyward shared his own winding path—from a disastrous childhood solo performance to his unexpected choice of the cello—and encouraged graduates to embrace life’s detours. “Opportunity rarely arrives when you feel fully prepared for it. It arrives unexpectedly,” he said. “Sometimes disguised as inconvenience. Sometimes disguised as failure. … But perspective and resilience allow you to recognize opportunity when it finally appears.”

Holden Thorp, editor-in-chief of the Science family of academic journals, brought candor and optimism to graduates in the College of Natural and Mathematical Sciences and the College of Engineering and Information Technology. Celebrating the Retrievers’ perseverance through the pandemic, divisive politics, and more, Thorp reminded graduates that “nobody’s normal,” openly sharing his own autism diagnosis and affirming that mental health challenges do not limit potential. His core messages—“Do the work” and “You’re right on schedule”—resonated with graduates from UMBC, which he described as “the original place where grit translates to achievement.”

A strong and supportive community

The personal stories of the Class of 2026 reflect these same themes of resilience, community, and bold possibility.

Graduates like Katie King’26, a biology and dance double major, Linehan Artist Scholar, and Dance Team co-captain, discovered at UMBC that they needn’t choose between seemingly disparate passions. “When looking at colleges, a lot of them told me I had to choose, but UMBC allowed me to do both,” King says. She leaves prepared to become a physician assistant while continuing to integrate science and the arts.

Others found a supportive community that helped them see new possibilities. Maia Turman Cooke ’26, an English and political science double major and McNair Scholar, reflected, “I never knew what a strong and supportive academic community could look like”—until she arrived at UMBC. That environment propelled her forward, and she will begin a Ph.D. in English while continuing her advocacy work.

Still other graduates overcame self-doubt in demanding technical fields. Carter Gerhardt ’26 switched into computer engineering mid-journey and gained confidence through faculty and peer support. “I’m getting a degree that I originally thought that I couldn’t do,” he said, as he graduates ready for a career in cybersecurity.

Equipped to lead and serve

UMBC awarded nearly 500 master’s and Ph.D. degrees this spring, along with nearly 1,400 bachelor’s degrees across its three colleges, the School of Social Work, and the Erickson School of Aging Studies. Across disciplines—from the humanities and social sciences to natural sciences, engineering, and the arts—UMBC graduates are positioned “to lead and to serve—to strengthen workforces and economies, families and communities, and ultimately, to bring a brighter future for our state, our nation, and our world,” as Maryland Governor Wes Moore said in a Commencement video message.

Zareen Taj, Ph.D. ’26, who earned her doctorate in language, literacy, and culture after fleeing oppression in Afghanistan and Pakistan, described how UMBC empowered her voice and work, epitomizing the university’s commitment to inclusive excellence. “I learned from this journey that I am different. I look different. I work differently. I see things differently, but my difference is not a problem,” she said. “My experience is an asset. It’s my wealth. The UMBC community…supported me at each stage of my life.”

As Heyward told the Class of 2026—just as Taj and so many others have realized through their experiences at UMBC—“The world does not need you to be flawless. It needs you to be bold enough to contribute your voice.”

Any graduates who plan to continue their academic journey at UMBC should take advantage of Free Graduate Application Week May 27 – June 3.

Read more about this year’s inspiring Class of 2026. 

“Bartleby NEEDS YOU!” This was the handwritten call to arms in 1979, for writers and poets to submit their work to Bartleby, UMBC’s creative arts journal. The sentiment of this flyer is not that different from its first publication in 1972 and from today’s social media posts alerting students to upcoming submission deadlines. 

This unwavering spirit brought Howard Quinn ’80, English, back to campus in fall 2025 for the Bartleby 50+ celebration. He shared his memories as one of six editors of the 1979 – 1980 edition and reveled at the Bartleby covers and works, displayed in showcases at the Albin O. Kuhn Library and Gallery, some with typed-up poems printed on newsprint or cardstock and stapled together like the edition with 35 pieces that he helped edit—including his own poem, “Wind Down Wind” about loss. 

In 2026, Bartleby—under the recently chartered Student Media Collective—editors read 200 art submissions, 120 poetry submissions, 60 fiction submissions, and 23 creative nonfiction submissions. The ensuing 160-page publication is book-bound and printed on glossy paper. Over five decades, Retrievers have continued to creatively express the personal and political events that have defined their lives, including war and national identity, rebellion, women’s rights, LGBTQ+ identity, social isolation, and joy and love. 

Quinn came to Bartleby’s retrospective to celebrate the publication’s ongoing impact and to share a message from his friend Martha Campbell ’82, American studies, a Bartleby editor for three and a half years.

“I know that Bartleby has endured because people showed up to create art, give voice, share ideas, and they did that work year after year,” wrote Campbell, perhaps inadvertently echoing a line from her poem published during her tenure: “And the clock moves on, slow, but certain in its ways.” 

Read more Spring 2026 UMBC Magazine stories.

Isabel Kendall ’26, modern languages and linguistics, is described by Julie Oakes, assistant director of curriculum and retention in UMBC’s Honors College, as someone who “truly represents what is best about well-rounded humanities folks.” This comes as no surprise, given her time at UMBC, where she took on mentorship roles in the Honors College, created art installations, and traveled abroad to multiple countries. She is ready to apply her artistic and creative spirit to a fulfilling career where she can see the impact of her work, after taking the time to travel around the world. 

Q: What led you to be so involved in different leadership and mentor roles?

A: I didn’t start out being super involved in mentorship or leadership roles or even extracurriculars. For my first two years, I was super focused on just the academic side of things. But in the Honors College, the first class that you take is called Honors Forum, and with that, there are team leaders who are like mentors slash teaching assistants for the first-year class. And at the end of my sophomore year, I applied for a team leader position. Once I had that job, I was like, ‘Oh my gosh, this is like everything I love.’ It’s connecting with people, it’s being a mentor—which is a really rewarding role to have—and also you’re just connecting with people and the freshman class, which is cool to see them ushered into UMBC. 

Q: Tell us about your senior project.

A: It was so challenging, and so rewarding. I wanted my senior project to be multidisciplinary and just visual and creative. I did the honors independent study, and that’s where I did my whole senior project. I really pushed myself to make something I had never made before. It was actually just displayed at URCAD [Undergraduate Research and Creative Achievement Day], and it was an art installation of ten six-foot by three-foot panels of paintings. It was super fun. I’m happy it’s over because it was so much work, but it was very rewarding. 

Q: How long did each of those paintings take? 

A: It really varied because it was also multi-modal. So some of the paintings took over a month for each stage. There were just a lot of layers to it, and then some of them I painted in an afternoon. It really varied depending on the medium I was using. 

Q: Do you have any plans for after graduation?

A: I’ve applied for a program called TAPIF, which is an English teaching program in France, and I’m still waiting to hear back about that. It’s basically teaching English at elementary levels and secondary levels. That’s on the horizon. I also really want to travel once I graduate. I’ve traveled in Europe because I studied abroad in Europe, and also in Japan. But I’ve barely seen the U.S. So I’d like to perhaps see California and do a road trip, or maybe travel down South. 

Q: Do you have any advice for any students who are thinking about studying abroad, but they’re still unsure? 

A: It’s such a good experience to get to know yourself outside of your comfort zone and build your own resiliency. And also, you just meet such cool people when you’re abroad. It’s such a wonderful experience, and I urge everyone to study abroad. It’s so worth it in every way. 

Q: Do you have any idea what you want your future career to look like?

A: Honestly, I’m not sure. I would love to continue my artistry, whatever that looks like. But I also love teaching, and that’s something I’m very passionate about. I think for the immediate future, it’s probably just dipping my toes in different things and seeing what works best for me and what I want. I think that’s one thing that I feel like I need to see the impact of my work; that’s important.

Q: In your time here at UMBC, who’s been the biggest influence in your studies?

A: I would say Dr. Julie Oakes, my research mentor. I’ve taken three classes with her at this point, not including the honors independent studies classes I have taken with her. She’s such a wonderful and brilliant professor and especially with my senior project, her support of my vision and my ideas was so unwavering, and I couldn’t have asked for a better mentor for that. Additionally, her classes were just some of the most fascinating history classes I’ve ever taken. 

Q: What part of UMBC do you think will have the biggest impact on you post-graduation?

A: The Honors College has been such a core part of my studies. My time in the Honors College has connected me with some of the best people, some of the best professors, and the best peers. I feel like I’ve gotten to know people that I’m going to know forever and people that I want to know forever. The Honors College make you feel very supported. It feels very all-encompassing like if you need something, the Honors College is there to help you. 

Q: Is there anything else you would like to share about yourself with the community? 

A: UMBC has just been a really wonderful experience, and I feel like I’ve gotten to grow so much. The interdisciplinary nature of my studies and my senior project and all the projects that I’ve undertaken have been so rewarding. That interdisciplinarianism is not only a core component of the Honors College, but also I feel like it’s valued at UMBC. I would urge anyone to lean into being interdisciplinary in their work and exploring that. 

Story written by Jason Conti, UMBC Library IT support associate. All photos courtesy of Kendall unless otherwise noted.

Read more stories about the Class of 2026.