Strolling through campus, you might have noticed the blend of architectural styles, with a strong leaning toward brick brutalism (nicknamed “brickalism”), normalized in the 1960s; a typical look for a chemistry or engineering building. But you’ve probably wondered why the Fine Arts building doesn’t look so “artsy”?

From the outside, it may appear like a stereotypical late 60s/early 70s college building. But inside, you’ll find brilliant creative minds hard at work, taking photos, painting, or rendering animations. Now, thanks to UMBC’s new Arts+ initiative, a public art installation by the Cheeky Magpie Collective—made up of more than 20 alumni and current UMBC artists—is transforming the windows of the first four floors of the Fine Arts Building. The bold colors and patterns give visitors an idea of the artistic processes and world-expanding learning that’s going on behind the facade.

“The Fine Arts Building was really integral to our development, not only as designers but as growing students, and now alumni. All the effort we put into this design is a direct reflection of how amazing all the people in the building are,” says Thomas Hammond ’25, design, a member of the artist collective.

Funding for creative endeavors

This fall, UMBC launched Arts+ to celebrate and connect our vibrant and multifaceted arts scene throughout campus and with the region. Through this initiative, funding was allocated for a public art installation. The Cheeky Magpie Collective’s pitch to install a window treatment on the Fine Arts Building, where many of them spent most of their undergraduate career, was accepted. Collective members Gwen Knott ’25, design, and Jayden Rhodes ’25, design, were the lead designers of the project, with administrators Jalen Boyd ’25, design,Hammond, and Ni Truong ’25, design.

“I taught with the students who are now the Cheeky Magpie Collective in one of our capstone design classes,” says Kelley Bell, M.F.A. ’06, imaging and digital arts, the visual arts coordinator for Arts+. “It’s almost magical to see what we at UMBC have taught them in action. This was a fantastic opportunity for visual arts and UMBC to shine and give visitors to the campus and our UMBC community a new way to see our campus.”

Members of the collective say that by showcasing the Fine Arts Building in an attention-calling way puts a crack in the perception of UMBC as “just a STEM school,” bringing the groundbreaking art by UMBC students and faculty out into the light. The building and the faculty working inside were “great creative inspirations to the collective as student designers,” says Hammond. The art installation highlights this creativity, becoming a beacon of encouragement and inspiration for emerging artists.

A meaningful mark

“I knew this project would be perfect to support a group of alums who are doing something exceptional in forming this collective,” says Bell who was the coordinator and art director for the job, “but the design and thinking behind that design was all theirs,” she adds.

“It felt like we were able to really contribute to the university and leave a meaningful mark on what arts can do for a community and how we can use it to build up our already pretty great university,” says Boyd.

The visual style is a fusion of different inspirations, selected for their use of pattern, color, repeating motifs, and geometric and organic forms. The primary inspirations were the Arquitectonica style, and artist Sol LeWitt’s wall drawings which are characterized by their bold use of color and form and exacting geometric precision, and finally, in line with the modern influences of UMBC, the Memphis and post-modern style which was emblematic of the 1980s.

While the design was handled by the members of the Cheeky Magpie Collective, the print and installation was done by the UMBC Facilities Management Sign Shop on cut vinyl.

“UMBC is about the community,” says Truong. “It just makes you feel like it’s home because they’re always trying to give back and looking to support local companies and businesses like the Cheeky Magpie Collective. And this is our way of giving back.”

On May 2 and 3, the campus celebrated the 30th anniversary of the Linehan Artist Scholars Program with two days of festivities attended by dozens of alumni, current scholars, and incoming students.

Exhibitions and performances featured works by scholars from across the years, including choreography by Ryan Bailey, LAS ’16, a theatrical performance by Grace Marsh, LAS ’28, music performances by Michelle Purdy, LAS ’10 and Christian Hartman, LAS ’20, artwork by Petra Janka, LAS ’25 and Riley Payne, LAS ’29, and creativity by many other alumni and students. Featured speakers included Cameron Slayden, LAS ’99, from the very first LAS cohort and now CEO of Microverse Studios, James Dorsey, LAS ’05, a music teacher in Prince George’s County Public Schools, and Courtney Culp, LAS ’20, a designer with Warner Brothers Discovery.

Left: Brechtel and Haynes are greeted by UMBC President Valerie Sheares Ashby following their performance, joined by Shaness Kemp, assistant professor of dance. Right: Christian Hartman plays the cello, while Ryan Bailey and Clarisse Lukban dance on stage in Linehan Concert Hall.

“The Linehan Program has strengthened my passions for new music and interdisciplinary collaboration, and I am so grateful to the program for supporting me as an artist and providing me with so many opportunities to create and collaborate,” says Hartman, who played the cello for the event. “I was so thrilled to get the opportunity to perform once again on the stage I called home for four years, and to work with Clarisse and Ryan. I didn’t see their choreography or the projections until the day of the performance, and to see it all come together was such a breathtaking experience.”

Left to right: Darielle and Earl Linehan at the post-celebration luncheon; Jillian Casey, LAS ’27 with her mom at the post-celebration luncheon; Ann Sofie Clemmensen, director of the Linehan Artist Scholars Program, poses with Petra Janka, LAS ’25.

“Earl and Darielle Linehan’s commitment to UMBC and the Linehan Artist Scholars Program has created transformative learning experiences for hundreds of talented undergraduates majoring in the visual and performing arts,” says Ann Sofie Clemmensen, director of the program. “Our focus for the celebration was to highlight the past and the future of the Linehan Artist Scholars program, and what makes our program and community unique and essential to the undergraduate rigor at UMBC.”

Juju Ayoub, LAS ’25, and Sarah McHale perform a dance duet, accompanied by music sung by Jacob Perry, LAS ’14, with visual projections by Jillian Casey, LAS ’28.

With a deeply held belief in the importance of the arts in society, Earl and Darielle Linehan launched the Linehan Artist Scholars Program with a generous gift in the 1990s. (To this day, Earl Linehan loves to recount that he and Darielle met UMBC President Emeritus Freeman Hrabowski on a bus in Israel, and that Hrabowski asked them right then for their support.) In 2015 the Linehans fully endowed the Linehan Artist Scholars Program, ensuring its future ability to continue and grow. Now, its graduates in dance, music, theatre, and the visual arts number almost 400.

Left to right: An audience cheers on dance and music performances in the Theatre atrium; a group of Linehan Artist Scholars pose for a group photo during the post-celebration luncheon; Marlayna Demond, LAS ’11, center, talks with her husband, Adam Rhoads, and Tom Moore, director of arts and culture.

“Artists are the leading edge of creativity in our society,” says Earl Linehan. “They inspire our thinking and enrich our lives. But how can we encourage more young people to turn their talents into a career? Young artists seem to thrive best in an atmosphere that blends critical study with creative expressions—the kind of interdisciplinary environment that UMBC has always fostered.”

See more photos from the two-day celebration. Learn more about the Linehan Artist Scholars Program.

From UMBC Magazine Summer 2010, How to Give a Dawg a Facelift: Evolution of a Logo.

Video by Jim Lord.