So after the longest run of any woman in the history of the United States Congress, Senator Barbara Mikulski of Maryland is retiring after this 114^th Congress in 2017. And for some reason, I am feeling some sort of way about it.

I have been incensed to write this ever since Senator Mikulski’s retirement announcement, not because she is my policy-making idol or someone who defines what feminism looks like for me. To be quite honest, I have not followed her every vote, nor her every speech. But there’s something to Senator Mikulski that I have always looked up to. She is a symbol to me—a symbol of a woman who is not afraid to take up space. A symbol I have always needed.

On the right, Barbara Mikulski in 1994.

Senator Mikulski has always been known to me as a woman who has stomped forward and demanded her due. Who attested to being “one of those emotional women” on the Senate floor while arguing for pay equity; who, early in her career, was the only other percentage point of women in the U.S. Senate. Women I know, admire, and who inspire me daily—my mother being one of them—have always touted her as their own “shero.” Why? Because, Senator Mikulski did not try to maintain a new sense of subtlety or feminine gentleness when she got to the Senate—no, she made her bombastic nature her signature. Something that just was her essence. She was fiery and passionate about issues, and that’s where her political energy came from.

And it’s not only her personality, but it’s the fact that Barbara Mikulski is also no waif. And I mean no disrespect to the Senator at all—rather, I mean only respect. This woman is small and sturdy. She is not the Claire Underwood or Olivia Pope on our television, but the 4’11” juggernaut who wears pants on the Senate floor when she goddamn feels like it. Senator Mikulski’s visage, like her personality, is unapologetic.

And as a woman who can’t stop muttering “I’m sorrys” to every person who accidentally(?) pushes me on the sidewalk, I need that symbol of unabashed space taking up-ness that Senator Mikulski has always been for me. As a woman who does have wide-set shoulders, wide-set hips, and a loud, wide way of talking about what thing is making her angriest, I need to know that I can succeed with that. As a woman who has always had her fire for social justice doused by naysayers or “realists,” I need someone who is bent on raising hell till her and her loved ones get the rights they deserve. And finally, as a woman who has struggled with body, intelligence, and political insecurity in a patriarchal world, Senator Mikulski has always been somebody who I would look to when I was down, and realize, “I can take up this space, because I deserve it and I am more than worthy.”  

I hope that anybody reading this who faces similar or maybe even more complex insecurities than I do, can hopefully treat this post as a push towards finding that someone—be they a celebrity, a politician, or a peer in class—who makes you realize you are worthy of the skin you’re in and the space you inhabit. Maybe they do it through their ferocity (like my Senator Barb), their creativity, their stoicism, but either way, they help you to be you to the fullest, and they awaken the opportunity to celebrate yourself and the uniqueness that makes you you. Because sometimes, in our weakest moments, all we need is to feel inspired to know that we are worthy.

*And here is my disclaimer on “problematic faves”: I am often one of the first to recognize the problematic nature of anything that exists in the world. It’s not that I am trying to be a dark shadow, a pox upon the happiness of all the smiling people in the room. No, rather, it is simply a personal habit of mine to critically analyze something until its not fun any more (I’ll do it to the Oscars, I’ll do it to your fave, and I’ll keep doing it, I tell you). However, I wanted to add this disclaimer, because I know that Senator Barbara Mikulski has done and said what are probably problematic things to many. I’m certain I could find hurt in what she’s said if I read enough, but I also am not going to let that ruin this moment. I am going to bask in that Senator Barbara Mikulski Sun that always makes me feel like I can carpe all the diems, and I am going to feel positive about it. So, please, allow me the indulgence of stoking the fangirling fire a little longer, oh fellow killjoys, because all of our faves are problematic, and sometimes that’s just gotta be okay.

UMBC’s Graduate Research Conference Program (GRC) will be held on campus on Wednesday, March 25, from 9:00 am to 5:00 pm. There will be a variety of presentations for faculty and students (both graduate and undergraduate). Featured events include professional development workshops, a keynote panel, and a research information fair.

Twenty-eight CSEE graduate students will describe their research in oral or poster presentations. Feel free to attend as many sessions as your schedule allows.

Please note that registration is required for both presenters and attendees. Registration is particularly important, in regards to securing a seat for the lunch and for the professional development workshops.

For more information, visit the Sorry, you need javascript to view this email address. .

To register, please go to https://www.eventbrite.com/e/37th-annual-graduate-researchconference-registration-13201250295.

Please find a link to the program guide and the events flyer listed below:

• GRC 2015 Program
• GRC Featured Events Flyer

UMBC Women Who Rock is a blog series I’m working on throughout the 2014-15 academic year. In my role as Women’s Center director, I have some of the best opportunities to become acquainted with some of UMBC’s best and brightest women on campus. I admire the ways they live authentic lives unapologetically that challenge the stereotypes and assumptions that are often assigned to women. By debunking these stereotypes and forcing us to check our assumptions, they allow us to expand our notion of what a woman is and can be.

-Jess

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UMBC Women Who Rock!
Amelia Meman, GWST major & Women’s Center staff member extraordinaire 

Birthdays are my most favorite of holidays. I love birthdays, and I’m not just talking about my own birthday, I’m talking about all birthdays. I love the celebration of life which is why you’ll often hear me say to the birthday person, “Thank you for being born.” And, today, it’s Amelia’s birthday. Happiest of birthdays to you, you brilliant feminist killjoy.

Life-giving and killjoy? Yes and I’ll get to that.

I first met Amelia in the spring of 2013 when she and several other Gender + Women’s Studies students would take over the Women’s Center lounge for “lunch bunch” in between their morning and afternoon classes. They would swoop in with their feminist theory and activism and the whole place would come alive with laughter, pondering, and thoughtful conversations. Consequently, I was excited when Amelia reached out to me over the summer to interview for an internship through the Honors College. The Women’s Center hasn’t been the same since.

Meet Amelia!

In her two years working in the Women’s Center, Amelia has come to be one of the hardest working people I know. She is wicked smart. She cares deeply about the quality of her work. She takes self-initiative to include commissioning herself to be the Women’s Center’s artist-in-residence. She is also a good friend who is genuinely committed to the well-being and support of those she loves. After she graduates and I think back on Amelia’s time in the Women’s Center, I’ll think of laughter. The laughter that comes from underwater animals, a blog post created entirely through gifs, and the reenactment of Leslie Knope and Burt Macklin misadventures.

And, just as importantly, I’ll think of the cracks and the fissures Amelia has taught me to see. In preparing to write this post, I explained to Amelia that I use the UMBC Women Who Rocks series to explore the ways in which the featured woman has challenged me to reconsider the assumptions and stereotypes I hold and I asked Amelia how she believes she’s challenged me. Her reply, “My challenge is that I always challenge people.” Touché, Amelia. As a self-identified feminist killjoy, I should have seen that one coming. She went on to wonder, though, if always recognizing and pointing out problems is unproductive, but conclusively ended with “the only way for change to happen is to recognize the cracks and fissures.”

There’s nothing more I can do than to whole-heartedly agree with her. For example, it is in the embracing of the imperfect that led Amelia to envision what is now Critical Social Justice. When Amelia looked around at social justice movements and thought about her experience at UMBC, she saw gaps and inequitable hierarchies, missed opportunities to engage in critical conversations, and a sense of apathy. Instead of just ignoring those issues or complaining about them, she considered an alternative that sought change. An alternative which in just two short years has been a transformative experience for the Women’s Center and has excited many UMBC students about the role they can play in social justice movements.

As I’ve written, back spaced, written some more, and back spaced again, I have felt challenged throughout the entire exercise of writing this post about Amelia. For someone who means so much to me (and on her birthday of all days), I wanted this reflection to be perfect, but I kept seeing its faults and all that it wasn’t. It’s a reminder to me how perfectionism can be limiting. A perfect sentence that is never written is just an unwritten sentence. So I back spaced some more and wrote again and this one particular image of Amelia kept coming to mind. It’s an image of Amelia crying and being frustrated with herself. She’s just finished up an activity at summer STRiVE (where she was a participant and I was a coach) and she doesn’t like what she’s learned about herself. In this activity that was solely centered in privilege and power and the haves and have-nots, Amelia took it all and loved it. In the debriefing of the activity, though, she was quick to see the cracks and fissures of her own actions. For someone who lives and breathes the practice of social justice, she was surprised by the ease in which she placed those values aside for a game and that scared her. Amelia could have easily hid her feelings or pretended like she was just acting out the part of the big bad capitalist. But she didn’t. She owned every part of her actions and recognized the cracks and fissures in an effort to create change within herself. And, in that moment I was never more proud of her.

Amelia and the Women’s Center staff at last year’s Lavender Celebration.

Being a killjoy takes honesty, vulnerability, and courage, especially when looking at oneself. In my identity as a feminist and advocate for social justice I know there’s been times I’ve been more than shy about recognizing where I still need to learn and grow and be challenged out of fear that I wouldn’t belong. In an effort to be perfect, I’ve turned my eyes away from the imperfections shutting down the chance to let change and growth to their thing. Through Amelia’s quest to be unapologetically worthy of the space she takes up she has helped create brave spaces within myself to feel at home in my contradictions while taking strides to engage in the what’s, how’s and why’s of those imperfections. Amelia has given me the opportunity to stay connected to my imperfections and to name them rather than distancing myself from them. It’s the distancing that kills us, whereas the joy comes in living yourself into the solutions. As we wrapped up our conversation, Amelia reflected on the courage is takes to say this thing, this person, this Me may “be problematic and I still love you.” So yes, back to my point of being live-giving and a killjoy. Amelia has shown me how to be both.

When my friend, who met Amelia last November at the National Women’s Studies Association conference, recently found out that Amelia is graduating in May she instantly replied “What are you going to do?!” For someone who only briefly met Amelia this is a testament to the good work she does and most especially the important space she takes up in my heart. I replied, “I don’t know… Cry?” And, maybe I will a little, but during her time here at UMBC, Amelia has challenged me to examine my own cracks and fissures and that has helped me become a better supervisor, a better feminist, and a better me. So, I will also be filled with joy. The joy that can only come from the honesty and vulnerability it takes to freely be me in all my faults and perfections.

So, on this day, and every day, Amelia Meman, you are a UMBC Woman Who Rocks. Happy birthday. Thank you for being born.

Amelia and others from the Critical Social Justice Student Alliance – a student organization that stemmed out of the energy and passion of Critical Social Justice

Who are the UMBC women in your life that inspire you to think outside your expectations and assumptions? What are the counter narrative stories they’re sharing with us allowing UMBC and our greater community to be more of exactly who we want to be? Comment below and maybe you’ll just find them featured in a future UMBC Women Who Rock post.

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Check out other UMBC Women Who Rock:

Amanda Knapp (featured August 2014)
Susan Dumont (featured October 2014)
Jahia Knobloch (featured January 2015)
A Reflection on Encouragement and Accountability (February 2015)

Name: Ben Lasher

Internship, Co-op or Research Site: dlr | marketing, inc. | Title of Your Position: Design and Social Media Intern

Major(s)/Minor(s): Media and Communications Studies

Expected Graduation Year: December 2015

Briefly describe your internship, co-op, research, or service-learning opportunity, including your day-to-day tasks, responsibilities, and assignments.

I worked directly with dlr's only two employees, as well as another intern. I was assigned various tasks, including research, graphic design, social media, and administrative items.

Describe the process of obtaining your internship, research, or co-op opportunity.

Dr. Jason Loviglio sent an email to the MCS listserve that forwarded the company's search for interns. My supervisor, Maria Satyshur, attended UMBC as an MCS student. I contacted Maria after receiving notice of the position and things transpired pretty standardly from there.

Which of the following resources did you use to find your current experience?

Faculty Connections

What have you enjoyed the most about your position or organization/company?

Maria and Diane were fantastic bosses. They were never anything but friendly and supportive of me and my endeavors.

What have you gained from your experience that you could not have gained from another opportunity?

I think dlr provided me an interesting insight into the marketing industry because of the way they structure their business. They work in a sort of free-lance style, taking assignments from various clients. So I got to work with a wide variety if organizations in the greater Baltimore area.

What advice would you give to another student who is seeking an internship or similar experience?

dlr was a fantastic place to have my first internship. If all you think you know of what you want for a career is "uh...something about marketing?", then I highly recommend dlr.

Please provide a short reflection or quote about what you liked most about your position / earning internship credit / the internship placement process.

This internship really provided me with much more insight and confidence than I could have ever expected.

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Visual Exploration of Big Urban Data

Dr. Huy Yo
Center for Urban Science and Progress, New York University

12:00-1:00pm Thursday, 12 March 2015, ITE 325b

About half of humanity lives in urban environments today and that number will grow to 80% by the middle of this century. Cities are thus the loci of resource consumption, of economic activity, and of innovation; they are the cause of our looming sustainability problems but also where those problems must be solved. Data, along with visualization and analytics can help significantly in finding these solutions.

In this talk, I will discuss the challenges of visual exploration of big urban data; and showcase our approaches in a study of New York City taxi trips. Taxis are valuable sensors and can provide unprecedented insight into many different aspects of city life. But analyzing these data presents many challenges. The data are complex, containing geographical and temporal components in addition to multiple variables associated with each trip. Consequently, it is hard to specify exploratory queries and to perform comparative analyses. This problem is largely due to the size of the data. There are almost a billion records of taxi trips collected in a 5-year period. I will present TaxiVis, a tool that allows domain experts to visually query taxi trips at an interactive speed and performing tasks that were unattainable before. I will also discuss our key contributions in this work: the visual querying model and novel indexing scheme for spatio-temporal datasets.

Dr. Huy Vo is a Research Scientist at the Center for Urban Science and Progress (CUSP), New York University. His research focuses on large-scale data analysis and visualization, big data systems, and scalable displays. He is also a Research Assistant Professor of Computer Science and Engineering at NYU’s Polytechnic School of Engineering since 2011. He is one of the co-creators of VisTrails, an open-source scientific workflow and provenance management system, where he led the design of the VisTrails Provenance SDK. He received his B.S. in Computer Science (2005) and PhD in Computing (2011) from the University of Utah and was a two time recipient of the NVIDIA Fellowship awards (2009-2010 and 2010-2011).

Host: Jian Chen

Physics, Simulation, and Computer Animation

Professor Adam W. Bargteil
University of Utah

12:00-1:00 Monday, 9 March 2015, ITE325b

Physics-based Computer Animation has revolutionized the world of special effects. I will talk about several success stories including my academy award winning work on fracture, particle skinning, and large-scale splashing liquids. I will also talk about moving beyond cinematic special effects to create tools for artistic authoring of interactive animations and enabling visually predictive simulations that promise to revolutionize industrial design.

Adam W. Bargteil is an assistant professor at the University of Utah. His primary research interests lie in the area of physics-based animation. He earned his Ph.D. in computer science from the University of California, Berkeley and spent two years as a post-doctoral fellow in the School of Computer Science at Carnegie Mellon University. From 2005 to 2007, he was a consultant at PDI/DreamWorks, developing fluid simulation tools that were used in “Shrek the Third” and “Bee Movie.”