Q:  Tell me a little bit about yourself: Major? Hometown? Favorite animals? Random facts?

A: I am an Asian Studies major and a Korean minor, I may change to modern languages though. I was born in Baltimore but raised in Trinidad. I’m a new transfer from Penn State, PSU!  I like giraffes, mustaches, and hotdogs!

Q:     How did you learn about the Diversity Education Internship (DEI)? Did you know right away that you wanted to do it?

A: A friend of mine was working front desk in the Mosaic and she told me about the application and I jumped right on it, what better way to get to know a diverse group of people faster than working in the Mosaic Center?

Q: Have you volunteered in any other diversity positions before you started? How did you learn skills you needed to know for this internship?

A: I had many leadership roles at PSU before attending UMBC; I was President of the Black Student Union and VP of Rainbow Paws, our LGBTQA org, and a student mentor for high school students through a program called Talent Search. Also, the summer before my transfer, I was training to work as an Ethnic Outreach Coordinator in our LGBT office on campus at PSU.

Q: How many hours each week do you work in the OSL Mosaic Center? What do you do during that time?

A: We are required to devote 5 hours of time a week but it always ends being more because the office is so much fun. We spend a lot of time joking around but we take care of business too. I am on the marketing and outreach team with Andrea and we try our best to spread the word about the office and internship. We also facilitate discussions held here and those are always an enriching experience.

Q: What is the most difficult thing you have encountered so far into the internship? What is the most interesting thing you have encountered?

A: Personally, I feel the most difficult thing I have encountered is the use of sensory language. I have a pretty big mouth and always say what is on my mind so it can be difficult to just sit back and listen. I have to say that that is also the most interesting thing I have encountered because when I just listen I learn so much more about a person and the things around me I couldn’t identify myself.

Q: What would you say to other students inquiring about becoming the next generation of DEIs?

A: I would say if you know want to get to know, work, and meet great people then try to become an intern. Not just anyone can come in here and represent the office; you have to have good a work ethic, personality, and most of all, communication skills. You have to know how to communicate because understanding a diverse group of people requires an affinity comprehension.

Q: What are your plans/goals for after UMBC?

A: Graduate school of course because a bachelor’s degree will not take you as far as it used to. I would love to get my PhD in communication because I love conversing and the art of languages. I plan to work in the University system, either as a professor or in Student Life.

Listen up, true believers!  We’ve talked about superheroes and we’ve talked about Nick Fury.  But comics aren’t all fun and games!  Since the first modern comic book was published around the turn of the 20^th century, they have been attacked by the powers-that-be for their content, their quality, and their artistic value.  In 1954, faced with the possibility of government censorship after heated Senate hearings on the impact of comics on juvenile delinquency, publishers adopted the Comics Code, a self-censorship mechanism modeled after the film industry’s restrictive Hays Code.  The comics industry was forever changed.

The exhibit “All Lurid, Unsavory, Gruesome Illustrations Shall Be Eliminated: The Comics Code as seen through the UMBC Comics Collection,” currently on display in the Special Collections Department of the Albin O. Kuhn Library isn’t just about looking at some cool rare comics.  It’s a chance to see the ways in which the industry has changed over the past 70 years, from pushing the envelope of taste in order to sell comics, to wilting under restrictions on its creativity, and back to pushing the envelope.  We see how rare pre-Code, Silver Age and underground titles led to non-Code magazines and today’s graphic novels.

This exhibit is also an opportunity to see some fantastic original comic art from the 1970s, from legendary artists such as Jack Kirby, John Romita Sr. and Joe Sinnott.  Straight out of the Special Collections vault, these pieces have almost never been seen in public! Paired with the finished published books, they are great examples of the process of the comic book artists of the time.

So come on down, superfans!  This exhibit will be on display until May 16^th, so you’ve got plenty of time.  Special Collections, located inside the library’s first floor gallery, is open Monday, Tuesday, Wednesday and Friday from 1-4 pm, and Thursdays from 1-8 pm.  Other hours are available by appointment. Please provide advance notice if you will be arriving via invisible jet.

To browse all of the comics available at Special Collections, enter “comic books” in the “Collection” field in the following search; or put in more specific search terms to find the exact comic you’re looking for: http://umbc.pastperfect-online.com/37467cgi/mweb.exe?request=advform

by Steve Ammidown, Special Collections Student Assistant

Image from Planet Comics #30, May 1944

Now Online

View photographs from the Hughes Company photography studio and experience Baltimore life during 1905-1940.  Find out what your neighborhood street looked like back then; compare familiar buildings and structures--such as the Hippodrome Theater and Bromo Seltzer tower--with how they look now; peruse images of Flower Mart from the 1920s; make your way through the old outdoor markets of Eutaw and Lexington Streets; or see horse drawn carts, streetcars, and early automobiles traverse the city.

The Basics of the Collection

The 2,682 glass negatives from the Hughes Company Glass Negative Collection were scanned and converted into digital positives.  The collection features images of Baltimore and environs, including street scenes, buildings, churches, schools, store fronts, monuments, and signs.  Also included are commercial photographs from local businesses and community groups, such as company portraits, student groups, advertising images, machinery, and people at work. 

The History of the Company

The Hughes Company was a commercial photography studio in Baltimore, MD founded circa 1878 by James F. Hughes. Business was good for Hughes, and the studio thrived into the 1890s.
After his death in the early 1900s, the company was sold to his studio assistant, photographer James W. Scott. The studio experienced a boom of production, generating advertising photographs for clients as diverse as Westinghouse Company and the Baltimore Sun, as well as local businesses and school and church groups. The glass negatives in the digital collection were created during this period.
In 1939, Scott trained his son, Gaither, in both photography and the operation of the studio. Gaither Scott later took over the studio and eventually moved the company to Annapolis in the 1970s, where he retired and finally closed the business.
Scott divided the collection and gave the Hughes Company negatives to three different institutions, including UMBC, the Maryland Historical Society and the Peale Museum.

How You Can Participate

You can help us enrich the collection by providing additional details about the images. If you recognize a building, a person, or know further information about an image, please email Special Collections at speccoll@umbc.edu.

Additional Resources

• Growing Baltimore is a project carried out by UMBC Public History graduate students Aiden Faust, Ryan McCormick and Trisha Okine, who created an online exhibit using images from the Hughes Company Glass Negatives Collection to illustrate expansion and development of Baltimore City from 1918-1939.
• A portion of UMBC's Hughes Company Glass Negatives Collection can be viewed on Flickr: http://www.flickr.com/photos/umbclibrary/sets/72157622584312332/.

• Case studies from Gale CaseBase and from additional publishers
• Interactive LiveCharts for economic and business indicators that let students generate their own analyses and generate custom charts for use in reports and presentations
• Inline article content that lets users explore the broader context behind events and trends they perceive in economic data
• Global company, country, and industry overviews full of detailed information, as well as interactive rankings and stats, with quick links to associated news, case studies and academic journal articles
• Global industry research reports for specific industries within specific countries
• Academic journal articles, periodical articles, news articles, newswires and other news media
• Topic overviews on major areas of international business, with quick links to associated content
• Company histories and market share data
• Faceted search results, extensive deep links, multiple sorting options

Trial access runs through April 9, 2012.  Feedback on the usefulness of this product is appreciated.  Leave a comment to let us know what you think, or contact Drew Alfgren at alfgren@umbc.edu.