Abbie Fakoya is at the front of the room, smiling and encouraging over 40 UMBC faculty, staff, and students to follow her dance steps. Many of the attentive dancers were either new to the intricate K-pop choreography, learning this sequence, or, like millions of fans around the world, ready to show off their synchronized dance moves to “Golden,” the 2026 Grammy-nominated Song of the Year, from Netflix’s KPop Demon Hunters film.
The global success of the film drew fans to the KPop Demon Hunters: A Conversation on Media, Culture, & Globalization event organized by the Asian Studies Program in collaboration with several CAHSS departments at the Skylight Lounge this fall. Fakoya, a biochemistry senior and the event coordinator for UMBC’s K-pop Dance Club, was not surprised to see the long line of people waiting to participate in an evening of Korean culture, dance, and food that celebrated Korea’s vast snack culture thanks to the D.C. Korean Foundation and a delicious Korean-fusion catered dinner by Baltimore’s own Dooby’s restaurant
Participants line up for a Korean-fusion dinner and Korean snacks and drinks.
“Seeing the movie accurately portray the food and cultural practices I grew up with in a positive way—like the noodles, the Korean spa the characters enjoyed, and Korean shamanistic practices—reminds me of my own childhood experiences, and doing those same things now when visiting family in Korea. It is really inspiring,” said Angelina Jenkins, assistant director of UMBC’s Mosaic Center for Cultural Diversity, a member of the expert panel.
Growing up with K-pop
Fakoya became interested in K-pop in elementary school, at a time when she felt that liking K-pop—especially if you weren’t Korean—was not as well received. Friend and club historian Esha Shah, an information systems junior, agrees. “This year has been very exciting. We’ve had a lot of interest in the club because of the movie,” said Sha. “I remember when I was in elementary and middle school, kids would give me side-eyes for liking K-pop and singing in Korean and ask me why I wanted to be Korean.”
The two met in 2022 at the RAC for a packed K-pop dance workshop, featuring the then-top K-pop song “Dope,” by BTS. It was the first in-person dance workshop after COVID-19 restrictions were lifted. “UMBC’s K-pop dance club moved its dance workshops online during the COVID-19 lockdown because K-pop artists were still posting songs and dance videos,” said Sha. “When students came back in person, there were so many people who wanted to participate that the club had to keep rotating participants in and out of the workshop.”
For Jenkins, a life-long K-pop fan, being among Retrievers who champion, appreciate, and embrace Korean culture was also a welcome change from her experience growing up in Pennsylvania, where she was one of the very few students of color in her high school. “I’m super excited to be here as I am what I consider to be a one-and-a-half first-generation American, Korean American, who not only does their work through the Mosaic Center,” said Jenkins.
“I am also a third-year Ph.D. student at the University of Maryland, College Park, looking at culture studies, Asian American identity development, and how films like KPop Demon Hunters allow young Asian American students to really understand what this means to bridge the gap between American culture, Korean culture, and this idea of globalization.”
(l-r): Mea Lee and Angelina Jenkins discuss Korean culture as represented in the film KPOP Demon Hunters.
Alongside Angelina Jenkins, Mea Lee, a doctoral student in the Language, Literacy, and Culture Program at UMBC and a librarian at Anne Arundel Community College, highlighted the film’s cultural integrity. Lee emphasized how breaking Asian stereotypes and incorporating authentic cultural references can empower not only Korean communities but all minority groups in America.
She explained how Korean folk narratives and art were skillfully woven into the storyline, enriching the film’s depth and relevance. One example is the blue-striped mystical tiger, Derpy, and the magpie, Sussy, with three eyes on each side of its head, who are paired together to act as messengers and protectors. These elements not only honored tradition but also created a bridge between folklore and modern fantasy, allowing the narrative to resonate with diverse audiences.
Lee discusses the meaning of a Korean mystical tiger and magpie in Korean folklore.
K-pop’s influence beyond the screen
The panel, moderated by Fan Yang, professor of media and communication studies, director of the Asian Studies Program, and the faculty leader of UMBC’s Global Asias Initiative, discussed the spiritual, gender, linguistic, and artistic Korean cultural references throughout the movie, along with the Westernization of K-pop.
“The experience of being a human and a demon—struggling with duality— is very relatable. I’m an American,” said Lee, “but I also want to live within my Korean culture. It’s a balance between how much I really want to be an outcast in either culture, versus how much I’m going to accept. It’s a constant struggle.” Lee continues, “It’s a similar duality that Rumi, the main character, faces as a half-demon and half-human. Life isn’t always so clear. We spend most of our lives in the grey area. It’s a balance. At least I don’t have to fight four dancing demons.”
Fakoya and Sha have also witnessed the Westernization of K-pop, with a shift from Korean lyrics to mostly English lyrics—like in KPop Demon Hunters. First, they didn’t expect to like the movie because it was marketed for children, and most of it was in English. “I don’t speak Korean, but I like to memorize the Korean lyrics and the dances,” said Sha.
Abbie Fakoya leads the audience in a K-pop dance sequence at the KPop Demon Hunters: A Conversation on Media, Culture, & Globalization event.
They were won over by the movie’s attention to detail of the K-pop culture they’ve been a part of since childhood. Now, they’ve found themselves as ambassadors encouraging students who “don’t want to like it because everyone likes it now,” to explore the genre beyond what’s popular. “There are different sounds and niche groups just like in any type of music,” said Sha.
In preparation to lead the “Golden” dance workshop, Fakoya memorized the Korean and English lyrics and choreography. “K-pop is so cool. It’s just a habit. I love it,” she said, after masterfully and patiently showing everyone how to be a K-pop demon superstar.
Learn more about UMBC’s K-Pop Dance Club’s next showcase.
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