Safiyah Cheatam, M.F.A. ’21, intermedia and digital arts, always has her hands in something.

In just the past few years, the multidisciplinary conceptual artist has exhibited work at The Peale and VisArts. She co-produced OBSIDIAN, a Rubys Grant-funded Afrofuturist podcast, with alum Adetola Abdulkadir ’17, and served as curatorial research assistant at the Smithsonian’s National Museum of African American History and Culture for the special exhibition Afrofuturism: A History of Black Futures. This summer, Cheatam is also serving as a juror for the Hamiltonian Artists Fellowship. 

Cheatam devotes her days to providing programming for teen artists as the assistant manager of teen programs at the Walters Art Museum. Over the last decade, she’s led arts programming for young artists at a variety of institutions, including the Baltimore Museum of Art, Wide Angle Youth Media, the University of Maryland, College Park, and UMBC.

“My grandmother, almost everybody in my family, is an educator, so I’m in a long line of educators,” says Cheatam. “One of the things that I decided after undergrad was I wanted to do museum programming; I wanted to lead in a good alternative learning space like the museum.”

Cheatam notes that an attractive aspect of working as a museum educator is the level of engagement.

“I’ve been lucky to get kids who actually want to be there,” she says. “Nobody goes to a museum unless they want to, and so the students come and want to learn what I have planned for them. It’s a good feeling.”  

What Happens When We Nurture

Last year, Cheatam co-founded Islam & Print with her husband, Dan Flounders. A community print fellowship that champions diverse Muslim experiences housed at Maryland Art Place, Islam & Print celebrated its inaugural year with an exhibition at Black Artist Research Space.

This exhibition, What Happens When We Nurture, features the work of 2022 artist fellows Suldano Abdiruhman, Tayyab Maqsood, Anysa Saleh, and Leili Arai Tavallaei, and will be on view through July 30. Cheatam and Flounders designed the exhibit to center on the work each artist developed as part of the Islam & Print cohort as they learned the techniques and processes of printmaking.

“We want people who come to the show to know that Islamic art is not monolithic. You’re not going to see much geometric patterning or Arabic calligraphy; it’s not that kind of show,” says Cheatam. “We don’t even really like to say Islamic art—it’s just Muslims making work. The goal is that they have a community where they can critique with artists who come from a similar understanding.”

When Islam & Print initially launched, Cheatam and Flounders received applications from across the country, but ultimately decided to focus on artists in the DMV region for the first year. The size of the show and existing exhibition calendars initially presented a hurdle for finding a venue for What Happens When We Nurture, Cheatam says. But when they began talking with Black Artist Research Space founder Rhea Beckett—faculty with MICA’s Curatorial MFA program—things clicked into place.

“I’m very grateful and excited that we’ve gotten to this place,” says Cheatam. “At first I wasn’t going to pitch it to them because only one person in our cohort is Black and I didn’t want to disrupt the integrity of the space, but Rhea was open to it. She clarified that her space is open to making cultural connections between different races and ethnicities, and she was very interested to talk about the long and important history of Muslims in Baltimore.”

Left: Visitors enjoy the opening reception of What Happens When We Nurture. Photo by Timothy Nohe. Right: Cheatam and her husband and co-curator Dan Flounders outside their exhibit. (Marlayna Demond ’11/UMBC)

The Rhetoric of Apocalypse

After the exhibition closes, Cheatam and Flounders will begin planning the next cohort for Islam & Print. And while they plan, Cheatam will spend August and September as a fellow at Baltimore’s Waller Gallery, where she will produce a new, large body of work—larger than her current studio space can hold—based in the history of American apocalyptic religious messaging.

“We’ve been going to my husband’s family’s house in Allentown, Pennsylvania, and driving a lot of country roads. You see these Christian propaganda billboards, like ‘Jesus now before you die.’ And you know, I found that the Nation of Islam has a similar kind of rhetoric,” Cheatam says.

It’s a body of work that is still in development, so Cheatam is coy about what the end product will look like. 

“No spoilers, but for this series I’m going to explore the imagery and texts from the Nation of Islam,” Cheatam says. “I’m interested in the history of literacy within Black Muslims in America, how design and literature is to Muslims. Because almost a third of the enslaved Africans brought here were Muslim, so there’s a rich history of literacy with Black Muslims in America that I want to investigate.”

Cheatam began research for this new body of work delving into the archives of Muhammad Speaks, which was published between 1960 and 1975 as the official newspaper of the Nation of Islam. 

“They’re very alarming in their speech sometimes, and I know they have a bad rap with a lot of people, but I really wanted to lean in and learn more about their messaging,” Cheatam says. “And one of the things I noticed about their newspapers is that their headlines are saying things that people, even non-Muslims, feel today.”

During her Waller Gallery fellowship, Cheatam will be making work investigating the underpinning of this messaging, filtering through the Mundane Afrofuturist lens that unites her work.

“I am a big sci-fi enthusiast, and I love disaster movies. I’m obsessed with apocalypses,” says Cheatam.  “I like to see how people portray human nature in disaster times and look at how they answer questions like, do we help each other? Do we hurt each other? What does sustainability look like after the apocalypse? How are we taking care of each other?”

* * * * * * *
Learn more about Cheatam’s ongoing work.

Apply to UMBC’s Imaging and Digital Arts M.F.A. program.

Hey everyone,

There is vacancy room need to be filled for one student in the house at Maple Ave  right now. It is very near UMBC campus walking distance about 8 minutes from campus.

Rent is $475, plus utilities share with other UMBC student and wifi, if you are interesting in , please email at lidimin@gmail.com and briefly introducing yourself( such as name ,gender , which year study).

No one wants to receive a cancer diagnosis. Ovarian cancer can be particularly scary, because its vague symptoms make it difficult to detect early—and when caught late, after the cancer has already metastasized into nearby organs, the five-year survival rate of ovarian cancer is less than 30 percent. 

However, if caught early, that number rises sharply to 90 percent, explains Achuth Padmanabhan, assistant professor of biological sciences. Padmanabhan, who received his Ph.D. from UMBC in 2011 and returned as a faculty member in 2019, has made it the mission of his long-term research program to improve these daunting statistics. 

Padmanabhan’s research group, which includes graduate, undergraduate, and high school students, is revealing new potential treatment options by expanding understanding of the basic biology of ovarian cancer. Overall, “our goal is to eliminate ovarian cancer mortality,” he says.

Starting this summer, Padmanabhan will be in an even stronger position to pursue that ambitious goal: He has received a two-year, $387,000 Ovarian Cancer Pilot Award and a four-year, $1.2 million Ovarian Cancer Academy Early-Career Award, both from the U.S. Department of Defense (DoD). In addition to funding, the Academy offers valuable opportunities for mentorship from leading ovarian cancer researchers, including Padmanabhan’s mentor le-Ming Shih, professor of gynecology and obstetrics at Johns Hopkins University. Workshops and training sessions with all Academy members also offer networking opportunities and exposure to the latest knowledge and techniques for fighting this life-threatening disease.

Opening doors to new treatment and diagnostic tools

Padmanabhan has already contributed to the understanding of how ovarian cancer progression is regulated, opening new avenues to developing treatments. His lab discovered that a protein called zinc finger protein 217, or ZNF217, is frequently present in unusually high amounts in ovarian cancer tumors and is associated with tumor growth, metastasis, and resistance to chemotherapy. “We believe it is central to driving metastasis,” Padmanabhan says.

Early data also suggest high levels of ZNF217 might cause changes in the chemical environment inside a tumor, which impacts how a patient responds to different therapeutics. “If we can reduce ZNF217 in tumor cells, there is the potential to extend the life of the patient and give other therapies a chance to work more effectively,” Padmanabhan explains.

With the new grant, Padmanabhan and his students will further explore the effects of ZNF217 on ovarian cancer progression, treatment resistance, and the environment inside tumors. If the lab can confirm its preliminary data about ZNF217’s significant role in ovarian cancer, they will then explore their hypotheses for how to reduce the amount of ZNF217 in cancer cells, thereby reducing its detrimental effects.  

Overall, the work has the potential to significantly increase treatment options and improve outcomes for patients.

Exploring every angle

At the same time, the $387,000 Pilot Award will allow Padmanabhan’s team to test different combinations of existing cancer drugs in cell lines and in mice. Some of these drugs target a tumor suppressor protein called p53. In cancer cells, p53 is frequently mutated in such a way that it helps the tumor grow rather than suppressing it. In the most lethal version of ovarian cancer, p53 is mutated more than 96 percent of the time, Padmanabhan explains.

“We think the new drug combinations will more effectively target mutated p53, and because the drugs are already approved for use in cancer patients, effective new combinations could be translated to the clinic more quickly,” Padmanabhan says.

The work for both new grants builds on support Padmanabhan previously received, which includes  internal sources at UMBC. UMBC’s Alex Brown Center for Entrepreneurship CENTRE Funding Initiative, the UMBC Technology Catalyst Fund, and the Accelerated Translational Incubator Pilot (a joint grant program between University of Maryland, Baltimore and UMBC), as well as external funders like the Rivkin Foundation and Elsa U. Pardee Foundation, have supported Padmanabhan’s work. “All of this support got us to the DoD grant,” he says.

It takes a team

Padmanabhan is a strong believer in involving students in research, and his lab’s new projects will be no exception. The grant will allow him to hire another postdoctoral fellow, and there are currently several graduate and undergraduate students in the lab who will contribute their energy to this work. Dedicated high school students are also welcome. He gives every lab member an independent project, and several have made key contributions that got the lab to the place it is now.

Kathryn Wardrup, a fourth-year Ph.D. student in Padmanabhan’s lab, generated the bulk of the data that led to the Academy grant. Noel Amadu, M.S. ’20, applied molecular biology, and Megha Pandya, M.S. ’21, applied molecular biology, generated data that led to the DoD Pilot Award. Amadu is in the third-year of his Ph.D., and Pandya is in her first year—although she previously worked with Padmanabhan in the applied molecular biology program and then as a laboratory technician. 

“It’s important for students to realize how challenging and rewarding research can be,” Padmanabhan says, “and it’s most rewarding when you have something you can call yours.”

Having a large team will help the group make progress on several scientific questions at once. “All of our previous work is coming together in these new grants,” Padmanabhan says. While it is still early days in their line of research, there is high potential for it to translate to clinical trials later on and have a major impact on the future of ovarian cancer treatment—which is Padmanabhan’s overarching goal.   

“There’s a lot that needs to be understood at the basic science level that will hopefully allow us to translate it someday,” Padmanabhan says. “I guess that’s every person’s dream—you just want to help people.”