Academic Continuity

CONGRATULATIONS CLASS OF 2020!

If your internship or research plans for the summer have changed due to the pandemic, you are probably thinking, what can I do now? Don’t worry, you are not alone! Beyond internships, there are many ways for you to build skills and experience over the summer.

Use this time to become career ready.

• Build your network. Take advantage of various career events offered by the Career Center such as virtual workshops, webinars and information sessions. Use LinkedIn to find alumni who have career paths of interest and conduct informational interviews. This will allow you to gain insight on how to be successful in this path, what you can do now to prepare, as well as how to build your network.

• Build your interview skills. You want to be ready to nail that virtual interview. Big Interview is a resource available to you through the Career Center that can be used for learning and practice. This will also ensure that you are comfortable with technology and video/remote interviews.

You may be thinking, how can I gain experience without an internship? This is your opportunity to think about creative ways to use your skills and passion.

• Develop your passion and interests into an independent project. For example, if you are an English major and enjoy writing, you may want to consider writing a blog about a topic of interest.
• Consider a micro-internship or professional project for an employer. Parker Dewey is one website where you can find these opportunities.

• Acquire online certifications that will help you progress in your career. Consider platforms such as LinkedIn Learning.(Don’t forget to be mindful of the costs associated! Some online programs are free, and some are not.)

• Volunteer remotely with a non-profit within your community.  For example if you are a media and communication studies major, you may offer to lead social media efforts over the summer. If you are a computer science major, you may offer to redo their website. Volunteering will not only be rewarding, but can also help you acquire experience while developing references you can use in the future.

Use this time wisely so that you are ready to shine and hit the ground running as future opportunities become available. Remember, the Career Center is here to assist and support you. You can reach us at internships@umbc.edu.

Abram, Nishka, Shepherd, and Kristina:

Fifty years ago, UMBC’s very first class crossed the stage for the university’s inaugural Commencement ceremony. Among the faces of the 239-member founding class captured in black and white in the Skipjack 1970 yearbook are men and women eager to explore their world. Together with brand-new faculty and staff, they helped set the foundation of UMBC as a true community of inquiring minds. 

Although they are decades apart, the graduating Class of 2020 has made just as indelible a mark on UMBC. Like their 1970 counterparts, they have contributed fresh takes on timeless conversations, challenged norms for the public good, created timely scholarship of all types, and pioneered entirely new ways of learning. 

As we celebrate UMBC’s Golden Commencement, we hope you will enjoy these conversations between members of the Classes of 1970 and 2020 and take pride in what it means to be a Retriever—and how those principles have remained consistent year after year.

Timeless Teammates—Louie & Kaya

For decades, many students’ UMBC experiences have been shaped by the teams they cheered for and the championships they competed in. But when Linda “Louie” Sowers ’70, American studies, first arrived at UMBC in the school’s inaugural year, athletics were hardly a blip on the map of the school’s three-building campus—and women’s sports did not exist at all. It was Sowers herself who made the change. 

Formerly a high school volleyball player, she approached the school’s athletic director and struck a deal: If she could gather enough interest, the school would sanction a women’s volleyball team.

In the end, sixty-six women—around a tenth of the school’s entire population—signed on, demanding women’s athletics. A volleyball team was formed, followed by field hockey and basketball, and the rest is history.

“I often wondered what would’ve happened if I hadn’t…said, ‘hey, we have girls that are interested in playing,’” Sowers told Kaya Knake ’20, computer science, a member of the Track and Field team, over lunch at True Grit’s early last semester. “How many years would’ve gone by with no women’s sports here?”

• Louie Sowers ’70
• Kaya Knake ’20

The women’s teams at the time had few resources at their disposal; they initially practiced in their gym uniforms, had difficulty finding schools to compete against, and were relegated to practicing in the late evening, once the boys were done using the field. 

Even once they did get their own uniforms, girls who played more than one sport got only one uniform that they used year-round—including Sowers, who wore lucky number 13 for all three teams. You can spot the jersey scattered across the pages of UMBC’s 1970 yearbook, which Knake and Sowers flipped through together as they chatted.

Now, 50 years later, women’s athletics at UMBC not only persists but thrives, with eight NCAA teams, including basketball and volleyball; field hockey, sadly, did not stand the test of time. 

Sowers and Knake at True Grit’s looking at photos of UMBC’s women sports teams from 1970 and today.

Knake, who will graduate this semester into a new career at Northrop Grumman, is one of the many students whose UMBC experience is inextricably tied to athletics. After all, Knake is a Michigan native who would not have heard about UMBC if she hadn’t been recruited by the university’s Track and Field team.

Unlike in Sowers’s time, Knake’s team has never had any dearth of schools to compete against. One of the most memorable experiences she has had as part of the Track and Field team, she said, was when UMBC hosted the America East Outdoor Track and Field Championships at the end of her sophomore year, bringing nine teams and tons of fans to campus. There, Knake won two events and even set an America East record for the outdoor 800 meter. But it was the support of the community that really made the occasion special, Knake told Sowers while sharing some of the team photos she keeps on her phone

“It meant a lot because my parents came down from Michigan, and then some people from UMBC came to watch, and we had a ton of alumni who came out as well,” Knake explained. “It was really special to have everyone here and feel like a big team.”

A World to Discover—Dale & Pat

It might come as a surprise to today’s UMBC students to learn that study abroad has been a part of the university’s fabric since almost the very beginning. In 1969, UMBC’s third year, a group of 42 students traveled abroad as part of a winter session course (then called the “mini-mester”), traversing Europe and visiting important historical landmarks.

Dale Gough ’70, American studies, was not on that trip. He did, however, end up going abroad after his senior year, but it was not for a class, nor for a vacation. At the time—the tail end of the Vietnam War—there was a draft lottery, in which young men were selected based on their birthdates to serve in the military. When Gough realized he was going to be drafted, he decided to get ahead of the curve by going to the military recruitment office, resume in hand, in hopes of getting placed somewhere other than active duty.

“[The recruiter] said, ‘Well, have you ever considered military intelligence?’ And I said, ‘Oh, you mean like James Bond?’” Gough recalled as he and Pat Michael ’20, mathematics and global studies, took a walking tour of campus together this spring.

On a walk around campus in early 2020, Gough and Micheal discuss the benefits of having experiences abroad.

Thus began Gough’s assignment in Panama, where he worked as the non-commissioned officer in charge of source administration and research analysis. Since then, he has visited six times and has become quite well-versed in Panamanian politics, culture, and history, as evidenced by the stream of facts and anecdotes he related to Michael as the duo turned off of Academic Row and made their way across the quad towards the Interdisciplinary Life Sciences Building.

Now, the class of 1970 is donating $25,000 to support international education in hopes of boosting the number of UMBC students who are able to study abroad — the Education Abroad Access Fund. Even though Gough did not personally have the opportunity to study abroad while in school, his time in Panama taught him that immersing oneself in another culture “fundamentally changes your DNA.”

• Dale Gough ’70
• Pat Michael ’20

The sentiment was echoed by Michael, who studied abroad in Colombia—which shares a border with Panama—during their junior year at UMBC. “It rocks your world,” said Michael, who described their experience in Colombia as that of a “investigator,” constantly trying to gain a deeper understanding of the country’s customs and culture over the course of their semester-long experience. 

While Michael managed to get used to some aspects of Colombian culture, like the blunt way the people talk with one another and the nation’s proclivity for long days that start early in the morning, they know that they still have much to learn. They plan to return someday soon and even applied to teach there as a Fulbright Scholar.

Gough and Michael ended their campus tour in The Commons, where they sat below the colorful swath of international flags that hang from the ceiling. There, Michael told Gough about working as a peer advisor in the Education Abroad Office. Part of the job of a peer advisor involves explaining to their fellow students what study abroad was like—a duty that has turned out to be mutually beneficial.

“Talking about my experience has helped me ground it, but it has also inspired other people,” Michael says. “It’s fun to see some people’s faces when they light up.”

Supplemental Learning—Donna & Kara

When Donna Helm ’70, French, came to UMBC, she wasn’t entirely sure what she wanted to study; the career options at the time were limited for women, she recalls, but she did have an interest in teaching. Luckily, though, she wasn’t alone in her uncertainty. Most of the professors who taught her were playing it by ear, as well.

“Many of our professors were brand-newly minted Ph.D.s who had never taught, and this was their chance to sort of figure it out, too,” Helm said in a phone call with Kara Gavin ’20, an English major and Humanities Scholar. 

• Donna Helm ’70
• Kara Gavin ’20

This led to a sort of camaraderie between the professors and students, who worked together to navigate the beginnings of a brand-new school; there was a sense that everyone on campus was constantly trying new things, learning from mistakes, and improvising. 

“They had requirements, but we had a certain amount of freedom to design … what we wanted to do,” Helm said.

This led to a handful of educational experiences that may strike today’s students as a little bit unusual. Some of the most notable were the weekend excursions Helm—along with her professor and twenty classmates—used to take to an off-campus estate called the Donaldson Brown Center, located in Cecil County on the Susquehanna River. 

There, the students would fully immerse themselves in the language. “It was an opportunity to just speak French and to interact on a different level with our professors because we weren’t at the school,” Helm says. “That was really a lot of fun.”

Members of the graduating class of 1970 read an issue of The Retriever.

After the COVID-19 pandemic forced universities to switch to distance learning this spring, UMBC’s students and professors faced moments of uncertainty and improvisation not unlike what Helm’s class experienced in the school’s first year. 

Just as Helm’s professors tried to find interesting ways to engage their students, Gavin’s professors have had to completely rearrange their courses to accommodate the new online environment. The professor for her costuming class altered the final project so that students who do not own a sewing machine can either create a costume design plan, including budget and materials, or write a research essay.

Degree requirements were also somewhat looser when Helm was a student, mirroring the temporary changes to grading policies this semester to afford students an unprecedented amount of flexibility for completing their graduation requirements under the stress of a pandemic.”

And just as Helm and her professors supported one another through the often-challenging work of building a university from the ground up, Gavin said her professors have been more than understanding of what their students are going through in this difficult time.  

“My teachers also have been helpful just by asking, ‘How are you guys doing?’ In the first Zoom session of my English Technical Communication course, we spent the first 15 minutes just talking about how we were, how our families were,” Kara said. “As often as I can, I try to make sure to thank my teachers for how they have helped us in this transition.”

*****

All 1970s images are from the university’s 1970 Skipjack. All other photos by Marlayna Demond ’11, except for Kara Gavin’s image, submitted by the subject. Infographic designed by Layla Thompson-Koch.

Read more stories about the Class of 2020.

Keisha McIntosh Allen

Assistant Professor, Department of Education

“The Souls of Black Teachers: Theorizing Black Teachers’ Spiritually Grounded Professional Lives”

While Black teachers’ spirituality has historically been the backbone of Black education rooted in both why and how teachers teach, it is missing from current conversations about Black K-12 teachers’ engagement with pedagogies rooted in social justice as well as how they engage spirituality to navigate racially mediated experiences. We position Black teacher spirituality as a justice-focused literacy that not only guides Black teachers’ practice but also how they navigate racism within the profession. This study utilizes semi-structured interviews, focus group interviews, and document analysis to theorize how Black social justice-oriented teachers engage spirituality in their professional lives. Findings from this research can be used to develop relevant professional development opportunities and supports for Black teachers to retain them in the profession.

Irina V. Golubeva

Associate Professor, Modern Languages, Linguistics and Intercultural Communication

“Intercultural Competence for College and University Students: Towards Social Change and Better Employability”

The overall goal of this project is two-fold: to pilot the methodology offered in the book which I am currently co-authoring, and to finalize the book manuscript based on the collected feedback data in collaboration with my colleague who is based in Europe. Focused on intercultural competence, this book addresses and links together three topics that we believe to be extremely important yet treated relatively separately in the current literature. First, how intercultural competence increases the potential for peace and positive relationships between people from different cultures. Second, how intercultural competence links to communicating effectively across cultures as well as to addressing issues of equality, diversity and inclusion – both domestically and worldwide. Third, how intercultural competence can also support them in terms of employability and career success.

Zoë McLaren

Associate Professor, School of Public Policy

“Data Visualization Approaches to Communicate Clearly, Inspire Policy Action and Achieve A More Inclusive Policy Environment”

This project seeks to determine the formats in which data visualization communicates information about equity most efficiently (i.e. with the least complexity or extraneous information) and most effectively (i.e. the most intuitive for end users to understand and in a way that is actionable).  This proposal has three specific aims: (1) develop and validate a set of measures of health equity; (2) produce a portfolio of data visualizations using Stata, R and Tableau Public; (3) perform semi-structured interview testing of visualizations to generate guidelines for inclusive engagement in data visualization. The project will produce six specific outcomes: (1) a set of validated health equity measures; (2) an electronic portfolio of data visualizations; (3) one policy brief about inclusive data visualization for policy communication; (4) at least one external funding application; (5) at least one peer-reviewed publication; and (6) instructional materials for an “inclusive engagement in data visualization” workshop for UMBC colleagues.  Producing data visualizations that are accessible to a broad audience of underserved populations is a critical step in creating a more inclusive policy environment.

At times of momentous change some take solace in creating. The UMBC community is no exception, adding to a long history of artists and writers recording everyday life during pandemics. From writing diaries and journals to creating art books and developing archives, Retrievers are finding ways to continue to support and create community during the COVID-19 pandemic.

“We rely on scientists, policy makers, and government officials for information,” explains Amy Froide, professor of history, who researches 17th century Britain, including the last great plague epidemic of 1666. 

“We need this information. However, it is artists, writers, painters, and musicians who help us understand and process our daily life during this unprecedented time.”

Historians turn to journals and diaries written during the plague of the 17th century in Britain because they painted a picture of everyday life. Artifacts that chronicle how people live, feel, and react to a catastrophic event on a daily basis help us understand the devastating effects across different sections of society. These mundane acts were as important to understanding the impact of a devastating time as were major headline stories.

Early on in the pandemic, Froide encouraged her students and colleagues to document the COVID-19 era through journals and diaries of their own to help future historians understand how daily life changed. Julia Arbutus ’20, English and financial economics, the editor of The Retriever, was inspired by Froide’s post and wrote, “‘The more mundane, the better’: Mass observation during the coronavirus.”

“The arts and the humanities are what we depend on to sustain us,” says Froide.

Paying homage

Jill Fannon, MFA ’11, intermedia and digital arts, is trying to balance the fine line between being a partner, mother, independent professional photographer, and a concerned citizen living within a global pandemic. At the beginning of the stay-at-home orders she took pictures of her family and of artists from a distance, but it didn’t feel quite right. 

“These small projects weren’t clicking for me,” says Fannon. “I realized that during this historic moment capturing the experience of health care workers would be very meaningful both in the short and long term.” 

Fannon’s “Care In The Garden” is a series of photographic stories about women health care workers. Therapists, physician assistants, and nurses are captured in their uniforms with different types of personal protective equipment in nature. Capturing the workers in nature serves as a contrast between a sterile and structured medical environment with the natural blooming world of spring. It also serves as a reminder of places where we would usually enjoy breathing in the scents of new blooms but that now pose a threat with a virus that attacks the respiratory system. 

The first set of images were compiled in Womanly Magazine, a Brooklyn, NY-based magazine dedicated to serving women and marginalized communities. The series also lives on Jill Fannon’s Photography website.

Another source of inspiration is Fannon’s family of first responders. Both parents served in Baltimore City and County. Her mother is a retired ICU nurse and her father a retired fire chief, while her brother is a Baltimore City fire chief.

“I wanted to document the people that were working really hard,” says Fannon. “It was a way to share the lives of workers whom the public was depending on and are taking extraordinary risks.” Fannon adds that growing up she remembers her mom taking nostalgic family portraits which she drew inspiration from as well.

In addition to documenting the pandemic, Fannon is also mobilizing fellow artists to give back to the community as a co-creator of Feral Kids – Benefits Maryland Food Bank. The project asks area artists to donate a print they created to sell online with 100 percent of the benefits going to the food bank. This endeavor is co-led by Nick Prevas ’03, visual arts, and has received support from Justin Plakas ’04, visual and performing arts, former student Kyle Hurley, Joseph Faura, M.F.A. ’11, intermedia and digital arts; and Carrie Rennolds, M.F.A. ’14, intermedia and digital arts.

Giving voice to the voiceless

Conor Donnan ’16, history, a doctoral student in history at the University of Pennsylvania, is taking a similar approach. He is the co-creator of the Coronavirus Chronicles: Sharing Stories Through Isolation, a large digital archive collecting diaries, stories, academic articles, video, photography, paintings, wall art, memes, lyrics, and social media from people who want to document and share their lives during the pandemic. The archive is managed by a team of historians and scholars from Singapore, China, the United Kingdom, Ireland, Hong Kong, Japan, and the United States. 

Donnan researches the history of the relationship between Native Americans and Irish immigrants, a partnership that has typically not been included in history. “History is a dialogue,” says Donnan. “One of the main reasons for my academic career is diversifying the voices who are heard in these narratives.”

Donnan grew up in Northern Ireland during tumultuous times. After the conflict, he noticed that the history of Northern Ireland rarely included the accounts of everyday people who had to endure the violence, poverty, and famine. Donnan wanted to prevent this from happening during this COVID-19 pandemic.

“In the future, people are going to write about COVID-19 and they are going to analyze presidential speeches and CDC press releases,” explains Donnan. “This archive will be a place where people can now and later learn about what all kinds of people were thinking on the day-to-day. The ones the news and history books rarely document.”

Acknowledging the lost and found

Associate professor of media and communications studies, Rebecca A. Adelman, also took to the digital world, creating the Coronavirus Lost and Found archive. One of the topics that Adelman researches is the role of emotion in public culture, and the forms of suffering that often get overlooked in times of crisis.

“I am interested in non-spectacular forms of suffering. I wanted to capture the stories that would never make the news but still matter,” says Adelman. 

The collection so far is as varied as its contributors. In “I Lost First Grade” a first grader talks about her sadness about missing math, her friends, and her beloved teacher. Another person shares their frustration about losing their most cherished “Alone Time;” and in “My [Health] Recovery, readers learn about the anger and hopelessness felt about losing access to doctors for ongoing recovery treatment. In Order and Time for Creativity, contributor Jason Tremblay writes about a “found”—time to be creative and embrace passions. 

“I felt it was important to create a forum where people’s losses and finds could be recorded, shared, and acknowledged even if they seemed small in the greater scheme of things,” said Adelman.

Losing a conference, finding stories

Writing and reading stories to help us process what it’s like to live through a pandemic is a long-held practice. In 1348 during the Black Death, Giovanni Boccaccio, an Italian writer, wrote The Decameron, a story that tells of a group of people who told 10 stories a day for 10 days to pass the time during the bubonic plague. Kate McKinley, professor of English, explains how The Decameron revealed how different economic classes dealt with the Black Death in her article “How the rich reacted to the bubonic plague has eerie similarities to today’s pandemic.”

UMBC’s digital story working group in the humanities, led by Bill Shewbridge ’80, history, M.S. ’85, instructional technology, professor of the practice in media and communication studies, had originally planned a Digital Storytelling Conference in March with the University of Loughborough in the United Kingdom. When the conference was postponed, the group found an opportunity to start a Decameron of their own. 

UMBC’s version is collecting 10 stories a week for 10 weeks during the COVID-19 pandemic. The stories in The Digital Decameron offer a space to document our current life through digital stories about any topic.

Charlotte Keniston, MFA ’14, intermedia and digital art, associate director of the Peaceworker Program, curated the second week. Over 7,000 Peace Corps volunteers had to be evacuated throughout the world and returned to their homes due to the pandemic, so Keniston used the platform to highlight the digital stories of returned UMBC Peace Corps Volunteers and the lessons their Peace Corps service taught them. All the videos record a meaningful event marking the first time they became truly aware of being a Peace Corps Volunteer either through a ritual they were invited to participate in, a meaningful conversation they had with local community members, or challenging experiences in a new culture. 

Calling all artists

Visual artist Nicole Ringel ’19, M.F.A., intermedia and digital arts, and adjunct professor of visual arts, found herself in need of keeping and widening her artist community during the pandemic shelter-in-place orders. Ringel, who through her work investigates the layered historical and ecological nuances of shared landscapes, had one powerful tool to meet this goal—a risograph machine. 

A cross between a silk screen press and a copy machine, the risograph is popular with artists for its ability to make high quality prints at low cost. She found herself equipped with a tool that could create a print book and serve as a platform for artists cut off from their creative communities. In the absence of being able to meet in person, the book would at least bring together their stories, poetry, and photography.

Ringel and her risograph machine. Photo courtesy of Ringel.

COVID Landscapes is the inaugural book of Ringel’s small press Sense of Press. Over forty artists share their perspectives on how home, work, and social environments have changed as a result of COVID-19. Ringel was inspired by the changes she experienced in her own spaces. Her house is now a work, classroom, and home space. She says that even mundane spaces such as the grocery store have changed. They are now charged with anxiety and fear of contagion.

“The book is a way to bring mindfulness into the act of creating things in the wake of all the systemic problems we face every day,” says Ringel. “It is about an exchange of art and labor, a vehicle that brings something precious that we can touch and feel, to remind us of the power of purposeful connection and community especially during a time of isolation and uncertainty.”  

Header images, L-R: Nicole Ringel’s Covid Landscapes project, Jill Fannon’s “Care In The Garden,” and class journaling from The Retriever newspaper.

Share your own stories of Retriever Resilience by using the #UMBCtogether hashtag, and read more at umbc.edu/together.