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A post written by Women’s Center Intern, Daniel.

So you’re out at your favorite vegan coffee shop sipping your $6 soy latte while reading City Paper and you peek over the top of it just in time to see a blue-haired cutie send a glance your way and wink as they strut out the door. When you walk into your sociology class on Monday, you scan the room and spot a classmate with pink bangs and an undercut and weave your way through the desks to sit as close to them as possible so that when the professor begins the chapter on sexuality you can roll your eyes and groan with them. Why? Cause that blue-haired cutie and the classmate with the undercut and the kid on the bus with the mohawk crusted in glitter are all totally queer just like you.

Photo Credit: Audrey Gatewood

I stepped into gay hair territory in the summer of 2012 when I cut off all my hair and never looked back. Last summer I started dying my hair bright colors and I, again, haven’t looked back. I’ve been lavender, blue, pink, purple, and now platinum blonde. My freshman year, I attended my first impromptu hair party. Armed with clippers and bleach, my suitemate, a new friend of mine, and my biggest crush at the time went to town on each other’s hair. In a terrifying turn of events, I got to use clippers for the very first time on the one person whose hair I did NOT want to mess up. I actually did okay and went on to be a part of many, many more hair parties like this one.

A lot of us (and by “us,” I mean young, queer/gay, and trans people) don’t have the time or money to go to a hair salon to get our hair done and, frankly, not a lot of salons are willing to give us the cuts we want. A common experience among queer women (and a lot of other types of queer people) is taking a picture of a “man’s” cut or masculine style to a stylist and ending up with feminized version of it. “Passing” as a man well enough to sit comfortably in a barber’s chair is anxiety-inducing at best, not to mention trying to safely “pass” as a woman in a salon and a world of rampant transmisogyny. Getting your hair cut by a group of friends in someone’s poorly lit bathroom may not result in the most professionally done coiffure, but it beats being misgendered or told that what you want is too masculine or too feminine for whatever gender your stylist has assigned to you.

Getting a gay haircut can be an incredible experience that feels validating and makes you feel more connected with your community, but getting my gay hair gay cut this weekend made me think about what gay hair is and how politics of gender, identity, and queerness come into play with visibility and validation.

So, what is gay hair?

“Gay Hair Squad” at Artscape

“Gay hair” is non-normative hair. It’s often brightly colored, always changing, and rarely professionally done. It blurs the lines of gendered cuts (why on earth do hair cuts have genders??) and challenges assumptions about the person wearing it. Some styles are more popular in some subcultures than others. For some, gay hair is an act of rebellion; for others, it’s a away to take control of their bodies or to step outside of them. For me, gay hair is how I make people see my queerness. When I dyed my hair lavender this summer, it was because I was worried that people were reading me as a straight, cisgender dude. I wanted them to look at me and see that I was not those things, even if they didn’t have the words for what I was, because being cisgender and straight are so far removed from my lived experience that being read that way felt like not only a big lie but a step back into the closet.

I love my gay hair and all my gay friends with all their gay hair. But I’ve come to realized that being able to have gay hair is a privilege most of us with gay hair have never thought about. The majority of people with gay hair are white, afab (assigned female at birth), and on the masculine side of the gender presentation spectrum– not because people of color or amab (assigned male at birth) or femme-presenting people don’t wear their hair in expressive and non-normative ways, but because our picture of “queer” looks like a thin, white, masc/androgynous person with colorful hair and cute shoes. Black women (cis and trans alike) don’t get to have cool and funky hair without being labeled “ghetto” and unprofessional. Queer trans women get serious criticism then they want short or masculine cuts like their cisgender counterparts because they aren’t performing femininity in the way that trans women are expected to in order to be validated and accepted.

Speaking of validation and acceptance, why is it that we assume queer people have to look a certain way, or that people who look or sound one way must be queer? Why is femme invisibility such a pervasive problem in queer circles that many queer women feel the need to cut their hair in order to be seen? In creating our own subcultures and modes of rebellion against gender norms and heternormativity, I wonder if we have not only isolated ourselves from the people for whom “gay” is not the primary mode of existence, but also created new barriers for already marginalized groups within our community. People who can’t have or don’t want gay hair should still be able to be recognized and validated in their identities, and we should be supporting our non-white and femme siblings in their pursuit of gay hair. Heck, everyone should try out gay hair. There’s something exciting about “breaking the rules” and toeing the ridiculous but still ever-present line of gender norms.

Besides, who doesn’t like a blue-haired cutie?

CSEE Ph.D. student Kavita Krishnaswamy is featured in this video created by Suitable Technologies, maker of the Beam telepresence system.

Kavita, who works with CSEE professor Tim Oates, is both a Ford Foundation Predoctoral and National Science Foundation Graduate Research Fellow. She has also worked at the Quality of Life Technology Center run by CMU and the University of Pittsburgh and IBM Business consulting services.

As a professional researcher with a severe physical disability, Kavita is motivated by a powerful, innate force: autonomy is the soul of independent daily living that is achieved with the advancement of technology. Her research involves the development of robotic systems to provide assistance and increase independence for people with disabilities. She is developing several prototype robotic systems that will support transferring, repositioning, and personal care, with a focus on accessible user interfaces for control that are feasible for persons with severe disabilities.

Kavita attends many events and conferences with the Beam, allowing her independence and mobility to meet, learn, and network with professionals all over the world. The Beam gives her independence to be visible in the community to explore and expand technological boundaries from her home.

If you are interested in the Beam, you can sign up to connect to a Beam at the DeYoung Museum or test drive a BeamPro.

CSEE Ph.D. student Kavita Krishnaswamy is featured in this video created by Suitable Technologies, maker of the Beam telepresence system.

Kavita, who works with CSEE professor Tim Oates, is both a Ford Foundation Predoctoral and National Science Foundation Graduate Research Fellow. She has also worked at the Quality of Life Technology Center run by CMU and the University of Pittsburgh and IBM Business consulting services.

As a professional researcher with a severe physical disability, Kavita is motivated by a powerful, innate force: autonomy is the soul of independent daily living that is achieved with the advancement of technology. Her research involves the development of robotic systems to provide assistance and increase independence for people with disabilities. She is developing several prototype robotic systems that will support transferring, repositioning, and personal care, with a focus on accessible user interfaces for control that are feasible for persons with severe disabilities.

Kavita attends many events and conferences with the Beam, allowing her independence and mobility to meet, learn, and network with professionals all over the world. The Beam gives her independence to be visible in the community to explore and expand technological boundaries from her home.

If you are interested in the Beam, you can sign up to connect to a Beam at the DeYoung Museum or test drive a BeamPro.

Job Description

The Walters Art Museum is seeking a talented Director of Finance to lead the museum's day-to-day financial operations, play a key role in the strategic direction of the museum, and ensure the organization's accounting policies and practices are compliant and effective.

The Position

Editor’s note: Here at UMBC, our students are the heartbeat of campus, and we are committed to providing them the best possible education. So, for the month of March, we will be highlighting our amazing academic departments, some of their recent achievements, and ways that you can help fund their continued excellence.

Your gift is extremely important and many of our students are depending on you. Please show your support and make an impact today. With you we can make a difference.

The Geography and Environmental Systems Department is proud to announce that it has doubled its majors to 320, launched a graduate program that offers M.S., M.P.S., and Ph.D degrees, as well as expanded its space to the basement of Sondheim. The department would also like to announce that it has added new faculty members to their department.

With your help the Geography and Environmental Studies department can provide support for undergraduate research projects, its Book Scholarship Program, and class field trips.

Click here to donate.

The History Department is pleased to share that last year, it supported the John Jeffries International Fellowship Fund and encouraged undergraduate and graduate travel and research opportunities by funding trips to national conferences where students presented their research.

With your help the history department can continue supporting these worthwhile initiatives and continue providing students a top-rate education.

Click here to donate.

The Sociology and Anthropology Department is pleased to announce that last year, Robert Barrett, an anthropology and biochemistry double major, studied abroad at Manipal University in India. The department is also thrilled to announce that Kelsey Krach ‘14, anthropology, has been accepted to the Visual and Digital Media masters program at the Institutuo de Empresa in Madrid, Spain. Krach is a Sondheim Nonprofit Leadership Fellow and competed as a finalist for a Fulbright Award.

With your help the sociology and anthropology department can cover travel costs to national research conferences, foster undergraduate research, and fund student scholarships.

Click here to donate.