UMBC alumnus Ben Marcin ’80 traveled the world with his camera. But he has found acclaim investigating the often bitter poetry, beauty and truth in local landscapes.

The photographs of Ben Marcin ’80, economics, are gaining a much wider audience of late. His work has been shown at venues including the Delaware Art Museum, The Center for Fine Art Photography in Ft. Collins, Colo., and at the C. Grimaldis Gallery in Baltimore – where he is currently represented and recently had a solo show this past winter. His photos are also in a number of group shows this summer, including at the Houston Center for Photography (“Photolucida Presents: How One Thing Leads To Another”); Towson University’s Center for the Arts Gallery (“Artscape 2014: Home: Human = Cage: Cockatoo” from July 10 to August 9) and the Griffin Museum of Photography, Boston (“Peter Urban Legacy 20th Annual Juried Exhibition” from July 10 to August 31).

Marcin’s work is also starting to be seized upon by those working in urban planning and writing about the larger forces at work in American culture. Marcin’s photographs have been featured in online galleries at The Paris Review, The Huffington Post, on Slate and in Wired, and twice in recent months on The Atlantic’s “City Lab” website.

The appeal of Marcin’s work to the larger audiences of policymakers and pundits is clear. His photographs engage with great issues of our time – urban blight and gentrification, homelessness, the vast expanses of rural America seemingly disconnected from our wired world – and yet they never slide into didacticism or agit-prop. The power of his art resides in the stark and unflinching eye of the photographer – and the images he captures with his lens.

UMBC Magazine asked Marcin to talk about his own artistic journey and introduce our readers to some of the series of images that are gripping the public imagination.

This is how I got started.

When I graduated from UMBC in 1980, I was 21 years old, absolutely clueless about what I wanted to do and six years away from buying my first camera. After several months of driving delivery trucks and working out of corporate mailrooms, I landed a job at the Social Security Administration (SSA) headquarters a few exits up the beltway from UMBC. I have worked at SSA to this day, the last 28 years in their enormous IT department helping build large computer programs and systems.

At age 27, I bought a small camera to help feed a creative urge that had been stirring for years, ever since my father started bringing home a series of modern art monographs from his job at the Library of Congress. I slowly taught myself how to use the camera from the ground up. In time, I learned how to take a good picture.

Eventually, I decided that it wouldn’t be a bad idea to start showing some of my photographs. In 1990, I approached the Knight Gomez Gallery in Baltimore. I nervously introduced myself to a very sophisticated young lady who turned out to be the gallery’s curator. Her name was Lynn O’Sullivan and I showed her a page of Kodachrome slides. She didn’t appear overly impressed with this first effort but she didn’t throw me out the door, either. Over time, she helped me with the process of putting together a small portfolio of prints and taught me how to best present them. Eventually she invited me to take part in a three-person photography exhibit at the gallery. That was in 1992 and it was the first of three shows I ended up having there. In 1997, I married Lynn and we have been together ever since.

Throughout my 30s and 40s, I travelled around the world taking photographs. I went through Central and South America, India, Turkey, most of Europe. Shooting locally had become passé for me; I thought I had “seen” everything of interest around Baltimore. It got to the point that between trips my camera would sit on a shelf, largely untouched, until it was time to head off on the next international adventure.

An interesting thing happened as I got older. I started to notice that there were a number of very intriguing things to photograph closer to home. I became more involved in the idea behind a series of photographs rather than the photographs as the endpoint. I shed some of the bright colors and exotic tones of my earlier work. A sort of coming home began to take place as I took a more thoughtful look at my immediate surroundings. In this light, I started several photo essays about some of the more interesting places where people live in and around Baltimore. The following describes some of these projects in more detail.

Last House Standing

One of the architectural quirks of certain cities on the eastern seaboard of the United States is the solo row house. Standing alone, in some of the worst neighborhoods, these 19th century structures were once attached to similar row houses that made up entire city blocks. Time and major demographic changes have resulted in the decay and demolition of many such blocks of row houses. Occasionally, one house is spared – literally cut off from its neighbors and left to the elements with whatever time it has left.

My interest in these solitary buildings is not only in their ghostly beauty but in their odd, almost defiant, placement in the urban landscape. Often three stories high, they were clearly not designed to stand alone like this. Many details that might not be noticed in a homogenous row of 20 attached row houses become apparent when everything else has been torn down. And then there’s the lingering question of why a single row house was allowed to remain upright. Still retaining traces of its former glory, the last house standing is often still occupied.

A House Apart

While working on “Last House Standing,” I was also documenting the many abandoned homesteads in the rural areas around Baltimore that are now becoming planned communities, mega-malls, industrial parks and other forms of urban sprawl. Unlike the row houses, which were originally lived in by many people at one time, the abandoned houses are much more isolated and have the appearance of having been built on the frontier.

The Camps

In 2011, I photographed the homeless camps in and around Baltimore. I do a lot of hiking in the area. As development has encroached upon whatever woods are left in the suburbs and industrial parks of Baltimore, I found myself practically stepping into a number of homeless camps that were carefully hidden among strips of trees or bushes running along highways or behind shopping centers. I became fascinated not only at the effort that went into remaining hidden in plain sight but also at the creativity involved. No two camps were ever alike. They ran the gamut from being completely exposed under bridges or fallen trees to semi-massive structures carefully constructed out of milk crates or wooden doors.

More than one resident told me that living in a tent was a personal choice – yet it seemed to me that there was often no other choice. Even more than the abandoned houses that I’ve documented, the homeless camps directly allude to the life trajectories of their owners. Not one of the camps remains today.

Read the full issue of the Summer 2014 UMBC Magazine.

UMBC Art Student Creates “Pathway to the Future” Mural for New Potomac bwtech@UMBC Research and Technology Park Facility

Potomac Photonics’ new location at the bwtech@UMBC Research and Technology park is giving us great opportunities for collaboration with the University of Maryland, Baltimore County. While we are already involved in science and engineering projects, we recently had a wonderful opportunity to work with a student artist.

Susan Lynch, who is the Development Officer for the UMBC Office of Institutional Advancement, helps connect the university; students; faculty and staff with alumni, and has been instrumental in building a strong partnership between Potomac and the UMBC community.  Knowing that Ganna Vikhylayeva, an UMBC art student had created a mural last year for the UMBC Biology Building, and that Potomac was looking to have a mural painted in its new space, she was able to bring Potomac and Ganna together.

“Potomac makes things that one can’t even dream about,” says Ganna. “They are looking into the future, and changing the world with their innovative work. So I wanted to show that Potomac is giving future possibilities to a new generation with the kids in the painting. I also wanted to show that they are standing on the Pathway to the Future so the floor is something out of SciFi leading to new worlds.

The mural also shows examples of the micro parts that Potomac creates through laser micromachining, micro CNC machining, micro 3D Printing, and other digital fabrication technologies. Many of these pieces are actually aesthetically beautiful, even if they are industrial or medical products.  Finally, the UMBC mascot was added to signify the strong bond that Potomac has with UMBC.

UMBC student and artist Ganna Vikhlyayeva

Ganna is from the Ukraine and hopes to complete her undergraduate degree in Animation/Interactive Media in Spring of 2015. She has a particular interest in children and paints murals for residential projects such as this one.

We’re thrilled to be able to work with diverse aspects of UMBC and plan to continue to create opportunities for a wide variety of students in our facility.

UMBC was cited as a university with one of the “Top 15 Affordable Computer Science Degree Programs“. The program came in as number ten based on five key points of comparison extracted from several data sources.

“We’ve identified five key points of comparison that will enable prospective students to see differences and similarities between what are the top schools, and what are the accessible, affordable, but still high quality options. The five data points are Acceptance Rate, Graduation Rate, Recognition, Tuition, and Return on Investment. The schools are listed in order of least to greatest return on investment, because this will allow students to see what they can expect in terms of the economic value of their education. For information about sources, see the note at the end of this article.”

UMBC offers a broad range of strong undergraduate and graduate degree programs in the computing disciplines including computer science, computer engineering, cybersecurity, electrical engineering, information systems, human-centered computing, healthcare information systems, and bioinformatics. These programs currently have more than 3,000 students enrolled. Together, they give rise to an intellectually rich and diverse community of faculty, staff and students supported by a world-class computing infrastructure.

As UMBC approaches its 50th anniversary in 2016, the school is looking to expand the leadership and capacity in the Office of Institutional Advancement.

At a college where “the party is in the library,” UMBC has become a model for other campuses, especially in the science and technology areas of study. Along with the University of Maryland, College Park, UMBC is one of three research universities in Maryland and houses the first university-related research park in the state, bwtech@UMBC, creating a stimulating environment for students who are looking to expand their knowledge and gain experience in their fields.

To help UMBC grow and reach its full potential, the administration is looking for a candidate capable of working in a high-profile position and dealing with strategy development, relationship cultivation, and effective execution of communications and government and community relations to elevate, expand, and protect campus image and reputation. The Assistant Vice President will build strong relationships with academic, athletic, and administration leaders across campus while managing a team including the Director of Communications, the Director of Arts and Culture, three Communications Managers, and two junior staff members.

Qualifications include seven to 10 years experience in communications with at least two years in work related to the higher education sector, a bachelor’s degree, experience supervising others, dealing with crisis communications and developing and evaluating digital communications. Candidates should also be proactive, be able to present themselves appropriately according to different situations, make excellent judgement calls, and be respectful and trustworthy.

Applications are being accepted through July 30.

To see a full description, please click here.

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The Baltimore Sun recently published an in-depth article on spring admissions policies at local universities, exploring them as a mechanism to expand access to higher education.

Dale Bittinger, assistant vice provost of Admissions and Orientation, discussed UMBC’s spring admissions policies, which enable some students to enroll in the spring if they take classes at a community college or another four-year university in the fall, without submitting another application to UMBC. Spring admissions can give students who are not initially offered admission to their first-choice school another opportunity to enroll.

Larry Hogan, the Republican nominee for Maryland governor, decided last week to participate in the state’s public financing system in the fall election. Hogan is the first candidate in 20 years to do so for a statewide general election. Hogan will receive a grant of about $2.6 million from the state, and his campaign will not be allowed to spend more than that on the race.

Donald Norris, professor and chair of the public policy department, was interviewed about Hogan’s decision by The Washington Post and The Baltimore Sun. “It surprises me a great deal that Hogan is going this way,” Norris told the Washington Post. “It tells me that the smart money is going elsewhere or people with money don’t think Hogan is going to win.”

In The Baltimore Sun, Norris said: “Nobody does this because they want to. They do this because they have to — and they have to because they can’t raise substantial amounts of money in any other way.” To read the full articles about Hogan’s decision, click below:

Republican Larry Hogan to use public funds in campaign for governor of Maryland (Washington Post)
Hogan opts for public financing in governor’s race (Baltimore Sun)