In the latest essay for his Race Stories column in The New York Times, published September 17, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, examines the work of photographer Marion Palfi and her relatively unknown photo book, There Is No More Time: An American Tragedy. “Juxtaposing portraits,” says Berger, “Ms. Palfi’s written observations and interview excerpts, There Is No More Time chronicles the many faces and viewpoints of white supremacy in Irwinton: the obedience to God and family; the religious and pseudoscientific justifications for believing that black people were inherently inferior; the resentment of outside intervention …