In the latest essay for his Race Stories column in the NYT, Maurice Berger, CADVC, speaks on the impact of a series of photos that document the 1964 Freedom Summer. According to Dr. Berger, the...
The MFA Thesis Exhibition, now on display in the CADVC, was mentioned in an article by City Paper‘s Baynard Woods last week. The article highlighted UMBC’s well connected Visual Arts faculty,...
In the latest essay for his Race Stories column for the New York Times, Maurice Berger, CADVC, discusses “the power behind a remarkable interactive website called ‘Mirror of Race,’ which uses 19th...
An outreach project of the Center for Art, Design and Visual Culture, featuring “pop-up arts events” was discussed recently in the Baltimore Guide. According to Sandra Abbott, CADVC Curator of...
“Are we creating a world where atrocities can be committed at the push of a button, and then immediately forgotten?,” asks City Paper’s H. Dean Freeman in response to the exhibition currently on...
In the latest essay for his Race Stories column for the New York Times, Maurice Berger, CADVC, discusses Civil Rights Photographer Jon Lewis’ pictures of farm workers outside of the Jim Crow...
Revolution of the Eye: Modern Art and the Birth of American Television, a forthcoming project from the Center for Art, Design and Visual Culture, UMBC and its Project Director, Dr. Maurice Berger...
The traveling exhibition For All the World to See: Visual Culture the Struggle for Civil Rights curated by Maurice Berger, CADVC, and organized by the CADVC has been selected as a critic’s pick...
In the latest essay for his Race Stories column for the New York Times, Maurice Berger, CADVC, discusses the Russian-American Photographer Vincent Soboleff’s pictures of Native Alaska. Berger...
Kelley Bell, associate professor of Visual Arts, received an honorable mention for her design of the catalog Command Z: Artists Working with Phenomena and Technology in the 2013 Museum Publication...