Taking Back The Piano

Ida Dierker
Mentor: Lisa Cella, Music

In the 19th and 20th centuries, the piano became a symbol of wealth and status, especially within middle and upper-class families. It was marketed to women, reinforcing traditional gender roles and confining them to domestic life. Piano playing, associated with femininity and refinement, was considered the most respectable instrument for women. Rather than fostering creativity, it was often used to control women’s emotions and entertain men, influencing their prospects for marriage. Despite these barriers, women composers like Maria Anna Marrinez, Lilli Boulanger, Clara Schumann, and Florence Price persevered, carving out careers in music composition. While many social barriers have lessened in the 21st century, female composers still face challenges. In response, more women are creating provocative pieces that incorporate diverse cultural styles, extended techniques, and social justice themes. Amplifying these voices is crucial for advancing women’s rights. For my project presentation, I will premiere a section from composer Hanna Moore’s piece “Piano is a Woman.” We will explore the evolution of female expression through the piano, the importance of amplifying lesser-known voices in music, and delve into Moore’s composition.

This work was funded, in part, through an Undergraduate Research Award from the UMBC Division of Undergraduate Academic Affairs.