Title: Homophobia and Queer Repression in Watchmen

Mentors: Keegan Finberg and Sharon Tran, English dept.

Come see Esther's oral presentation at URCAD on April 22:  1:15-1:30 RAC 106

Abstract:

My honors thesis examines representations of queerness in Alan Moore and Dave Gibbons’ superhero comic series Watchmen (1986-7), remarkable for its literary status and influentially mature take on the superhero genre. My URCAD presentation will give an overview of this thesis with a focus on analyzing how the character Rorschach constructs a superhero alter ego to repress his queerness and acquiesce to neoliberal norms of masculinity outlined by Margaret Thatcher’s British New Right of the 1980s. This reading is informed by methods from queer studies, superhero comic studies, new historicism and Marxism. I unpack the ways in which superhero comic tropes are subverted to portray repressed queerness, put those tropes into conversation with the politics of the AIDS epidemic, and consider Rorschach’s identity factors, primarily his lower working-class status, to explain why and how he represses his queerness in the manner he does. Ultimately, I demonstrate that considering Watchmen as a queer superhero story can open up new avenues of scholarly conversation for exploring the superhero genre’s unique capacity to portray repressed queerness via costuming. Given the current political moment’s rising homophobia, finding ways of seeing queer people in media, especially those struggling with homophobia, has become incredibly salient.

URCAD.umbc.edu