The Jim Crow era was marked by strict racial segregation, severely limiting Black individuals’ mobility and dignity. Public leisure spaces were often segregated, making travel dangerous and humiliating for Black people, which affected their leisure habits and options. Picturing Mobility: Black Tourism and Leisure During the Jim Crow Era, an exhibition curated by Elizabeth Patton, chair and associate professor of media and communication studies, is on view through December 19 at UMBC’s Albin O. Kuhn Library Gallery.
Left to right: Picnic in Highland Beach, Maryland; couple hugging; four women standing in front of a car parked at Carr’s Beach (Courtesy of Addison Scurlock, Stanley B. Burns Archive, Maryland State Archives).
The new exhibit, curated with organizational support from Beth Saunders and Emily Cullen ’06, with exhibition design by Tony Venne and Cullen, highlights how ordinary people captured moments from their personal lives.
These images depict mobility through scenes of relaxation, happiness, amusement, and community, challenging the dominant narrative of Black life during Jim Crow as primarily defined by restrictions and struggle. This exhibition emphasizes the power of these images to affirm Black humanity and provide meaningful insights into life fully lived despite the oppressive system of segregation.
Left to right: Gloria Lewis, 14, and Marilyn Lewis, 10, sisters from Marrifield, Maryland, enjoying themselves at Carr’s Beach; Boy in Toy Car (Courtesy of the Stanley B. Burns Archive, AFRO Charities).
Picturing Mobility invites viewers to explore what it meant for Black Americans to seek joy, rest, and travel amid a world shaped by exclusion and segregation. It draws on photographs, oral histories, audio, video, and travel ephemera related to Black tourism and leisure activities, mainly from the mid-Atlantic region, from the 1920s to the 1960s. The artifacts show how documenting and taking part in leisure and mobility were powerful forms of resistance.
Patton’s current book project, Documenting Black Leisure as a Form of Resistance, examines the history of Black leisure and tourism in the U.S. through Jim Crow-era media. The AOK Library Gallery will host an opening reception and curatorial talk with Patton on September 19 from 5 to 7 p.m.
The presentation of this exhibition and its public programs is supported by the Arts+ Initiative; the College of Arts, Humanities, and Social Sciences; and an arts program grant from the Maryland State Arts Council, an agency funded by the State of Maryland and the National Endowment for the Arts. Additional support comes from the Libby Kuhn Endowment Fund, as well as individual contributors.